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Scott Simmons
Scott Simmons was born in rural West Tennessee and didn't really realize that movies and tv had to be made by actual people until he went to college. After getting degrees in both Television Production and Graphic Design he was in one of the early graduating classes at the Watkins Film School in Nashville, Tennessee. During that time at Watkins he discovered editing. While most of his classmates in film school wanted to be directors, Scott saw real career opportunities in post production and took a job as an assistant editor after completing film school. In 1999, Scott took the leap into freelancing and in 2007 accepted a position as an editor at Filmworkers - Nashville. In 2005 Scott created The Editblog a website dedicated to all things editing and post-production which is now housed here at PVC. Someday he hopes to edit on a beach with a touch screen device, a wireless hard drive and a Red Stripe. 
Final Cut Pro X Multicam Editing webinar now available on-demand10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6A collection of Avid Media Composer related links for my NAB Migrating to Avid classAn elegant iPhone timecode calculatorRandom notes from my first “real world” Adobe Premiere Pro CS6 editNAB 2012: SpectraCalNAB 2012: Apple and Final Cut Pro XNAB 2012: LightworksNAB 2012: Baselight for Avid Media ComposerNAB 2012: Quantel new Pablo and Neo NanoNAB 2012: Promise Technology’s portable Thunderbolt J4 and J2NAB 2012: NewBlueFX Titler ProNAB 2012: PluralEyes 3.0 from Singular SoftwareNAB 2012: Technicolor CineLights from the GoPro boothAutodesk Smoke 2013: it really changed for the betterMy top 5 (or so) Adobe Premiere Pro CS6 featuresHow to preview Avid Media Composer’s MXF files for free without Media ComposerMy NAB 2012 Post|Production World classesBaselight for Final Cut Pro is one of the most powerful legacy FCP grading plugins everARRI’s DNxHD Alexa update, Sorenson Squeeze Pro and OP this, OP thatWhat’s happening at NAB 2012?The C300 short Hustle and some before and after imagesTip Tuesday: Disable a clip in the Avid Media Composer timelineTesting the 7toX Final Cut Pro 7 to Final Cut Pro X conversionQ and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch
May 2012April 2012March 2012February 2012January 2012December 2011November 2011October 2011September 2011August 2011July 2011June 2011May 2011April 2011March 2011February 2011January 2011December 2010November 2010October 2010September 2010August 2010July 2010June 2010May 2010April 2010March 2010February 2010January 2010December 2009November 2009October 2009September 2009August 2009July 2009June 2009May 2009April 2009March 2009February 2009January 2009Complete Archives |
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Quicktips 2011 Day22: Add Virtual Cuts to Avid Clip Based on Tracks BeneathFebruary 22, 2011 - This Reader Quicktip could be a real Avid Media Composer timesaver
Here’s a really cool Avid Media Composer Reader Quicktip that comes from Evan Schiff. It’s quite clever and I didn’t have a clue you could do this. It can come in handy if you ever have a piece of media that is a self-contained edit and you need to add edit points to that self-contained media that matches the original cut that’s still in your timeline. I could see using this after a color correction has come back for final finishing. more »
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Quicktips 2011 Day 19: Rename your Avid MXF foldersFebruary 19, 2011 - This Reader Quicktip can help with the organization of your Avid media folders
A great Reader Quicktip came over the other day from Rob Wilson. It’s a nice tip for doing a little surgery in your Avid Media Files folder that can help with organization and being able to identify the media files that goes with a particular project. Rob published this on his own blog when he sent it over and it is reposted here with his permission. more »
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Ian Johnson,
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Quicktips 2011 Day 16: Restore Default Patch in Avid Media ComposerFebruary 16, 2011 - This Reader Quicktip is a one click option when editing from a sequence in the Source monitor
This Reader Quicktip comes from Josh Petok. If you’re an Avid Media Composer editor then you know you can load a sequence into the Source monitor and edit that into another timeline (which you can do in Final Cut Pro too but this is an Avid tip). If you’ve ever noticed the totally mixed up video and audio patches that happen after that then read on for an easy fix. more »
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Quicktips 2011 Day 13: Overwrite bin column layout upon changesFebruary 13, 2011 - I change my column headings all the time and overwrite the old ones
My editing user settings are constantly evolving. One things that changes a lot are the bin column layouts that I recall for various editing tasks. I use many different columns for both Avid Media Composer and Final Cut Pro. I very often resize columns and add or remove headings to saved layouts. Rather than always save a new heading or repeatedly change the same saved layout over and over I will save and overwrite an existing column layout. more »
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Advertisement Quicktips 2011 Day 12: Dupe detection in Avid, FCP and kinda in Premiere Pro but not reallyFebruary 10, 2011 - showing duplicate frames / clips used in an edit is a super handy function
Dupe detection is one of those great little features that you don’t have to have in your editing application but it certainly makes tracking used footage in an edit much easier. For those unfamiliar, dupe detection tracks footage used in an edit and identifies duplicate shots in the timeline with colored lines in the clip. I did a post about Final Cut Pro’s dupe detection and DSLR footage a while back but this Quicktip looks at it again and Avid Media Composer as well. And while Adobe Premiere Pro CS5 doesn’t have dupe detection it can show you what clips have been used. more »
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Quicktips 2011 Day 10: Map Media Composer keyboard arrows to FF and REWFebruary 10, 2011 - This Reader Quicktip can speed along Avid Media Composer navigation
This Reader Quicktip is from Jack Jones, a colorist (or colourist I guess I should say) working out of London who passes along a simple but handy Quicktip for Avid Media Composer. It involves remapping the up and down arrow keys on a keyboard. This matches a Final Cut Pro behavior but it is more useful as a default Media Composer keyboard configuration for the up and down arrows keys IMHO. I’ve done the same thing for as long as I can remember. more »
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Quicktips 2011 Day 06: The mappable Avid Smart Tool buttonThere’s a single button in Media Composer 5 that can disable and enable the Smart Tool
Love it or hate it, the Avid Smart Tool that was introduced in Media Composer 5 is here to stay. It will continue to be refined and hopefully evolve as the software evolves but it’s worth noting there is a single, mappable button that can toggle the Smart Tool on and off. more »
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Quicktips 2011 Day 05: Change Sequence Timecode in Media Composer 5Avid moved the change sequence timecode command in MC 5 and didn’t tell us
Prior to Avid Media Composer 5.0 if you wanted to change the sequence timecode of an edit you hit the key stroke command + I while in the Record window and up popped a dialog box where that could be changed. Now in 5.0 command + I opens an info window with sequence details. But the ability to change Sequence timecode is still there. more »
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LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse
Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…
I love stacking cucolorii (plural of “cucoloris”) and I thought it was time to write an article about how this technique works and why I like it so much. I was a bit stretched for ideas that would illustrate this concept… and then an eclipse happened. Why that made a difference is a very interesting story…
Compositing in FCP X
On this week’s MacBreak Studio
On this week’s MacBreak Studio, I show Steve Martin from Ripple Training a few things I’ve discovered in my exploration of the compositing features in Final Cut Pro X.
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