|
crowd sourcing the experts |
||||||||
| |
||||||||
 |
||||||||
Steve HullfishSteve Hullfish has been producing and editing award-winning television since the mid-1980s. He has written four books, countless magazine articles and hosted an Avid training DVD. He has lectured at NAB, DVExpo and the Master Editor seminars. He has edited on Avid since 1992 and was named to Avid's first group of Master Editors. His client list includes: Universal Studios, NBC Television, PBS TV, Turner Networks, The Oprah Winfrey Show, "Investigative Reports" and "Cold Cases" with Bill Kurtis for A&E, Jim Henson Home Entertainment, HIT Entertainment, VeggieTales, Cartoon Pizza, Exclaim Entertainment, United Airlines, Gatorade, Ford, IBM, Sun Microsystems and Avid. 
The Editing of “Courageous” Part OneColor Correction Practice Game“Courageous” Part Two: on-lineFCP X Mission Control ParodyProof that FCP X is really just iMovie - directly from ApplePluralEyes for AvidSingle Chip Camera EvaluationAre you ready for FCP X?Canon jumps on ThunderboltThe all new Final Cut ProWhen is a NAS not just a NASCapture One - contender for Aperture and Lightroom?FREE Color iPad AwesomenessFinal Cut Pro “gets” ability to search for words in audioBlackMagic Resolve on Mac OSXAJA KiPro: More Than Just a Field RecorderControversial History Channel “WWII in HD” debate - THE TRUTHSorenson 360 video server serviceTrans-ylvaniaSpeech Search Meets ScriptSyncA rare YouTube Post from meAvid Gems 11Inspiration from the anti-GoogleSorenson Squeeze 5.1 ReviewUse Encore to Create Flash Web Pages
May 2012October 2011July 2011June 2011April 2011March 2011February 2011November 2010April 2010November 2009October 2009September 2009August 2009July 2009March 2009February 2009January 2009December 2008November 2008October 2008September 2008July 2008May 2008Complete Archives |
|
Software Scope ShootoutAre software scopes too good to be true? So I’m finally continuing my earlier article on software versus hardware scopes, with a shootout of the top software scope sets. The scopes I’m using for the shoot out include the Hamlet VidScope and Adobe OnLocation on the PC, Divergent Media’s ScopeBox on the Mac and the dedicated Tektronix WFM7120. I also added Synthetic Aperture’s Test Gear, which is a scope set exclusively for After Effects. more »Page 1 of 1 pages Advertisement |
|
|
||||
|
|
|||||||
To be considered for listing, contact pr (at) provideocoalition (dot) com
Copyright © 2012, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere
All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.