Richard Harrington
Richard Harrington A certified instructor for Adobe, Apple, and Avid, Richard Harrington is a practiced expert in motion graphic design and digital video. His producing skills were also recognized by AV Multimedia Producer Magazine who named him as one of the Top Producers of 2004.
Rich is a member of the National Association of Photoshop Professionals Instructor Dream Team, and a popular speaker on the digital video circuit. He is also an instructor at the Art Institute of Washington and the American University in Washington, D.C.
Rich is an internationally published author. His book, Photoshop CS for Nonlinear Editors, was the first of its kind to focus on Photoshop’s application in the world of video. He is also a contributing author for Final Cut Pro On the Spot, After Effects On the Spot, After Effects at Work, and The Photoshop World Dream Team Book, Volume 1. A Masters Degree in Project Management fills out Rich’s broad spectrum of experience.
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Monday, May 19, 2008
Create Window Burns in One Pass with Final Cut Studio 2
Timecode burn-in is used to assist in referencing back to parts of show. Typically this has been used on VHS tapes for producers so they can comment on shows, etc. These days it’s more common to use QuickTime files and DVDs for this type of work. Since you’re going to have to encode the video anyway (most likely using Compressor), why not add timecode burn-in at the same time?
Fortunately, a great new feature in Compressor 3 allows you to do this.
1 Inside Final Cut Pro select the sequence you want to export.
2 Choose File > Export > Using Compressor.
3 Inside Compressor select the setting you’d like to apply to the file. With the setting active, select the Inspector window and click the Filters tab.
4 Choose Timecode Generator.
5 Change the settings for the Timecode Generator as you see fit.
6 Apply the setting to the clip in the Batch window.
7 Submit the job.
Note: If you’re trying to choose the Timecode Generator for an Apple preset you’ll notice there are no filters in the Filters tab of the Inspector. To be able to add the Timecode Generator to one of the Apple presets, you’ll have to duplicate it first (then it becomes a custom preset).
Like this tip? It comes from the book
Final Cut Studio On the Spot from Focal Press.
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Richard Harrington | 05/19- 04:16 PM
Create Window Burns in One Pass with Final Cut Studio 2 Timecode burn-in is used to assist in referencing back to parts of show. Typically this has been used…
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