AJA + Adobe = Great High-End WorkflowsI’ll be the first to admit that I don’t have the privilege of getting to work with high-end workflows all of the time. I go from everything to DV to Film 4K and everything in between, but clearly SD and compressed HD workflows predominate what we do. However, I have to say that I’ve been really intruiged with what AJA offers for Adobe products - all that you would expect and a whole bunch extra. Read on to… |
Adobe previews next generation of post production softwareSAN JOSE, Calif. and AMSTERDAM, Netherlands — Sept. 10, 2008 — At IBC2008 Adobe Systems Incorporated (Nasdaq:ADBE) is showcasing advanced video and new media technologies that are enabling broadcasters and media professionals to create, deliver, and monetize dynamic media across disparate platforms and devices. Highlights of the show include previews of the next version of Adobe® Creative Suite® Production Premium and Adobe Flash®… |
RED Workflow ReduxI might be just winging it, but darned if it don’t work!
I haven’t yet found a manual for working with RED footage. The methods that I’ve discovered have been cobbled together by searching through thousands of posts on Reduser.net (which has a very low signal-to-noise… |
New Red Camera Adobe SupportComing From Red: Adobe Production Premium support ! For a few weeks now I have been checking out the new Red Camera Adobe Importer plug-in for Premiere Pro, AfterEffects, and Encore. For their first Adobe CS3 plug-in, they’ve done some excellent work. Their importer plug-in makes using the native R3D file type as easy as any of the other tapeless formats we currently support with CS3. As with our P2 and XDCAM support, importing is as easy as drag and drop or you can still use the standard… |
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