Recent Posts
Art Adams | 05/10- 10:18 AM
Here it is, finally finished. Phew! Now I know why I’m not in post production. I’ll write a blog entry on my stupid post mistakes later; for now, enjoy!
Details that may be interesting…
Richard Harrington | 05/10- 06:54 AM
Looking for something different? I discovered Animoto at this year’s SXSW conference… Load up your photos, pick a song, and…
Adam Wilt | 05/09- 10:25 PM
The more we work with RED ONEs, the more we learn about what they do and how to work with them, thus the following grab-bag of observations and experiences.
Mike Curtis | 05/09- 05:52 PM
Check out this trailer for The Fall. If the imagery doesn’t grab you at first (I saw posters on the street walking to work, and…
Richard Harrington | 05/08- 07:19 PM
When dragging tracks in the Timeline, where you drag is as important as what you drag. Careless dragging may result in an unintended overwrite edit when you intended
an insert edit.
…
Richard Harrington | 05/08- 07:14 PM
Instructor Richard Harrington explains how to handle logos and give them alpha channels so they will work in a video environment.
Richard Harrington | 05/08- 07:09 PM
Instructor Richard Harrington explains how you can create a spot color effect by working with your video clips in Photoshop CS3.
Steve Hullfish | 05/08- 11:38 AM
One of the reasons I got into this business in the first place was for the cool LCD displays, colored buttons, and various joysticks and fader bars. So it’s kind of ironic that less than 10 years…
Chris and Trish Meyer | 05/07- 09:20 PM
The real power in using any compositing program comes in combining its tools to create something more powerful than any one hammer or screwdriver can give you. In this previous column, we show you how…
Adam Wilt | 05/07- 06:27 PM
I obtained a new, 4K resolution test chart at NAB, and aimed RED ONEs running build 15 version 2.2.5 at it using four different lenses: a 50mm Super Speed, a 50mm Ultra Prime, a 18-50mm RED zoom, and…
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