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Filed under: Cameras •

My Only RED Post

Like this site needed just one more RED post.  While perusing one of my favorite sites today, engadget, I came across this article about RED being used as a Telecine:

As if the much-hyped RED ONE camera didn’t have enough going for it already, it looks like it could soon be put to use for a slightly unexpected but most welcome task: capturing Super 8 film. That’s apparently possible thanks to what’s described as a “pre-prototype” rig that employs a RED ONE camera and a Moviestuff Workprinter XP system which, thanks to a direct interface to the RED’s GPI input, should allow you to do up 30 single frame captures per second in the RED’s 4K mode. As the On Super 8 blog points out, however, there’s still some “optical wizardry” needed to sit between the RED and the workprinter, but we’re guessing those Super 8 die-hards should be able to take care of that little detail before too long.

That’s the last RED post from me…

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The Editing of “Courageous” Part One Steve Hullfish | 10/14 The off-line edit of a RED feature film Last October, I had the rare opportunity to edit a feature film called “Courageous,” which is in theaters now. “Courageous” was the number one new movie the weekend it opened (September…

PsF’s missing workflow, Part 6: Tépper asks the camera manufacturers… Allan Tépper | 11/14 An open letter to professional AVCHD camera manufacturers In parts 1-3 of the PsF’s missing workflow series, we introduced the terms benign PsF & malignant PsF, and revealed the PsF status…

Courage Under Lighting Kendal Miller | 02/06 A case study in set lighting for a music video. We deconstruct a set and examine the lighting approach. Recently I had the opportunity to direct a music video for a local Chicago band called Flatfoot 56. On this particular…

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