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Steve Martin
Steve Martin is the president and founder of Ripple Training. Steve has over 16 years of experience as an editor, producer and trainer. He has taught workshops at NAB, Macworld, DV Expo, and the American Film Institute. He is also a post-production consultant for Disney, Fox Sports and Canon to name a few, and is a lead instructor for Apple's Certified Training (ACT) program. 
Brian Gary
An award winning writer, producer and director, Brian Gary is founder and CEO of Flying Chaucer Films LLC of Los Angeles and Flying Chaucer Productions LLC in New Orleans. Under those shingles, Brian Gary has created a wide array of content for television, theatrical release and the Web. Accomplished editor rounds out his filmmaker's skill-set and he lectures nationwide as a certified Final Cut Pro instructor. 
Mark Spencer
Mark Spencer is a bay area-based producer, editor, teacher and writer. He runs a website dedicated to Motion users (www.applemotion.net). Mark is also an Apple-certified instructor teaching regularly at BAVC, Stanford University and MacWorld. Mark is the author of the Apple Pro Training Series book Motion Graphics and Effects in Final Cut Studio, contributing author of the APTS Motion book, and author of the Motion Visual Quickstart Guide, all from Peachpit Press. 
Andrew BalisAnrew Balis is a cinematographer, editor, post production consultant and Apple certified instructor teaching classes in Final Cut Pro to industry professionals at Moviola Education. He is the author of Ripple Training's Color Correction in Final Cut Pro and Color Grading in Color DVD-ROM. 
November 2008October 2008September 2008August 2008July 2008June 2008May 2008Complete ArchivesCategory Archives
Keyframe Stretching in MotionGetting the Most out of MotionDon’t Forget AppleIt’s All In the CardsDipping Your Toes into MotionMotion Tip: Blend Modes and Pass ThroughMotion Quick Tip: Cleaning Up With CropTroubleshooting MotionAnimating Photoshop Layers in Motion ReduxNo Jacket RequiredThe Future of Visual EffectsRemove the JittersGraphic Design from PoetryMatch Frame Speed ChangesIn the SpotlightFind Your VoiceColor Workflows With Different Video FormatsPhotoshop & MotionStock Footage Options Continue To ExpandMotion and the OoO, Part 2The HD Survival HandbookMotion and the OoO, Part 1What Inspires You?Great Motion GraphicsCould This Be The Card We’ve Been Waiting For? |
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Tuesday, July 22, 2008Color Workflows With Different Video FormatsGetting Video In and Out of Color
One of the most confusing issues that comes up frequently with new users of Color is how to get in and out of Color with different types of video formats. Therefore, the purpose of this article is to clear up the confusion by presenting the four main workflows Color can utilize, as well as how each format can be handled by Color. This article relates to users of Color version 1.0.2 or later. We’ll look at how to handle video formats captured via capture card, as well as how to work with “native” formats captured via FireWire such as DV, DVCPRO 50, DVCPRO HD and HDV.
Post Production • (2) Comments • Most recent comments by: Steve Hullfish, Shawn, • Permalink Page 1 of 1 pages |
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Color Workflows With Different Video FormatsGetting Video In and Out of Color One of the most confusing issues that comes up frequently with new users of Color is how to get in and out of Color with different… Advertisements |
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