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Richard HarringtonRichard Harrington A certified instructor for Adobe, Apple, and Avid, Richard Harrington is a practiced expert in motion graphic design and digital video. His producing skills were also recognized by AV Multimedia Producer Magazine who named him as one of the Top Producers of 2004. Rich is a member of the National Association of Photoshop Professionals Instructor Dream Team, and a popular speaker on the digital video circuit. He is also an instructor at the Art Institute of Washington and the American University in Washington, D.C. Rich is an internationally published author. His book, Photoshop CS for Nonlinear Editors, was the first of its kind to focus on Photoshop’s application in the world of video. He is also a contributing author for Final Cut Pro On the Spot, After Effects On the Spot, After Effects at Work, and The Photoshop World Dream Team Book, Volume 1. A Masters Degree in Project Management fills out Rich’s broad spectrum of experience.
August 2008July 2008June 2008May 2008April 2008Complete ArchivesCategory Archives
NAB Conference Raises White FlagPhotoshop for Video – Creating Custom Backgrounds from ScratchPhotoshop for Video – Making Selections with CalculationsI Can’t Even Open My FCP Project File” (Or Other Flaky Activities)Video Compression Workshop – Helpful AdviceVideo Compression Workshop – 10 Steps to Better CompressionVideo Compression Workshop – An IntroductionThe Most Important Piece of Paperwork for Your Projects3-D Objects in Photoshop Part 2 - Photoshop for Video #863-D Objects in Photoshop Part 1 - Photoshop for Video #85Avoid Import Blues for After EffectsCreating Panoramic Backdrops for Green ScreenLaugh at Bill & Steve – The Silicon ApartmentAfter Effects CS3 Shape ToolsMotion Graphics Meets John LennonWALL-E Rocks – Two Great Mac JokesScrolling the FCP TimelineSpecial Episode of Layers TV on Production Premium CS3PSV#81 Age a Photo - Photoshop for VideoStan Winston, Rest In PeaceLearn How to Scan Photos for VideoCYA: FCP’s Autosave VaultHave a Broadband Card? Want to Share with the rest of the Crew?Perfect Color Balance for Less than $7Distressing Text Edges - Photoshop for Video |
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Thursday, May 08, 2008Final Cut Pro – The Dividing LineWhen dragging tracks in the Timeline, where you drag is as important as what you drag
When dragging tracks in the Timeline, where you drag is as important as what you drag. Careless dragging may result in an unintended overwrite edit when you intended
If you look closely at the Timeline, you’ll notice that it’s divided by a thin gray line. When dragging, look to see which region you enter to determine the edit type. When dragging from the Viewer or a bin, use these tips:
* Dragging to the upper-third of the track results in an insert edit.
Several different options are available when dragging within the Timeline. When dragging in the Timeline, use these tips:
* Dragging in the Timeline horizontally results in an overwrite edit by default.
Like this tip? It comes from the book
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Final Cut Pro – The Dividing LineWhen dragging tracks in the Timeline, where you drag is as important as what you drag When dragging tracks in the Timeline, where you drag is as important as… Advertisements |
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