Richard Harrington
Richard Harrington A certified instructor for Adobe, Apple, and Avid, Richard Harrington is a practiced expert in motion graphic design and digital video. His producing skills were also recognized by AV Multimedia Producer Magazine who named him as one of the Top Producers of 2004.
Rich is a member of the National Association of Photoshop Professionals Instructor Dream Team, and a popular speaker on the digital video circuit. He is also an instructor at the Art Institute of Washington and the American University in Washington, D.C.
Rich is an internationally published author. His book, Photoshop CS for Nonlinear Editors, was the first of its kind to focus on Photoshopâ's application in the world of video. He is also a contributing author for Final Cut Pro On the Spot, After Effects On the Spot, After Effects at Work, and The Photoshop World Dream Team Book, Volume 1. A Masters Degree in Project Management fills out Rich's broad spectrum of experience.
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Wednesday, July 09, 2008
Use Photoshop to stitch photos for backdrops
Monday, July 07, 2008
What would happen if you locked Bill Gates and Steve Jobs in the same apartment (like Big Brother)?
Well you get the risque comic strip – The Silicon Apartment (PG-13). The strip is really quite good and skewers both sides.
Sunday, July 06, 2008
Create Motion Graphic Elements with Ease
Learn how to use the Shape Tools to create dynamic motion graphics elements. This tutorial was recorded as part of a session at the 2007 NY Post Production Conference (www.nypostconference.com).
Sunday, July 06, 2008
I was over at YouTube posting a new tutorial.... came across a great clip that mixes multiple animation styles… this is VERY cool. It’s nice to hear the man so off-the-cuff… yet wise.
“In 1969, a 14-year-old Beatle fanatic named Jerry Levitan, armed with a reel-to-reel tape deck, snuck into John Lennon’s hotel room in Toronto and convinced John to do an interview about peace. 38 years later, Jerry has produced a film about it. Using the original interview recording as the soundtrack, director Josh Raskin has woven a visual narrative which tenderly romances Lennon’s every word in a cascading flood of multipronged animation. Raskin marries the terrifyingly genius pen work of James Braithwaite with masterful digital illustration by Alex Kurina, resulting in a spell-binding vessel for Lennon’s boundless wit, and timeless message.”
Learn more about it here (and yes… I missed this one somehow).
Sunday, June 29, 2008
Inside Jokes for the Mac Crowd
Just saw WALL-E with my son, and in typical Pixar fashion, it is awesome!
Two quick things I found hilarious for the Mac-Geeks out there.
First, there is a character in the film called Auto, who is an auto-pilot robot for the ship. The character’s voice is done by Macintalk, the speech synthesizer included with the Mac back in 1984. It sounded familiar, and I confirmed it as the “actor credit” actually appears at the end of the film.
Second, there is a scene where WALL-E reboots… and yes, it is the Macintosh startup chime that you hear. I found myself laughing out loud (and I think I was the only one within 20 rows of me who got the joke (geek!).
Saturday, June 28, 2008
Too many tracks in your Timeline, and you want to scroll up and down quickly? No need to grab the scroll bar on the right edge if you have a three-button mouse. Put the cursor over the Timeline, and use the third button to scroll up and down. It gets better; hold down the Shift key and you can scroll left and right (if you’re using an Apple Mighty Mouse, just scroll). Don’t stop now—place the cursor over the Viewer or Canvas, and you can scrub backward and forward. If you aren’t impressed yet by Apple’s thoughtful engineers, go try these shortcuts in a bin, on effect sliders, and even in the audio mixer.
Like this tip? It comes from the book
Final Cut Studio On the Spot from Focal Press.
Thursday, June 19, 2008
I recently got a chance to co-host Layers TV with Corey Barker. The show is a great podcast that comes out each week on all things Adobe. They do a really great job with it and they had me on as a guest host to cover Adobe Production Premium.
“Corey is joined by guest co-host Richard Harrington to discuss working with video in Photoshop Extended, Premiere, and After Effects.
• When working in Premiere, don’t forget about the search menu that you can use to locate the effects you want
• Change Color is a useful effect that you can use to target and adjust one color region of your video clip
• There are also Shadow/Highlight adjustment options in Premiere
• You can bring your video clips into Photoshop Extended and apply Photoshop effects to them
• Make video clips into smart objects so that Photoshop will treat them as a single layer
• After you have finished editing the video clip in Photoshop, go under the Export command and render the finished video
• Get more information from Richard at Photoshop For Video.com
• Use After Effects to make speed changes to your video clips. Remember, time is just another keyframe
• If you want further video training from Richard, you can watch his classes at Kelby Training.com, or see him live at Photoshop World this September in Las Vegas”
DOWNLOAD THE EPISODE
WATCH ONLINE
Thursday, June 19, 2008
Instructor Richard Harrington shares some techniques on how to age a photograph in Photoshop.
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