Scott Gentry started his career as a child actor then moving to ABC All My Children first in production straight out of college, then in front of the camera for a short stint as a regular walk-on (woo-hoo!).
Scott also worked the stadium camera for NY Jets and Giants games, as well a a multitude of events at the Meadowlands arena in NJ. From there he got into publishing and 6 months after sending his resume to DV magazine, he was the publisher. DV went from last to first place and Scott moved on to AV Video Multimedia Producer and led the team to turn that into Studio Monthly and launch Studio Daily.
Scott founded and helped establish PVC by gathering the best writers and video gurus in the market and putting them all in one place.
Keep an eye out for the third PVC Pipeline | Post newsletter in September!
Earlier in August we published our third PVC Pipeline | Distribution newsletter, which included a review of the Sony HXR-MC1 camera by Adam Wilt, an overview of the pros and cons of the RED One and Canon 5D mkII by Art Adams, Richard Harrington’s real-world experiences with HD field monitors, and a combo review of the Scope Box Software and Reflecmedia LED Green Screen System by Jeff Foster. Subscribers had exclusive access to these articles for the past few weeks. These articles are now available for all PVC visitors to view; a list of them is included below.
In early September we will publish our eighth electronic newsletter, which will be the third edition of our PVC Pipeline | Post publication. It will include articles on Avid to Premiere to Avid editing workflows by Steve Hullfish and Final Cut Pro to After Effects workflows by Richard Harrington, plus more. To receive exclusive access to these articles before everyone else, click here for your free subscription!
Keep an eye out for the third PVC Pipeline | Production newsletter in August!
A few weeks ago, we published our sixth electronic newsletter: PVC Pipeline | Distribution, which included an overview of the mobile media scene, exploring new media production as a way of expanding your business, using Apple TV as a client review tool, using Adobe Encore to create quick web sites with embedded video, and a review of Sorenson Squeeze 5.1. Subscribers had exclusive access to these articles for the past few weeks. These articles are now available for all PVC visitors to view; a list of them is included below.
We are about to publish our seventh newsletter, which will be the third edition of our PVC Pipeline | Production publication. It will include a review of the Sony HXR-MC1 camera by Adam Wilt, an “in the trenches” article by Richard Harrington on using waveform and vectorscope monitoring in the field, and more. To receive exclusive access to these articles before everyone else, click here for your free subscription!
Keep an eye out for the second PVC Pipeline | Post newsletter next week!
A few weeks ago, we published our fourth electronic newsletter: PVC Pipeline | Production, which included a pair of equipment reviews, a wrap-up of NAB, plus an inexpensive trick for offlining 24p material. Subscribers had exclusive access to these articles for the past few weeks. These articles are now available for all PVC visitors to view; a list of them is included below.
We are about to publish our fifth newsletter, which will be the second edition of our PVC Pipeline | Post publication. It looks to be another must-read, with Richard Harrington showing how to make your Flash video content searchable, Chris Meyer explaining the workflows required by the new pixel aspect ratios introduced in Adobe Creative Suite 4, Scott Simmons giving Final Cut Pro editors a primer on how to use Avid Media Composer, and more. To receive exclusive access to these articles before everyone else, click here for your free subscription!
Bruce Dorn found this on our sister site ProPhoto Coalition. Here’s the beginning:
If you’ve been following the maturation of the Canon 5D MKII as an HD video capture device, then you’ve probably heard about the camera’s limitations with regards to audio recording.
Yes, the 5D MKII does record audio via an internal microphone but that feature is so basic as to be nearly useless. There is, thankfully, an “Audio In” jack but the camera’s compact form-factor has necessitated that this input be the tiny and sometimes unreliable 3.5mm mini-jack. Most professional level audiophiles would much prefer the industry-standard XLR jacks but there just wasn’t enough room for these larger connectors.
When it comes to the Canon 5D MKII, we have a ringer at our sister site – ProPhoto Coalition. Bruce Dorn is the guy Canon hired to show off it’s glory. A still photographer showing off the video prowess you ask? Well you haven’t heard of Bruce then have you? Bruce could very well have his own channel on ProVideo Coalition with the career and experience he’s had in pro video. After you’ve digested the 5D article, peruse his bio here.
We’ve only just launched PPC, but as the video and photography markets continue to coalesce, we expect a lot of articles to be of value to the PVC reader.
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Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…
I love stacking cucolorii (plural of “cucoloris”) and I thought it was time to write an article about how this technique works and why I like it so much. I was a bit stretched for ideas that would illustrate this concept… and then an eclipse happened. Why that made a difference is a very interesting story…
On this week’s MacBreak Studio, I show Steve Martin from Ripple Training a few things I’ve discovered in my exploration of the compositing features in Final Cut Pro X.
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