Rich Young

Rich Young is a long-time After Effects user from the San Francisco Bay Area


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Thursday, May 10, 2012

Learn After Effects CS6: a basics series

New videos from Brian Maffitt

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Brian Maffitt of Total Training is back on the tutorial beat after a long absence, with AE CS6 essentials training.

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Monday, May 07, 2012

Another week in After Effects

CS6, assorted tutorials, and scripts & plug-ins new and old.

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CS6 is now shipping; Cloud services and point product subscriptions are available May 11. CS6 trial applications good for 30 days are also available (with advice). CS6 Help is up, but for now has poor search results and no PDF.

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Monday, April 30, 2012

Last week in After Effects

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Here’s another summary of the last week of news on Adobe After Effects — with more on CS6, new scripts, time-lapses, light arrays, looks, and assorted tutorials and plug-ins new and old.

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Sunday, April 29, 2012

AE CS6 Global Performance Cache: So Far

Videos on the new ‘must-have’ feature

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The Global Performance Cache, group of time-saving technologies consisting of a global RAM cache, a persistent disk cache, and a new graphics pipeline (along with the Cache Work Area In Background command), is considered the best new feature of After Effects CS6. The explanation by Chris and Trish Meyer in After Effects CS6 (P)Review is the most informative text on this feature cluster to date.

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Monday, April 23, 2012

More forays into Production Premium CS6

The latest videos on new features

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It’s CS6 launch day (live at 10 AM PST). The cost of ownership of Master Collection is about the same at $2600/$525 upgrade, and the Cloud service master collection is $50/30 per month by year ($600/$360), or a la carte per app ($20/month for AE); see pricing and details at Adobe. The ship date for CS6 will be announced later. In the meantime, here are some additional video demos from Adobe…

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Sunday, April 22, 2012

Recently in After Effects

CS 6 announced, plus new tools and tutorials

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Here’s another summary of the last few weeks or so of news on After Effects— this time CS6 dominates, but there were still new scripts and a plug-in, and assorted tutorials.

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Wednesday, April 11, 2012

AE CS6 and Production Premium Revealed [updated]

Details, reviews, and tutorials

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Adobe has announced almost all of CS6 Production Premium (except for Illustrator), and there’s a boatload of previews and other resources on the product reveal page for NAB. Anita Engelman shares some pointers to those resources in We’re revealing the upcoming Creative Suite 6 Production Premium Release here on PVC.

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Tuesday, April 10, 2012

Last week in After Effects

Busier than expected before a change of gear at NAB

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Here’s another summary of the last week or so of news on After Effects—busier than expected before a change of gear at NAB—this time with CS Next, Mocha and tracking, 3D text and bevels, stills in AE, Trapcode Mir (pictured), 3 new scripts, assorted tutorials, and plug-ins new and old.

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LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse
Art Adams

Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…

Compositing in FCP X
Mark Spencer

On this week’s MacBreak Studio

David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projection
Todd_Kopriva

Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.

After Effects Apprentice Free Video: Rendering a 4:3 Center Cut Movie from a 16:9 Composition
Chris and Trish Meyer

...plus an update on what’s next for the Apprentice series.

Final Cut Pro X Multicam Editing webinar now available on-demand
Scott Simmons

Plus a little screencast in this blog post on a topic we didn’t get to cover.

CAMERAS: Food Fights with the FS700
Art Adams

You want 240fps 1920x1080? I’ve got your high-speed HD right here… for less than $10K.

How to get good production dialogue
Matt Jeppsen

Use a boom mic and some common sense!

After Effects Apprentice Free Video: Using Parenting to Animate Layers as a Unit
Chris and Trish Meyer

Taking advantage of parenting, multiple 3D views, and AE’s built-in calculator to coordinate a multi-layer animation.

Rigging the Bird
Mark Spencer

Motion Magic on MacBreak Studio

10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6
Scott Simmons

These are a few of the things that I found myself searching for as I’ve been moving over to Premiere Pro CS6 as a FCP 7 replacement

Blackmagic: We’re ready to remove the Band-Aid!
Allan Tépper

If you agree, please sign the online petition requesting the required updates.

Adobe is coming to a city near you!
Michelle Gallina

CS6 Production Premium Road Show







LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse

Art Adams | 05/24- 11:24 AM

Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…

I love stacking cucolorii (plural of “cucoloris”) and I thought it was time to write an article about how this technique works and why I like it so much. I was a bit stretched for ideas that would illustrate this concept… and then an eclipse happened. Why that made a difference is a very interesting story…

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Compositing in FCP X

Mark Spencer | 05/23- 05:03 AM

On this week’s MacBreak Studio

On this week’s MacBreak Studio, I show Steve Martin from Ripple Training a few things I’ve discovered in my exploration of the compositing features in Final Cut Pro X.

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