Rich Young

Rich Young is a long-time After Effects user from the San Francisco Bay Area


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Saturday, April 23, 2011

After Effects A-Z: CC Ball Action

An array of balls to rotate, twist, and scatter

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The After Effects: Effects A-Z tip series from Motionworks continues with guest host Adam Everett on the CC Ball Action effect that ships with After Effects. Beyond the basics he shows the Brightness Twist control, an old favorite that can make things interesting.

A number of other tutorials on Ball Action for light walls and audio viz have been cataloged at the old AE Portal, along with a complete list of the Effects A to Z series. An oldie on Ball Action may seem familiar, Molecule fun by Stephen Schleicher.



Thursday, April 14, 2011

Stereo 3D in After Effects CS5.5

Resources from Todd Kopriva

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Todd Kopriva has collected some resources for stereoscopic 3D in After Effects CS5.5. It’s got all the latest on Stereo 3D for AE including a (text only) document explaining the theory and practice by Amir Stone, the software engineer responsible for steroscopic 3D features in After Effects.

Chris Meyer has the full story on the new stuff in AE, so here’s Karl Soule on how to edit stereoscopic 3D material using Cineform technology in Premiere Pro CS5+. See also the earlier video by Dave Helmley.

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Stereoscopic• (4) Comments• Most recent comments by: Rich Young, Noah, Rich Young, Karl Soule, • Permalink


Wednesday, April 13, 2011

Final Cut X Supermeet presentations

Well, it looks good.

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At the risk of overkill, here’s some nice nearly complete video from Emmanuel Pampuri on the Supermeet Apple Final Cut X presentation. There’s also another less shaky view, from Cam Cornelius:

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Tuesday, April 12, 2011

The mograph-source Daily

a paper.li newspaper

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The mograph-source Daily is a new website from Josh Sears trying to tame the information explosion. It’s a “newspaper” based on paper.li, which “organizes links shared on Twitter and Facebook into an easy to read newspaper-style format.”

It joins the more summary approach of SqueezeME.TV. The width and quality of coverage depends on the sources chosen, level of curation, and your interests—so take a look.

As Ken Kesey said, ~ get them into your movie before they get you into theirs.~

Update: there’s also The Final Cut Pro Daily.




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Monday, April 11, 2011

qp_Bars generates SMPTE color bars

A new After Effects script

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AE Scripts has a new script by Christian Lett, qp_Bars, which generates SMPTE color bars for video. There are four bar options:

* SMPTE color bars with PLUGE
* PAL colour bars (the color bars run the full height of the image)
* SMPTE HDTV color bars
* 16:9 color bars (as HDTV bars but the colour bars run the full height of the image)

The Colour Bar Intensity slider changes the intensity of the seven color bars only (default 75% for SMPTE defined bar values). All other bars are constant.



Monday, April 11, 2011

GenArts Sapphire Webinar recording

with Marcello Grande in After Effects

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SFMOGRAPH posted the recording of the recent GenArts Sapphire Webinar with Marcello Grande (embedded below the fold):

“Marcello walks you through some recent projects and shows you how to save time and have fun creating visual effects using GenArts Sapphire in After Effects. Marcello will be explaining how to use Sapphire Textures, Convolve, Defocus and Z Glow. He will also be showing some 3D relighting techniques that take advantage of Light 3D, a Sapphire tool that allows you to relight a 3D model within After Effects to make on-the-fly decisions based on your AE scene.”

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Sunday, April 10, 2011

Creative Suite 5.5 + Subscriptions

How it works

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Adobe has a new subscription option that gives you the latest Creative Suite software for a monthly or yearly fee.

For After Effects CS 5.5 the cost is $49 per month on the yearly plan, or $75 per month. Upgrades are $179 for CS5 users, and $299 for CS2-CS4 users. The full permanent license is $999, so rentals do make sense in some cases.

Below the fold, there’s a movie explaining subscriptions, as well as one explaining CS 5.5 in general…

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Sunday, April 10, 2011

AE CS 5.5: New Creative Techniques Introduction

Chris Meyer lays it out.

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Chris Meyer introduces his favorite new features in AE CS 5.5 in the first of a complete training series hosted by Adobe,  AE CS 5.5: New Creative Techniques Introduction. How do you spell woohoo?!

I’ll skip the sexy stuff with multiple tutorial movies, and just include ETLAT here.

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LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse
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Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…

Compositing in FCP X
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On this week’s MacBreak Studio

David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projection
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Plus a little screencast in this blog post on a topic we didn’t get to cover.

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These are a few of the things that I found myself searching for as I’ve been moving over to Premiere Pro CS6 as a FCP 7 replacement

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LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse

Art Adams | 05/24- 11:24 AM

Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…

I love stacking cucolorii (plural of “cucoloris”) and I thought it was time to write an article about how this technique works and why I like it so much. I was a bit stretched for ideas that would illustrate this concept… and then an eclipse happened. Why that made a difference is a very interesting story…

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Compositing in FCP X

Mark Spencer | 05/23- 05:03 AM

On this week’s MacBreak Studio

On this week’s MacBreak Studio, I show Steve Martin from Ripple Training a few things I’ve discovered in my exploration of the compositing features in Final Cut Pro X.

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