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Scott Gentry
Scott Gentry started his career as a child actor then moving to ABC All My Children first in production straight out of college, then in front of the camera for a short stint as a regular walk-on (woo-hoo!).
Scott also worked the stadium camera for NY Jets and Giants games, as well a a multitude of events at the Meadowlands arena in NJ. From there he got into publishing and 6 months after sending his resume to DV magazine, he was the publisher. DV went from last to first place and Scott moved on to AV Video Multimedia Producer and led the team to turn that into Studio Monthly and launch Studio Daily.
Scott founded and helped establish PVC by gathering the best writers and video gurus in the market and putting them all in one place.
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Thursday, October 29, 2009
Keep an eye out for the fourth PVC Pipeline | Production newsletter in November!
A few weeks ago, we published our ninth electronic newsletter: PVC Pipeline | Distribution, which included tutorials on the workflow from Final Cut Pro to burning a Blu-ray disc plus how to quickly get your video up on the web, as well as an interview with David Dudas of Sorenson including a review of Sorenson 360 video server service. These articles are now available for all PVC visitors to view; a list of them is included below.
Our next PVC Pipeline newsletter will return to the theme of Production. In it, Adam Wilt will give an in-depth review of the new Sony PMW-350 XDCAM EX camcorder, Steve Hullfish will provide a tutorial review of the AJA KiPro, and Richard Harrington will moderate a shootout between the Canon 5D mkII, Canon 7D, and Nikon D300s DSLRs that also shoot HD video. To receive exclusive access to these articles before everyone else, click here for your free subscription!
more »
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Art Adams
Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…
Mark Spencer
On this week’s MacBreak Studio
Todd_Kopriva
Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.
Chris and Trish Meyer
...plus an update on what’s next for the Apprentice series.
Scott Simmons
Plus a little screencast in this blog post on a topic we didn’t get to cover.
Art Adams
You want 240fps 1920x1080? I’ve got your high-speed HD right here… for less than $10K.
Matt Jeppsen
Use a boom mic and some common sense!
Chris and Trish Meyer
Taking advantage of parenting, multiple 3D views, and AE’s built-in calculator to coordinate a multi-layer animation.
Mark Spencer
Motion Magic on MacBreak Studio
Scott Simmons
These are a few of the things that I found myself searching for as I’ve been moving over to Premiere Pro CS6 as a FCP 7 replacement
Allan Tépper
If you agree, please sign the online petition requesting the required updates.
Michelle Gallina
CS6 Production Premium Road Show
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Art Adams | 05/24- 11:24 AM
Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…
I love stacking cucolorii (plural of “cucoloris”) and I thought it was time to write an article about how this technique works and why I like it so much. I was a bit stretched for ideas that would illustrate this concept… and then an eclipse happened. Why that made a difference is a very interesting story…
Mark Spencer | 05/23- 05:03 AM
On this week’s MacBreak Studio
On this week’s MacBreak Studio, I show Steve Martin from Ripple Training a few things I’ve discovered in my exploration of the compositing features in Final Cut Pro X.
To be considered for listing, contact pr (at) provideocoalition (dot) com
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