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Steve Martin
Steve Martin is the president and founder of Ripple Training. Steve has over 16 years of experience as an editor, producer and trainer. He has taught workshops at NAB, Macworld, DV Expo, and the American Film Institute. He is also a post-production consultant for Disney, Fox Sports and Canon to name a few, and is a lead instructor for Apple's Certified Training (ACT) program. 
Brian Gary
An award winning writer, producer and director, Brian Gary is founder and CEO of Flying Chaucer Films LLC of Los Angeles and Flying Chaucer Productions LLC in New Orleans. Under those shingles, Brian Gary has created a wide array of content for television, theatrical release and the Web. Accomplished editor rounds out his filmmaker's skill-set and he lectures nationwide as a certified Final Cut Pro instructor. 
Mark Spencer
Mark Spencer is a bay area-based producer, editor, teacher and writer. He runs a website dedicated to Motion users (www.applemotion.net). Mark is also an Apple-certified instructor teaching regularly at BAVC, Stanford University and MacWorld. Mark is the author of the Apple Pro Training Series book Motion Graphics and Effects in Final Cut Studio, contributing author of the APTS Motion book, and author of the Motion Visual Quickstart Guide, all from Peachpit Press. 
Andrew BalisAnrew Balis is a cinematographer, editor, post production consultant and Apple certified instructor teaching classes in Final Cut Pro to industry professionals at Moviola Education. He is the author of Ripple Training's Color Correction in Final Cut Pro and Color Grading in Color DVD-ROM. 
Motion 5: Top 5 New Features50 Ways To Pig Out on MotionCustom Shape Styles in MotionMacBreak Studio: Frenetic TextAfter Effects and Motion Share and CompareMastering Motion’s CameraCreating the “OK Go” Effect in MotionAdjustable Final Cut Pro Master TemplatesMotion Tip: Alpha Channels and OutlinesReversing Keyframes in MotionMotion and Motion Blur in FCPMotion and TransparencyColor Matching in MotionChanging the Color of LiveFonts in MotionReapplying Keyframes in MotionRipple Training Releases New Final Cut Pro and Motion TutorialsMotion 4 Up and Running Tutorial ReleasedNew Final Cut StudioBilly Fox and MotionUsing Motion for VFX on a Hollywood FeatureAnimating Text Highlights in MotionDesigner Templates for Final Cut StudioKeyframe Stretching in MotionGetting the Most out of MotionDon’t Forget Apple
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Find Your VoiceRecording & Editing Multi-take Voice Overs in Soundtrack Pro
In this excerpt from Ripple Training’s “Sound Editing & Mastering in Soundtrack Pro” Steve will show you how fast, fluid and fun it is to edit voice overs in Soundtrack Pro using the Multitake Editor. Color Workflows With Different Video FormatsGetting Video In and Out of Color
One of the most confusing issues that comes up frequently with new users of Color is how to get in and out of Color with different types of video formats. Therefore, the purpose of this article is to clear up the confusion by presenting the four main workflows Color can utilize, as well as how each format can be handled by Color. This article relates to users of Color version 1.0.2 or later. We’ll look at how to handle video formats captured via capture card, as well as how to work with “native” formats captured via FireWire such as DV, DVCPRO 50, DVCPRO HD and HDV. more »Photoshop & MotionTwo Great Tastes That Taste Great Together
Here’s a free video tutorial that shows you how to quickly create an engaging animation by arranging the layers of a Photoshop file in 3D space in Motion, and then flying a camera through them. To see it, click here.
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Stock Footage Options Continue To ExpandIt’s getting cheaper and easier to find stock footage for your project istockphoto.com used to be my primary source for inexpensive stock photography and video. But just this past week I’ve come across two new stock video competitors that provide some interesting alternatives.
Advertisement Motion and the OoO, Part 2A Two-Part Motion Tip
In Part 1 of our exploration of Motion’s Order of Operations, or OoO (which you can find here), we looked at a situation where a drop shadow applied to a layer would rotate with the layer because transformations are calculated after effects. Today, we’ll look at another common issue that can arise when working with still images. more »The HD Survival HandbookPhilip Hodget’s Tome on All Things High Definition Philip Hodgets has released a PDF (download) handbook via his Pro Apps Tips website that basically covers everything a digital video artist needs to enter into the High Definition video world. more »Page 1 of 1 pages Advertisement |
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Find Your Voice
Recording & Editing Multi-take Voice Overs in Soundtrack Pro
In this excerpt from Ripple Training’s “Sound Editing & Mastering in Soundtrack Pro” Steve will show you how fast, fluid and fun it is to edit voice overs in Soundtrack Pro using the Multitake Editor.
Color Workflows With Different Video Formats
Getting Video In and Out of Color
One of the most confusing issues that comes up frequently with new users of Color is how to get in and out of Color with different types of video formats. Therefore, the purpose of this article is to clear up the confusion by presenting the four main workflows Color can utilize, as well as how each format can be handled by Color. This article relates to users of Color version 1.0.2 or later. We’ll look at how to handle video formats captured via capture card, as well as how to work with “native” formats captured via FireWire such as DV, DVCPRO 50, DVCPRO HD and HDV.
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