Steve Hullfish

Steve Hullfish has been producing and editing award-winning television since the mid-1980s. He has written four books, countless magazine articles and hosted an Avid training DVD. He has lectured at NAB, DVExpo and the Master Editor seminars. He has edited on Avid since 1992 and was named to Avid's first group of Master Editors. His client list includes: Universal Studios, NBC Television, PBS TV, Turner Networks, The Oprah Winfrey Show, "Investigative Reports" and "Cold Cases" with Bill Kurtis for A&E, Jim Henson Home Entertainment, HIT Entertainment, VeggieTales, Cartoon Pizza, Exclaim Entertainment, United Airlines, Gatorade, Ford, IBM, Sun Microsystems and Avid.


Wednesday, November 25, 2009

AJA KiPro: More Than Just a Field Recorder

A look at the many possible uses of the AJA KiPro.

image

The AJA KiPro (pronounced “kee-PRO”) is a very nicely designed unit that I believe will become more and more useful over time. As it is currently released, several of the features that I really am interested in are still not implemented, but the potential is definitely there.

My overall impression is that it’s a great little box that is very well engineered, but I have some reservations and an extensive wish list for making the device a “must have.” Before I get in to that, let me tell you a little about the device.

more »

Production • (3) Comments • Most recent comments by: Steven Bradford, lightprism, Steven Bradford, • Permalink


Wednesday, November 18, 2009

Controversial History Channel “WWII in HD” debate - THE TRUTH

Archival methods, database management and editorial direction

image

The History Channel’s WW2 in HD series has created a firestorm of debate over archival methods.

If you read the AMIA listserve, the Cinematographer’s Mailing List, or the Telecine Internet Group or TKColorist Internet Group listserve, chances are you saw the huge debate over how the huge amount of rare color footage from World War II was transferred. Many people thought that historical records were being destroyed by careless film transfers. Several web stories – that were actually created by publicists – supported this controversy, but turned out to be mis-information.

The true story of the making of the series turns out to be far more interesting than the fiction, as so often is the case. I interviewed the series’ director, Frederic Lumiere on the phone in the midst of the controversy and discovered a man passionate about his project and for the care and cataloging of the materials he oversaw. Any misquotes can be attributed to my transcription. I recorded the entire interview and did the transcription word for word, but phonetic transcription is contextual and between Mr. Lumiere’s mild French accent and the quality of the phone line audio, I may have made minor mistakes. My intent was to be honest and portray the events correctly.

more »

Post Production • (10) Comments • Most recent comments by: chicagowebdesign, Paul_Lewis, Paul_Lewis, ENIGMACODE, aaronlewis144, hopefades, Jeff Kreines, Steve Hullfish, Jeff Kreines, • Permalink


Page 1 of 1 pages


Advertisement



Top VFX/MoGraph Twitterers to Follow
Mark Spencer

Great Links to Cool VFX and Motion Graphics Served Fresh







image

Top VFX/MoGraph Twitterers to Follow

Mark Spencer | 11/16- 12:10 PM

Great Links to Cool VFX and Motion Graphics Served Fresh

Topher Welsh at the videohive blog writes exactly how I feel about Twitter:

“Personally I think that the whole “updating your status” part of Twitter is ridiculous.  There, I said it.  I don’t care what you are eating for dinner, or if someone is being annoying in the movie theatre.  Keep it to yourself.  The thing that keeps me addicted to Twitter is the people that tweet the cool stuff:  The behind the scenes of Terminator Salvation, The VFX breakdown of Fast and Furious 4, the new tutorial that Aharon Rabinowitz just put onto Red Giant TV.  Those are the reasons why I use Twitter, and these are the people that you should be following.”

See his short list of folks to follow here. Be sure to scroll down to the comments section for a few more folks to follow.

To be considered for listing, contact pr (at) provideocoalition (dot) com


Copyright © 2011, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere

All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.

Terms of Use  |  Privacy Policy

Check PageRank