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Thursday, April 02, 2009
PVC Pipeline | Distribution
Scott Gentry | 04/02
Have you signed up yet for our free newsletter?
This coming Monday, we’ll be releasing our third newsletter: PVC Pipeline | Distribution. As you can guess from it’s name, this one will be focused on the broad subject of alternate ways of getting your creation out into the world - from podcast production (including an insightful article from Alex Lindsay on the Pixel Corps’ experience producing podcasts for themselves as others, as well as Allan Tépper’s review of a tool he uses for his podcasts: Übercaster), to getting distribution for your independent movie (a great roundtable discussion led by the FreshDV folks, including award-winning producer/writer Jerome Courshon, and Scott Kirsner of Variety), to a tutorial by Michael Vitti on creating buttons for a custom DVD. So if you haven’t subscribed yet, do so now - it’s free, and you’ll get to enjoy these articles weeks before anyone else.
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PVC News Staff | 12/16
“The Adventures of Tintin” Virtual Production and Visual Effects Q&A With Weta Digital’s Joe Letteri Available Exclusively Via Autodesk AREA Online Community Site
Tuesday night in Los Angeles, Autodesk, Inc., presented a screening of Steven Spielberg’s latest 3D film, “The Adventures of Tintin,” followed by a question and answer (Q&A) session with…
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Jeff Sengstack | 10/22
A case where the whole is indeed greater than the sum of its parts.
When you look at Adobe CS Production Premium’s video production tools - Premiere Pro, After Effects, Encore, Audition, and Photoshop - many if not all could be…
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Terence Curren | 04/04
Netflix is making it’s own programming now. What does this mean for the existing networks and cable outlets?
Philip and I consider the changes to the financial dynamics caused by Netflix’s funding of “House of Cards.” Is Netflix a new studio model? Where’s the opportunity for innovation in programming if everything is data driven? Are we trading one set of controllers for another?
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PVC News Staff | 12/16
“The Adventures of Tintin” Virtual Production and Visual Effects Q&A With Weta Digital’s Joe Letteri Available Exclusively Via Autodesk AREA Online Community Site
Tuesday night in Los Angeles, Autodesk, Inc., presented a screening of Steven Spielberg’s latest 3D film, “The Adventures of Tintin,” followed by a question and answer (Q&A) session with…
Jeff Sengstack | 10/22
A case where the whole is indeed greater than the sum of its parts.
When you look at Adobe CS Production Premium’s video production tools - Premiere Pro, After Effects, Encore, Audition, and Photoshop - many if not all could be…
Terence Curren | 04/04
Netflix is making it’s own programming now. What does this mean for the existing networks and cable outlets?
Philip and I consider the changes to the financial dynamics caused by Netflix’s funding of “House of Cards.” Is Netflix a new studio model? Where’s the opportunity for innovation in programming if everything is data driven? Are we trading one set of controllers for another?
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PVC News Staff | 12/16
“The Adventures of Tintin” Virtual Production and Visual Effects Q&A With Weta Digital’s Joe Letteri Available Exclusively Via Autodesk AREA Online Community Site
Tuesday night in Los Angeles, Autodesk, Inc., presented a screening of Steven Spielberg’s latest 3D film, “The Adventures of Tintin,” followed by a question and answer (Q&A) session with…
|
Jeff Sengstack | 10/22
A case where the whole is indeed greater than the sum of its parts.
When you look at Adobe CS Production Premium’s video production tools - Premiere Pro, After Effects, Encore, Audition, and Photoshop - many if not all could be…
|
Terence Curren | 04/04
Netflix is making it’s own programming now. What does this mean for the existing networks and cable outlets?
Philip and I consider the changes to the financial dynamics caused by Netflix’s funding of “House of Cards.” Is Netflix a new studio model? Where’s the opportunity for innovation in programming if everything is data driven? Are we trading one set of controllers for another?
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Adam Wilt | 02/17
After the fear and trembling yesterday, suggestions of solutions; OLEDs; DSLRs; and more.
Day 3 (by my counting; HPA calls this Day 2, because Tuesday’s Super Session doesn’t count) covered LTO-5, LTFS, IMF, HDSLR, OLED, FIMS, SOA, SLA, monitors vs. displays, file-based mastering, Hollywood in the cloud, and Disney restorations. …
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