Scott Gentry

Scott Gentry started his career as a child actor then moving to ABC All My Children first in production straight out of college, then in front of the camera for a short stint as a regular walk-on (woo-hoo!).

Scott also worked the stadium camera for NY Jets and Giants games, as well a a multitude of events at the Meadowlands arena in NJ. From there he got into publishing and 6 months after sending his resume to DV magazine, he was the publisher. DV went from last to first place and Scott moved on to AV Video Multimedia Producer and led the team to turn that into Studio Monthly and launch Studio Daily.

Scott founded and helped establish PVC by gathering the best writers and video gurus in the market and putting them all in one place.



Saturday, November 22, 2008

Are You Following PVC on Twitter?

Just a friendly reminder that PVC has been twitterfied

(1) Comments • Most recent comments by: Rob, • Permalink


Thursday, November 13, 2008

Here is RED Scarlet / Epic

As a follow up to Mike’s spec post…

image

more »

Cameras
Hardware • (2) Comments • Most recent comments by: Graeme Nattress, jf_leduc, • Permalink


Tuesday, November 04, 2008

ProPhoto Coalition Goes Beta

Think ProVideo Coalition, um, er, only for photography

image

You can check it out here.  The model is the same.  Great writers, producing great articles.  For the reader, the best thing is that once you’ve registered for one site, you’re registered for every new creative site that comes down the line.  Yes, there are more coming. 

We’re very excited to get into Beta for ProPhoto Coalition, and we’re looking for more great writers.  Check it out and spread the word.

 


PR News • (0) Comments • • Permalink


Monday, November 03, 2008

10 Days Left for the Red Epic Scarlet Announcememnt

Teaser Image attached


Cameras
PR News • (0) Comments • • Permalink


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Keyframe Stretching in Motion
Mark Spencer

Scaling Keyframes to Retime Your Animation

Business slow?
Mark Spencer

It’s time to get busy.







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Keyframe Stretching in Motion

Mark Spencer | 11/12- 11:30 AM

Scaling Keyframes to Retime Your Animation

So you’ve created a great animation in Motion. You’ve tweaked every motion path, set each keyframe interpolation, and pulled and pushed on every bezier handle to get the timing and flow just right. Then your client tells you they love it but it needs to last 2 seconds longer. Before you pull your hair repositioning hundreds of keyframes by hand, check out this video for a quick tip on a handy keyframe editing tool that could save you load of time - and hair.

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