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Steve Hullfish

Steve Hullfish has been producing and editing award-winning television since the mid-1980s. He has written four books, countless magazine articles and hosted an Avid training DVD. He has lectured at NAB, DVExpo and the Master Editor seminars. He has edited on Avid since 1992 and was named to Avid's first group of Master Editors. His client list includes: Universal Studios, NBC Television, PBS TV, Turner Networks, The Oprah Winfrey Show, "Investigative Reports" and "Cold Cases" with Bill Kurtis for A&E, Jim Henson Home Entertainment, HIT Entertainment, VeggieTales, Cartoon Pizza, Exclaim Entertainment, United Airlines, Gatorade, Ford, IBM, Sun Microsystems and Avid.
Monday, November 17, 2008

Color Correction Video Tutorial

fix it in Color Finesse - or adapt it to Color

image

This week I balance and fix a dark image in Synthetic Aperture’s Color Finesse color correction application, but if you are using Apple Color, you can adapt this easily to Color by using the Master Gain, Gamma and Pedestal and the Advanced Tabs Red, Green and Blue gain, gamma and pedestal controls. You could also do this correction using Curves and guide your corrections using eyedroppering instead of using an RGB Parade waveform monitor if you wanted.

The image that I used in the example is on the CD from my first color correction book, co-authored with Jaime Fowler, “Color Correction for Digital Video.” That book is about to be released in an almost completely re-written revised edition called “Color Correction for Video.” This image is also on the DVD for that book.

Next week we’ll get into some more advanced techniques in Color, so make sure to subscribe to the RSS feed for this series.

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Color Correction Video Tutorial
Steve Hullfish | 11/17

fix it in Color Finesse - or adapt it to Color



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