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Scott Gentry
Scott Gentry started his career as a child actor then moving to ABC All My Children first in production straight out of college, then in front of the camera for a short stint as a regular walk-on (woo-hoo!).
Scott also worked the stadium camera for NY Jets and Giants games, as well a a multitude of events at the Meadowlands arena in NJ. From there he got into publishing and 6 months after sending his resume to DV magazine, he was the publisher. DV went from last to first place and Scott moved on to AV Video Multimedia Producer and led the team to turn that into Studio Monthly and launch Studio Daily.
Scott founded and helped establish PVC by gathering the best writers and video gurus in the market and putting them all in one place.
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Wednesday, April 20, 2011
Interesting partnership with Technicolor
We spent a good deal of time with Chuck at NAB. I was interested in the DSLR as much as the new video cameras. What caught my attention most was his discussion of the Technicolor partnership. I would bet we hear more about that, and expanding that partnership over time…
Tuesday, April 19, 2011
Cool little tripod for DSLR use
It’s amazing how fast the industry has accepted DSLR. Everyone has made everything new from tripods, to heads, to bags…THought this was a cool rig from Sachtler.
Tuesday, April 19, 2011
Cameras, Cameras, Cameras
I’ve known Dave Walton at JVC for about 17 years. They’ve made great strides in the broadcast space in that time and at NAB 2011, they had a slew of cameras and add-ons to extend their reach. This is a near 8 minute video, but he walks us through several cameras, and at the end talks about wireless direct from the camera with a new product.
Tuesday, April 19, 2011
RV
Seth explains more about Tweak and RV in particular. RV now supports ARRI Raw.
Tuesday, April 19, 2011
A glance at the future for Sony high end.
Much has been written about the F3 and other cameras, but this caught our eye. Real 4K with an 8K chip.
Tuesday, April 19, 2011
A six pack of Zeiss
Richard Schleuning was our host at the Zeiss booth for some lens eye candy. Besides primes, the six pack caught our attention.
Friday, April 15, 2011
A detailed video walk through from Sony’s senior product manager.
We spent time with Juan Martinez at NAB who walked us through step by step with the FS100. My apologies for the audio, as you can see Juan had his hands full of microphone and camera.
Running time about 5:50.
more »
Friday, April 15, 2011
A sort of behind the scenes tour.
Ted realized most of PVC’s readership has probably already seen heaps of Epic, Scarlet and more form the RED booth. This part 1 of 2 series takes a look at some other really cool tech that RED was displaying at NAB. From RED in 3D, to iPad control of Epic and more.
Running time: a little over 12 mins. But oh so worth every second.
more »
Page 1 of 3 pages 1 2 3 >
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Jeff Foster
Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5
Allan Tépper
A contracted article, sponsored by Datavideo Corporation.
Matt Jeppsen
Getting watery trick shots with this DSLR housing
Mark Spencer
Setting Up a Rig in Motion 5 on MacBreak Studio
Mark Spencer
7 Professional Editors Share Their FCP X Experiences
Rich Young
A news roundup
Clint Milby
New Cage Fits New Camera Like A Glove
Scott Simmons
If you haven’t heard they have moved from FCP7 to Media Composer
Scott Simmons
The ease of setup and managing multicam clips makes this the best FCPX update yet
Mark Spencer
Multicamera Editing in Final Cut Pro X
David Torno
Create numerical readouts for use in HUD style graphics.
Terence Curren
The best event for keeping up to speed in the post production world.
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Jeff Foster | 02/10- 06:09 PM
Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5
Adobe included a 1-step option to create a 3D Stereo Camera Rig in After Effects CS5.5, to everyone’s enthusiasm for a simpler workflow in 3D space. Great if you are working in 3D space in After Effects, but what about an easy option for 3D Stereo pairs captured by a 3D camera or twin cameras on a rig? In this tutorial I’ll show you how to quickly modify the Stereo 3D Rig in After Effects to quickly mux your L&R video files and adjust the convergence for anaglyph, interlaced or stereo pairs output.
Allan Tépper | 02/10- 04:23 PM
A contracted article, sponsored by Datavideo Corporation.
Our friends at Datavideo recently asked me to write an article called How to get the “24p” look for your live-switched multicam shoot. The article covers many factors involved in accomplishing that goal, including framerate, aperture, shutter speed, depth of field, and menu settings in Datavideo’s digital HD video mixers (“switchers”) and recorders, and also the menu settings in several pro cameras from Canon, Panasonic, and Sony. The included chart explains which of the cameras have a direct HD-SDI output, and which require an optional converter to go from HDMI to HD-SDI to connect to the Datavideo digital HD video mixer. As you’ll see in the article, the approach is quite different from the workflows I normally cover, which are more appropriate when programs are to be edited, as opposed to when they are shot —and potentially broadcast— live. The graphics for this article were done by Victory Elliot of Datavideo Corporation.
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