Scott Gentry

Scott Gentry started his career as a child actor then moving to ABC All My Children first in production straight out of college, then in front of the camera for a short stint as a regular walk-on (woo-hoo!).

Scott also worked the stadium camera for NY Jets and Giants games, as well a a multitude of events at the Meadowlands arena in NJ. From there he got into publishing and 6 months after sending his resume to DV magazine, he was the publisher. DV went from last to first place and Scott moved on to AV Video Multimedia Producer and led the team to turn that into Studio Monthly and launch Studio Daily.

Scott founded and helped establish PVC by gathering the best writers and video gurus in the market and putting them all in one place.



Thursday, December 25, 2008

Happy Holidays

...and the forums are finally working again!

So take this time and click on over to the forums and start foruming…

(0) Comments • • Permalink


Tuesday, December 16, 2008

The End of an Era

Are trade shows also going the way of the printed magazine and Dodo bird?  Apple leaves MacWorld effective 2010.

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Print is (near) dead, trade shows are on life support
Most people know that I ran DV magazine, DV Expo, and the like, for ten years.  From there I went on to AV Video, and with the help of a very talented team, turned that into Studio Monthly and StudioDaily.com.  Back in the day each of those magazines were easily doing 160+ pages per issue, with about 60% of those pages going to advertising.  Yes, because they are trade publications and offer free subscriptions to those that can fog up a glass, um qualify, they run their business from advertising.  Creating an editorial environment that can separate advertising form editorial (also know as Church and State), proved to be a challenge, but always paid off in the end.

The world has changed.  Publishing has changed, and the models that support a successful publishing business have also changed.  Many of my favorite magazines in this market, and others, are no longer able to deliver what they used to.  It’s not their fault, there isn’t enough ad revenue to support it.  The lack of advertising supporting print means that there are ultimately fewer pages to read.  As a publisher you may only get 12 issues a year, and of course you need to cover everything.  When times and markets were flush with cash, you simply printed more pages and made the 2 page review, a 4-5 page review.  Gone are those days, at least in print.

Online of course is much different, we can electronically “print” another page at will, without the printing, postage and associated costs of ink, etc.  If a review needs to be 12 pages long, it can be without costing and arm and a leg.  In fact, multiple online pages provide more advertising inventory by allowing for more page loads.

more »

PR News • (7) Comments • Most recent comments by: gerald, Scott Gentry, Mike Curtis, Michael Horton, Scott Gentry, Michael Horton, vdeoguy, • Permalink


Thursday, December 11, 2008

Introduction to the 5D Mark II’s Video Feature

Bruce Dorn’s hands on with the Canon 5D

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When it comes to the Canon 5D MKII, we have a ringer at our sister site – ProPhoto Coalition.  Bruce Dorn is the guy Canon hired to show off it’s glory.  A still photographer showing off the video prowess you ask?  Well you haven’t heard of Bruce then have you?  Bruce could very well have his own channel on ProVideo Coalition with the career and experience he’s had in pro video.  After you’ve digested the 5D article, peruse his bio here.

We’ve only just launched PPC, but as the video and photography markets continue to coalesce, we expect a lot of articles to be of value to the PVC reader.


Cameras
Production • (6) Comments • Most recent comments by: jasonwoodler, Marco Solorio, Scott Gentry, witzke, Mitch Aunger, billS, • Permalink


Monday, December 01, 2008

Nikon’s Top DSLR Is No Video Camera

Bucking a trend set by the D90 and the Canon 5D MKII

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Why write about a DSLR on a pro video site?  With the Canon 5D MKII all the rage, as well as the fervor mounting over the new RED cameras, it’s almost surprising that the new top of the line Nikon isn’t touting video as a prowess.  This camera is no slouch by any means.  It sports a full frame sensor and lots of Nikon love.  Check out the camera, more images, and the press release on our sister site, ProPhoto Coallition.

 

Newly developed Nikon FX-format CMOS sensor (35.9 x 24.0 mm sensing area)

  24.5 million effective pixels

  Superior-resolution image quality equivalent to medium-format digital cameras

  High-speed continuous shooting of up to approx. 5 frames per second in FX format (24.5 megapixels) / 5:4 (20.4 megapixels); 7 frames per second in DX format (10.5megapixels)*1

  Wide ISO sensitivity of 100 to 1600 at normal setting, with low noise performance

  Two Live View modes — Handheld and Tripod

  High-density 51-point (world’s largest number*2) AF system


Hardware
PR News • (0) Comments • • Permalink


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Mark Spencer






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The Top Ten Things After Effects Users Love and Hate about Motion

Mark Spencer | 12/03- 12:10 PM

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