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Richard HarringtonRichard Harrington A certified instructor for Adobe, Apple, and Avid, Richard Harrington is a practiced expert in motion graphic design and digital video. His producing skills were also recognized by AV Multimedia Producer Magazine who named him as one of the Top Producers of 2004. Rich is a member of the National Association of Photoshop Professionals Instructor Dream Team, and a popular speaker on the digital video circuit. He is also an instructor at the Art Institute of Washington and the American University in Washington, D.C. Rich is an internationally published author. His book, Photoshop CS for Nonlinear Editors, was the first of its kind to focus on Photoshop’s application in the world of video. He is also a contributing author for Final Cut Pro On the Spot, After Effects On the Spot, After Effects at Work, and The Photoshop World Dream Team Book, Volume 1. A Masters Degree in Project Management fills out Rich’s broad spectrum of experience.
August 2008July 2008June 2008May 2008April 2008Complete ArchivesCategory Archives
Photoshop for Video – Creating Custom Backgrounds from ScratchPhotoshop for Video – Making Selections with CalculationsI Can’t Even Open My FCP Project File” (Or Other Flaky Activities)Video Compression Workshop – Helpful AdviceVideo Compression Workshop – 10 Steps to Better CompressionVideo Compression Workshop – An IntroductionThe Most Important Piece of Paperwork for Your Projects3-D Objects in Photoshop Part 2 - Photoshop for Video #863-D Objects in Photoshop Part 1 - Photoshop for Video #85Avoid Import Blues for After EffectsCreating Panoramic Backdrops for Green ScreenLaugh at Bill & Steve – The Silicon ApartmentAfter Effects CS3 Shape ToolsMotion Graphics Meets John LennonWALL-E Rocks – Two Great Mac JokesScrolling the FCP TimelineSpecial Episode of Layers TV on Production Premium CS3PSV#81 Age a Photo - Photoshop for VideoStan Winston, Rest In PeaceLearn How to Scan Photos for VideoCYA: FCP’s Autosave VaultHave a Broadband Card? Want to Share with the rest of the Crew?Perfect Color Balance for Less than $7Distressing Text Edges - Photoshop for VideoMake Your Gray Skies Blue in Final Cut Pro |
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Thursday, June 12, 2008Perfect Color Balance for Less than $7Why QP Cards Rock
One way to address color calibration between your angles is to use a calibration card when shooting. This is relatively easy if you just remember to put a fresh color balance card on your clapboard for each shoot. One of our favorites is the QP Card, an affordable reference card (http://www.qpcard.se). Priced at less than $5 per card, this is a great investment in accurate color.
1. They are small and lightweight, easily fitting in your gear bag.
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Perfect Color Balance for Less than $7Why QP Cards Rock One way to address color calibration between your angles is to use a calibration card when shooting. This is relatively easy if you just remember… Advertisements |
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