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Scott GentryScott Gentry started his career as a child actor then moving to ABC All My Children first in production straight out of college, then in front of the camera for a short stint as a regular walk-on (woo-hoo!). Scott also worked the stadium camera for NY Jets and Giants games, as well a a multitude of events at the Meadowlands arena in NJ. From there he got into publishing and 6 months after sending his resume to DV magazine, he was the publisher. DV went from last to first place and Scott moved on to AV Video Multimedia Producer and led the team to turn that into Studio Monthly and launch Studio Daily. Scott founded and helped establish PVC by gathering the best writers and video gurus in the market and putting them all in one place. 
NAB 2011 is HereAnthro Elevate Wrap, Verte’ Chair, Zido Cart ReviewPVC 2.5 is Going to Rock!PVC In a Print Magazine?Adobe Audition for Mac at NAB 2011Maxx Digital at NAB 2011FirstCom Music Library at NAB 2011CalDigit at NAB 2011Canon DSLRs at NAB 2011Adobe CS 5.5 Video Walk ThroughSachtler DSLR RigJVC At NAB 2011Tweak Software at NAB 2011SONY F65 At NAB 2011Litepanels Booth at NAB 2011Autodesk Booth at NABZeiss Lenses at NAB 2011AJA Kona Upgrade at NAB 2011KTEK Booms and ShoesZaxcom Audio at NAB 2011: Nomad Production SoundAdobe Premiere Pro On ThunderBolt by Dave HelmlyAudio-Technica Head Worn MicrophoneAJA Does NAB - Thunderbolt ProductsSony FS100 at NABRED Booth with Ted
July 2011June 2011April 2011March 2011February 2011October 2010August 2010July 2010June 2010March 2010February 2010December 2009October 2009September 2009August 2009July 2009June 2009May 2009April 2009March 2009February 2009January 2009December 2008November 2008October 2008September 2008August 2008July 2008June 2008May 2008April 2008March 2008February 2008January 2008December 2007Complete Archives |
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Canon DSLRs at NAB 2011Interesting partnership with Technicolor
We spent a good deal of time with Chuck at NAB. I was interested in the DSLR as much as the new video cameras. What caught my attention most was his discussion of the Technicolor partnership. I would bet we hear more about that, and expanding that partnership over time…
Cameras •
GentryMedia Sister Sites •
HDSLR •
Mac Coalition •
ProPhoto Coalition •
ProVideo Coalition •
NAB 2011 •
Production •
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Sachtler DSLR RigCool little tripod for DSLR use
It’s amazing how fast the industry has accepted DSLR. Everyone has made everything new from tripods, to heads, to bags…THought this was a cool rig from Sachtler.
Cameras •
GentryMedia Sister Sites •
HDSLR •
ProPhoto Coalition •
ProVideo Coalition •
Hardware •
NAB 2011 •
Production •
(0) Comments •
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JVC At NAB 2011Cameras, Cameras, Cameras
I’ve known Dave Walton at JVC for about 17 years. They’ve made great strides in the broadcast space in that time and at NAB 2011, they had a slew of cameras and add-ons to extend their reach. This is a near 8 minute video, but he walks us through several cameras, and at the end talks about wireless direct from the camera with a new product.
Apple •
Final Cut Pro •
Cameras •
GentryMedia Sister Sites •
ProVideo Coalition •
NAB 2011 •
Production •
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Tweak Software at NAB 2011RV
Seth explains more about Tweak and RV in particular. RV now supports ARRI Raw.
Cameras •
GentryMedia Sister Sites •
ProVideo Coalition •
NAB 2011 •
Software •
(0) Comments •
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Advertisement SONY F65 At NAB 2011A glance at the future for Sony high end.
Much has been written about the F3 and other cameras, but this caught our eye. Real 4K with an 8K chip.
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GentryMedia Sister Sites •
ProVideo Coalition •
Hardware •
NAB 2010 •
NAB 2010 Video •
Production •
(0) Comments •
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Zeiss Lenses at NAB 2011A six pack of Zeiss
Richard Schleuning was our host at the Zeiss booth for some lens eye candy. Besides primes, the six pack caught our attention.
Cameras •
GentryMedia Sister Sites •
HDSLR •
ProPhoto Coalition •
ProVideo Coalition •
NAB 2011 •
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Sony FS100 at NABA detailed video walk through from Sony’s senior product manager. We spent time with Juan Martinez at NAB who walked us through step by step with the FS100. My apologies for the audio, as you can see Juan had his hands full of microphone and camera. Running time about 5:50. more »
Cameras •
GentryMedia Sister Sites •
ProVideo Coalition •
NAB 2011 •
Vendor Channels •
Sony •
(1) Comments •
Most recent comments by:
lightprismtv,
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RED Booth with TedA sort of behind the scenes tour. Ted realized most of PVC’s readership has probably already seen heaps of Epic, Scarlet and more form the RED booth. This part 1 of 2 series takes a look at some other really cool tech that RED was displaying at NAB. From RED in 3D, to iPad control of Epic and more. Running time: a little over 12 mins. But oh so worth every second. more »
3D •
Cameras •
GentryMedia Sister Sites •
Apps4Tablets •
Pro3D Coalition •
ProVideo Coalition •
NAB 2011 •
(2) Comments •
Most recent comments by:
cmoore,
Harry Lime,
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2D Footage with a Stereo 3D Rig in After Effects CS5.5
Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5
Adobe included a 1-step option to create a 3D Stereo Camera Rig in After Effects CS5.5, to everyone’s enthusiasm for a simpler workflow in 3D space. Great if you are working in 3D space in After Effects, but what about an easy option for 3D Stereo pairs captured by a 3D camera or twin cameras on a rig? In this tutorial I’ll show you how to quickly modify the Stereo 3D Rig in After Effects to quickly mux your L&R video files and adjust the convergence for anaglyph, interlaced or stereo pairs output.
How to get the “24p” look for your live-switched multicam shoot
A contracted article, sponsored by Datavideo Corporation.
Our friends at Datavideo recently asked me to write an article called How to get the “24p” look for your live-switched multicam shoot. The article covers many factors involved in accomplishing that goal, including framerate, aperture, shutter speed, depth of field, and menu settings in Datavideo’s digital HD video mixers (“switchers”) and recorders, and also the menu settings in several pro cameras from Canon, Panasonic, and Sony. The included chart explains which of the cameras have a direct HD-SDI output, and which require an optional converter to go from HDMI to HD-SDI to connect to the Datavideo digital HD video mixer. As you’ll see in the article, the approach is quite different from the workflows I normally cover, which are more appropriate when programs are to be edited, as opposed to when they are shot —and potentially broadcast— live. The graphics for this article were done by Victory Elliot of Datavideo Corporation.
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