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Steve Martin
Steve Martin is the president and founder of Ripple Training. Steve has over 16 years of experience as an editor, producer and trainer. He has taught workshops at NAB, Macworld, DV Expo, and the American Film Institute. He is also a post-production consultant for Disney, Fox Sports and Canon to name a few, and is a lead instructor for Apple's Certified Training (ACT) program. 
Brian Gary
An award winning writer, producer and director, Brian Gary is founder and CEO of Flying Chaucer Films LLC of Los Angeles and Flying Chaucer Productions LLC in New Orleans. Under those shingles, Brian Gary has created a wide array of content for television, theatrical release and the Web. Accomplished editor rounds out his filmmaker's skill-set and he lectures nationwide as a certified Final Cut Pro instructor. 
Mark Spencer
Mark Spencer is a bay area-based producer, editor, teacher and writer. He runs a website dedicated to Motion users (www.applemotion.net). Mark is also an Apple-certified instructor teaching regularly at BAVC, Stanford University and MacWorld. Mark is the author of the Apple Pro Training Series book Motion Graphics and Effects in Final Cut Studio, contributing author of the APTS Motion book, and author of the Motion Visual Quickstart Guide, all from Peachpit Press. 
Andrew BalisAnrew Balis is a cinematographer, editor, post production consultant and Apple certified instructor teaching classes in Final Cut Pro to industry professionals at Moviola Education. He is the author of Ripple Training's Color Correction in Final Cut Pro and Color Grading in Color DVD-ROM. 
October 2008September 2008August 2008July 2008June 2008May 2008Complete ArchivesCategory Archives
Motion Tip: Blend Modes and Pass ThroughMotion Quick Tip: Cleaning Up With CropTroubleshooting MotionAnimating Photoshop Layers in Motion ReduxNo Jacket RequiredThe Future of Visual EffectsRemove the JittersGraphic Design from PoetryMatch Frame Speed ChangesIn the SpotlightFind Your VoiceColor Workflows With Different Video FormatsPhotoshop & MotionStock Footage Options Continue To ExpandMotion and the OoO, Part 2The HD Survival HandbookMotion and the OoO, Part 1What Inspires You?Great Motion GraphicsCould This Be The Card We’ve Been Waiting For?Motion Quick Tip: Importing Illustrator and Photoshop FilesWhat’s in a Name?Rendering Motion Projects in Final Cut ProCinema Craft Encoder MP for Compressor 3 |
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Tuesday, May 20, 2008Rendering Motion Projects in Final Cut ProThe key to dramatically faster render times If you change it to Normal, you should see a significant reduction in render time. If you uncheck “Always Use Best Quality When Rendering Movies” you will reduce render times even further. The only projects that require the Best setting are ones involving vector objects like shapes and text that are increased in size over 100% - for example, flying a camera through some text. Do a test render of a section of your .motn clip in your FCP sequence by setting In and Out points with both the Best and the Normal settings to determine if you need the Best settings - for most situations, Normal will probably be just fine, and will give you much faster renders. To make all new sequences use the Normal setting by default, press Option-Q to bring up User Preferences, then go to the Render Control tab and change the setting there. Motion Graphics • (2) Comments • Most recent comments by: Mark Spencer, Doug, • Permalink Page 1 of 1 pages |
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Rendering Motion Projects in Final Cut ProThe key to dramatically faster render times If you have begun to explore Final Cut Studio’s application integration by embedding your Motion project files… Advertisements |
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