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Thursday, April 02, 2009

Filed under: AudioBusinessDistributionWeb Video

PVC Pipeline | Distribution

Scott Gentry | 04/02

Have you signed up yet for our free newsletter?

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This coming Monday, we’ll be releasing our third newsletter: PVC Pipeline | Distribution. As you can guess from it’s name, this one will be focused on the broad subject of alternate ways of getting your creation out into the world - from podcast production (including an insightful article from Alex Lindsay on the Pixel Corps’ experience producing podcasts for themselves as others, as well as Allan Tépper’s review of a tool he uses for his podcasts: Übercaster), to getting distribution for your independent movie (a great roundtable discussion led by the FreshDV folks, including award-winning producer/writer Jerome Courshon, and Scott Kirsner of Variety), to a tutorial by Michael Vitti on creating buttons for a custom DVD. So if you haven’t subscribed yet, do so now - it’s free, and you’ll get to enjoy these articles weeks before anyone else.

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Podcast Interview With “Tintin” Visual Effects Luminary Now Online

PVC News Staff | 12/16

“The Adventures of Tintin” Virtual Production and Visual Effects Q&A With Weta Digital’s Joe Letteri Available Exclusively Via Autodesk AREA Online Community Site

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Tuesday night in Los Angeles, Autodesk, Inc., presented a screening of Steven Spielberg’s latest 3D film, “The Adventures of Tintin,” followed by a question and answer (Q&A) session with…

Sharing Assets: Adobe CS Production Premium’s Unique Workflow

Jeff Sengstack | 10/22

A case where the whole is indeed greater than the sum of its parts.

image

When you look at Adobe CS Production Premium’s video production tools - Premiere Pro, After Effects, Encore, Audition, and Photoshop - many if not all could be…

Is Netflix the “New” Studio Model?

Terence Curren | 04/04

Netflix is making it’s own programming now. What does this mean for the existing networks and cable outlets?

Philip and I consider the changes to the financial dynamics caused by Netflix’s funding of “House of Cards.” Is Netflix a new studio model?  Where’s the opportunity for innovation in programming if everything is data driven? Are we trading one set of controllers for another?

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Podcast Interview With “Tintin” Visual Effects Luminary Now Online
PVC News Staff | 12/16

“The Adventures of Tintin” Virtual Production and Visual Effects Q&A With Weta Digital’s Joe Letteri Available Exclusively Via Autodesk AREA Online Community Site

image

Tuesday night in Los Angeles, Autodesk, Inc., presented a screening of Steven Spielberg’s latest 3D film, “The Adventures of Tintin,” followed by a question and answer (Q&A) session with…

Sharing Assets: Adobe CS Production Premium’s Unique Workflow
Jeff Sengstack | 10/22

A case where the whole is indeed greater than the sum of its parts.

image

When you look at Adobe CS Production Premium’s video production tools - Premiere Pro, After Effects, Encore, Audition, and Photoshop - many if not all could be…

Is Netflix the “New” Studio Model?
Terence Curren | 04/04

Netflix is making it’s own programming now. What does this mean for the existing networks and cable outlets?

Philip and I consider the changes to the financial dynamics caused by Netflix’s funding of “House of Cards.” Is Netflix a new studio model?  Where’s the opportunity for innovation in programming if everything is data driven? Are we trading one set of controllers for another?








Podcast Interview With “Tintin” Visual Effects Luminary Now Online

PVC News Staff | 12/16

“The Adventures of Tintin” Virtual Production and Visual Effects Q&A With Weta Digital’s Joe Letteri Available Exclusively Via Autodesk AREA Online Community Site

image

Tuesday night in Los Angeles, Autodesk, Inc., presented a screening of Steven Spielberg’s latest 3D film, “The Adventures of Tintin,” followed by a question and answer (Q&A) session with…

Sharing Assets: Adobe CS Production Premium’s Unique Workflow

Jeff Sengstack | 10/22

A case where the whole is indeed greater than the sum of its parts.

image

When you look at Adobe CS Production Premium’s video production tools - Premiere Pro, After Effects, Encore, Audition, and Photoshop - many if not all could be…

Is Netflix the “New” Studio Model?

Terence Curren | 04/04

Netflix is making it’s own programming now. What does this mean for the existing networks and cable outlets?

Philip and I consider the changes to the financial dynamics caused by Netflix’s funding of “House of Cards.” Is Netflix a new studio model?  Where’s the opportunity for innovation in programming if everything is data driven? Are we trading one set of controllers for another?

HPA Tech Retreat 2011 Day 3

Adam Wilt | 02/17

After the fear and trembling yesterday, suggestions of solutions; OLEDs; DSLRs; and more.

Day 3 (by my counting; HPA calls this Day 2, because Tuesday’s Super Session doesn’t count) covered LTO-5, LTFS, IMF, HDSLR, OLED, FIMS, SOA, SLA, monitors vs. displays, file-based mastering, Hollywood in the cloud, and Disney restorations.

To be considered for listing, contact pr (at) provideocoalition (dot) com


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