Richard Harrington
Richard Harrington A certified instructor for Adobe, Apple, and Avid, Richard Harrington is a practiced expert in motion graphic design and digital video. His producing skills were also recognized by AV Multimedia Producer Magazine who named him as one of the Top Producers of 2004.
Rich is a member of the National Association of Photoshop Professionals Instructor Dream Team, and a popular speaker on the digital video circuit. He is also an instructor at the Art Institute of Washington and the American University in Washington, D.C.
Rich is an internationally published author. His book, Photoshop CS for Nonlinear Editors, was the first of its kind to focus on Photoshopâ's application in the world of video. He is also a contributing author for Final Cut Pro On the Spot, After Effects On the Spot, After Effects at Work, and The Photoshop World Dream Team Book, Volume 1. A Masters Degree in Project Management fills out Rich's broad spectrum of experience.
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Thursday, July 31, 2008
1.) De-interlace your video: Most video files are interlaced, which means that half of one image is blended with half of the next. On a Television this produces smoother motion, on a computer it produces junk.
2.) Lower your audio standards: Most users are listening to computer audio on tiny speakers. Cutting your sample rate to 22 or 11 kHz and the sample size to 8-bit will often produce unnoticeable audio changes but huge space saving.
3.) Shrink the window: While you don’t need to make video postage stamps sized. But reducing the window to half size creates a file that is 25% the file size of the original. That’s a BIG savings in space.
4.) Reshape the video: Most likely you are working with a video file that is sized 720 X 480 (or 486) pixels. You need to resize this to 640 X 480 for it to properly display on the computer monitor.
5.) Restore the washed-out picture: Video signals operate between an RGB value of 16 thru 235. Computers use an RGB value of 0 thru 255. You will need to restore the back and white point of your image. Many applications have this option.
6.) Improve the saturation: A video file displayed on a computer will also need the saturation turned up a bit. This is to compensate for what I call the Wal-Mart effect. Consumer TVs have their reds over-cranked to make skin tones appear richer on their cheap tubes.
7.) Frame Rate: Your video file is likely recorded at approximately 30 fps. This is needed for a television display, but not important for most web video. Reducing your frame rate to 15 or even 10 fps will result in a 50 - 66% savings in file size.
8.) Codecs: The file architecture you pick will often have its own codec chosen. However some file formats support a variety of codecs. Be sure to keep compatibility and audience requirements in mind. Newer codecs offer a significant advantage over older formats.
9.) Don’t use a Conduit: For faster compression, don’t run web compression through a conduit like Final Cut Pro to your compression utility. Instead, save a flattened, self-contained movie and then compress.
10.) Test it: Before you compress a lot of video, create a small test file. Try compressing 10 seconds of video with different settings. Find the ones that work best for you.
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Richard Harrington | 07/31- 08:36 AM
1.) De-interlace your video: Most video files are interlaced, which means that half of one image is blended with half of the next. On a Television this produces…
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