Richard Harrington

Richard Harrington A certified instructor for Adobe, Apple, and Avid, Richard Harrington is a practiced expert in motion graphic design and digital video. His producing skills were also recognized by AV Multimedia Producer Magazine who named him as one of the Top Producers of 2004.

Rich is a member of the National Association of Photoshop Professionals Instructor Dream Team, and a popular speaker on the digital video circuit. He is also an instructor at the Art Institute of Washington and the American University in Washington, D.C.

Rich is an internationally published author. His book, Photoshop CS for Nonlinear Editors, was the first of its kind to focus on Photoshop’s application in the world of video. He is also a contributing author for Final Cut Pro On the Spot, After Effects On the Spot, After Effects at Work, and The Photoshop World Dream Team Book, Volume 1. A Masters Degree in Project Management fills out Rich’s broad spectrum of experience.


Sunday, June 01, 2008

Get Photos from Aperture to Final Cut Pro

Free Plug-in Saves Time and Effort

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Sometimes third-party plug-ins fill obvious holes… this is truly the case here.  Wouldn’t it make sense to be able to quickly send photos from Apple Aperture to Final Cut Pro? You’d think that sort of thing would be built right in (its not).  Fortunately the fine folks over at Connected Flow over an elegant (and free) solution.

“The Aperture to Final Cut Pro plugin lets you take your images stored in Apple’s professional photo management application and send them directly to a video sequence in Final Cut Pro. From within Aperture, you can select photos, set their order and duration and select transitions between frames.”

The Aperture to Final Cut Pro plugin is a free download and is provided on an as-is basis.  I find it works great.


Motion Graphics
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Get Photos from Aperture to Final Cut Pro

Richard Harrington | 06/01- 05:05 AM

Free Plug-in Saves Time and Effort

Sometimes third-party plug-ins fill obvious holes… this is truly the case here.  Wouldn’t it make sense…


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