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Scott Simmons
Scott Simmons was born in rural West Tennessee and didn't really realize that movies and tv had to be made by actual people until he went to college. After getting degrees in both Television Production and Graphic Design he was in one of the early graduating classes at the Watkins Film School in Nashville, Tennessee. During that time at Watkins he discovered editing. While most of his classmates in film school wanted to be directors, Scott saw real career opportunities in post production and took a job as an assistant editor after completing film school. In 1999, Scott took the leap into freelancing and in 2007 accepted a position as an editor at Filmworkers - Nashville. In 2005 Scott created The Editblog a website dedicated to all things editing and post-production which is now housed here at PVC. Someday he hopes to edit on a beach with a touch screen device, a wireless hard drive and a Red Stripe. 
Final Cut Pro X Multicam Editing webinar now available on-demand10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6A collection of Avid Media Composer related links for my NAB Migrating to Avid classAn elegant iPhone timecode calculatorRandom notes from my first “real world” Adobe Premiere Pro CS6 editNAB 2012: SpectraCalNAB 2012: Apple and Final Cut Pro XNAB 2012: LightworksNAB 2012: Baselight for Avid Media ComposerNAB 2012: Quantel new Pablo and Neo NanoNAB 2012: Promise Technology’s portable Thunderbolt J4 and J2NAB 2012: NewBlueFX Titler ProNAB 2012: PluralEyes 3.0 from Singular SoftwareNAB 2012: Technicolor CineLights from the GoPro boothAutodesk Smoke 2013: it really changed for the betterMy top 5 (or so) Adobe Premiere Pro CS6 featuresHow to preview Avid Media Composer’s MXF files for free without Media ComposerMy NAB 2012 Post|Production World classesBaselight for Final Cut Pro is one of the most powerful legacy FCP grading plugins everARRI’s DNxHD Alexa update, Sorenson Squeeze Pro and OP this, OP thatWhat’s happening at NAB 2012?The C300 short Hustle and some before and after imagesTip Tuesday: Disable a clip in the Avid Media Composer timelineTesting the 7toX Final Cut Pro 7 to Final Cut Pro X conversionQ and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch
May 2012April 2012March 2012February 2012January 2012December 2011November 2011October 2011September 2011August 2011July 2011June 2011May 2011April 2011March 2011February 2011January 2011December 2010November 2010October 2010September 2010August 2010July 2010June 2010May 2010April 2010March 2010February 2010January 2010December 2009November 2009October 2009September 2009August 2009July 2009June 2009May 2009April 2009March 2009February 2009January 2009Complete Archives |
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Quicktips 2011 Day 12: Dupe detection in Avid, FCP and kinda in Premiere Pro but not reallyFebruary 10, 2011 - showing duplicate frames / clips used in an edit is a super handy function
Dupe detection is one of those great little features that you don’t have to have in your editing application but it certainly makes tracking used footage in an edit much easier. For those unfamiliar, dupe detection tracks footage used in an edit and identifies duplicate shots in the timeline with colored lines in the clip. I did a post about Final Cut Pro’s dupe detection and DSLR footage a while back but this Quicktip looks at it again and Avid Media Composer as well. And while Adobe Premiere Pro CS5 doesn’t have dupe detection it can show you what clips have been used. more »
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Quicktips 2011 Day 11: Playhead of your timeline to match FCP edit to tape In pointFebruary 11, 2011 - This tip isn’t for everyone but if editing to tape it is a very good one
There’s probably not near as many Final Cut Pro editors that have to perform tape output today versus just a few years ago (using the FCP Edit to Tape window) but for those of us that still do use tape we tend to use it on a pretty regular basis. This Reader Quicktip is from Ben Scott, a London-based editor who apparently has to do a lot of Edit to Tape work. It’s quite a deep and involved tip entitled Getting the playhead of your timeline to match the edit to tape window’s In point. In fact there’s a couple of tips within this one. more »
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Quicktips 2011 Day 10: Map Media Composer keyboard arrows to FF and REWFebruary 10, 2011 - This Reader Quicktip can speed along Avid Media Composer navigation
This Reader Quicktip is from Jack Jones, a colorist (or colourist I guess I should say) working out of London who passes along a simple but handy Quicktip for Avid Media Composer. It involves remapping the up and down arrow keys on a keyboard. This matches a Final Cut Pro behavior but it is more useful as a default Media Composer keyboard configuration for the up and down arrows keys IMHO. I’ve done the same thing for as long as I can remember. more »
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Most recent comments by:
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Dylan Reeve,
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Quicktips 2011 Day 09: A bunch of FCP tips from Digital RebellionFebruary 9, 2011 - These are some oldies but goodies
Here’s a big batch of Reader Quicktips that comes to us from Jon Chappell over at Digital Rebellion. They’ve always maintained a very good blog as well as providing the Final Cut Pro community with some very useful tools, including the FCS Maintenance Pack. Here’s four quicktips from way back in 2008. Click over to the full Digital Rebellion article for all the images and comments. more »
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Advertisement Quicktips 2011 Day 08: Add and Edit markers in FCP 7 for speedFebruary 8, 2011 - This Reader Quicktip was an addition to the FCP 7 update and one of the best
This Reader Quicktip comes to us courtesy of Alex Ricciardi from Endless Picnic. It highlights the Add and Edit marker functionality that was added in the Final Cut Pro 7 update. more »
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Quicktips 2011 Day 07: changing FCP filters lengths partially applied to a clipFebruary 7, 2011 - Moving and extending the length of a filter applied to only part of a clip is a powerful feature
One particularly nice feature that Final Cut Pro allows you to do is to apply a filter to only part of a clip or a sequence nest. I find this particularly useful if I’m applying a non-realtime filter to a longer nest of clips and the filter effect will only happen for a very short time. Though I don’t use it a lot it can come in handy. I don’t want to lose the realtime playback for the entire clip when a small portion will only receive the filter. Thankfully FCP allows you to change the length and/or placement of that partially applied filter after it has been applied. more »
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Quicktips 2011 Day 06: The mappable Avid Smart Tool buttonThere’s a single button in Media Composer 5 that can disable and enable the Smart Tool
Love it or hate it, the Avid Smart Tool that was introduced in Media Composer 5 is here to stay. It will continue to be refined and hopefully evolve as the software evolves but it’s worth noting there is a single, mappable button that can toggle the Smart Tool on and off. more »
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Quicktips 2011 Day 05: Change Sequence Timecode in Media Composer 5Avid moved the change sequence timecode command in MC 5 and didn’t tell us
Prior to Avid Media Composer 5.0 if you wanted to change the sequence timecode of an edit you hit the key stroke command + I while in the Record window and up popped a dialog box where that could be changed. Now in 5.0 command + I opens an info window with sequence details. But the ability to change Sequence timecode is still there. more »
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LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse
Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…
I love stacking cucolorii (plural of “cucoloris”) and I thought it was time to write an article about how this technique works and why I like it so much. I was a bit stretched for ideas that would illustrate this concept… and then an eclipse happened. Why that made a difference is a very interesting story…
Compositing in FCP X
On this week’s MacBreak Studio
On this week’s MacBreak Studio, I show Steve Martin from Ripple Training a few things I’ve discovered in my exploration of the compositing features in Final Cut Pro X.
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