Scott Simmons

Scott Simmons was born in rural West Tennessee and didn't really realize that movies and tv had to be made by actual people until he went to college. After getting degrees in both Television Production and Graphic Design he was in one of the early graduating classes at the Watkins Film School in Nashville, Tennessee. During that time at Watkins he discovered editing. While most of his classmates in film school wanted to be directors, Scott saw real career opportunities in post production and took a job as an assistant editor after completing film school. In 1999, Scott took the leap into freelancing and in 2007 accepted a position as an editor at Filmworkers - Nashville. In 2005 Scott created The Editblog a website dedicated to all things editing and post-production which is now housed here at PVC. Someday he hopes to edit on a beach with a touch screen device, a wireless hard drive and a Red Stripe.

Final Cut Pro X Multicam Editing webinar now available on-demand
10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6
A collection of Avid Media Composer related links for my NAB Migrating to Avid class
An elegant iPhone timecode calculator
Random notes from my first “real world” Adobe Premiere Pro CS6 edit
NAB 2012: SpectraCal
NAB 2012: Apple and Final Cut Pro X
NAB 2012: Lightworks
NAB 2012: Baselight for Avid Media Composer
NAB 2012: Quantel new Pablo and Neo Nano
NAB 2012: Promise Technology’s portable Thunderbolt J4 and J2
NAB 2012: NewBlueFX Titler Pro
NAB 2012: PluralEyes 3.0 from Singular Software
NAB 2012: Technicolor CineLights from the GoPro booth
Autodesk Smoke 2013: it really changed for the better
My top 5 (or so) Adobe Premiere Pro CS6 features
How to preview Avid Media Composer’s MXF files for free without Media Composer
My NAB 2012 Post|Production World classes
Baselight for Final Cut Pro is one of the most powerful legacy FCP grading plugins ever
ARRI’s DNxHD Alexa update, Sorenson Squeeze Pro and OP this, OP that
What’s happening at NAB 2012?
The C300 short Hustle and some before and after images
Tip Tuesday: Disable a clip in the Avid Media Composer timeline
Testing the 7toX Final Cut Pro 7 to Final Cut Pro X conversion
Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch
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Complete Archives

Monday, July 26, 2010

Amazing Guy Walks Across America video

It’s a DSLR extravaganza with behind the scenes

There’s been a great new “viral” video making rounds recently, Guy Walks Across America. It’s currently at over a half million views on You Tube and will likely continue to rise as it’s buzz grows. It’s kind of like a stop motion / time lapse and is quite an amazing accomplishment technically. There’s a behind the scenes video as well that offers a glimpse into how they achieved the effect. It’s embed after the jump.

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Cameras
GentryMedia Sister Sites
ProPhoto Coalition
Production
Web Video • (2) Comments • Most recent comments by: brainwatersofteners, Matt Jeppsen, • Permalink


Monday, July 12, 2010

Parents, take your kids to Apple’s filmmaking camp

That is if you want to introduce them to this world and maybe ruin them for life!

Apple has made great use of their retail stores as place of learning. Many of the locations have small theaters where pros lead classes on everything from Photoshop to Mac troubleshooting. Another fun thing they do is offer a number of youth programs. One of those upcoming programs is Apple Camp - Lights. Camera. Camp. It’s a “fun, free workshop where kids become filmmakers.” This 3-day even takes kids from 8 - 12 basically through the pre-production, production, post-production and exhibition of a mini-movie. How great it would have been to have such a thing when I was a kid! And speaking of that, a little story ...

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Wednesday, March 03, 2010

Editing a multicamera concert shot on Canon 5Ds

It was our first true multicam show with the 5Ds and the results were nice

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It’s no secret that Canon 5Ds are everywhere. They’ve shot music videos, short films, commercials and more Vimeo videos than anyone can imagine. One place where I haven’t heard about a lot of usage (as of yet anyway) is in multicamera concert production. There’s very real reasons why you wouldn’t want to use any small-form-factor DSLRs (with no gen lock, timecode input or external monitoring) in a multicam production. But that doesn’t mean that they can’t get the job done.

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Cameras
Editing
Post Production
Production • (22) Comments • Most recent comments by: Thomas Wong, capturedliveproductions, Scott Simmons, donmarconi, Thomas Wong, Randy Lee, Thomas Wong, Scott Simmons, Thomas Wong, Bruce A Johnson, • Permalink


Sunday, September 20, 2009

From Wired magazine: The Good Enough Revolution

The idea of a production being Good Enough is happening in professional media production today

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Continuing with the links to other good articles that are great reads for our particular industry comes a link to a Wired article called The Good Enough Revolution: When Cheap and Simple Is Just Fine. That kinds of sums up a lot of what is going on in film and video production today wouldn’t you say? That Flip camera footage that comprises a large part of your program would have been flat out rejected on broadcast television at one point in the past but today ... it is good enough.

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Business
Distribution
Editing
Post Production
Production
Web Video • (10) Comments • Most recent comments by: chupacabra, arrestthisman, Simon Wyndham, Scott Simmons, Eric Addison, Marcus Samuel-Gaskin, Sproketz, Sproketz, Scott Simmons, Marcus Samuel-Gaskin, • Permalink



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Sunday, September 06, 2009

My first Sticky Pod test

Test video from an affordable camera mount

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Just about one year ago I joined my brother-in-law up in the Pocono mountains to shoot video for his website The Garage Blog at the International Motor Press Association’s test days. This is an event where automotive journalists converge on the Split Rock Resort and the Pocono Raceway for two days of driving, testing and writing about cars. In the case of The Garage Blog, we shot video as well. This year we are doing more of the same. I’ll be taking my trusty HV20 camera (probably minus the 35mm lens adapter in the interest of traveling light and saving time) and pretty much all the same gear I took last year with one addition: a Sticky Pod.

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Cameras
Production
Web Video • (0) Comments • • Permalink


Thursday, June 25, 2009

Please label tapes and disks: An open letter to DPs, camera ops, DITs

Just a simple label of format and frame rate will tell the editor a lot about what is on the tape or disk

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Man, there are a lot of high definition formats out in the world today. Just to spell them out would be a dizzying array of letters and numbers. 720p, 1080i, 23.98, 30p ... this list could literally go on and on so I won’t even attempt a partial list other that what I have above. Just take a look at this HD format chart. That’s a lot of different formats and it doesn’t even take into account the different flavors of a particular format that camera manufacturers often come up with on their own.

With that in mind this PVC post is an open letter to all DPs, ACs, camera ops, DITs, anyone and everyone associated with the camera department to please label their tapes and hard drives with the usable, relevant information of shooting format and frame rates, codecs and cameras so post-production will at least have an idea of what is being handed to them.

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Editing
Post Production
Production
Tips
Training • (10) Comments • Most recent comments by: Eric Wise, Scott Simmons, Rob, Scott Simmons, Martin Weiss, Martin Weiss, Mark Raudonis, J. Curtis, Scott Simmons, John Burkhart, • Permalink


Tuesday, May 26, 2009

Science of the Movies premieres tonight on Science Channel

The Science Channel brings on a show for the tech movie geek in all of us

If you’re a movie fan then tune in to the Science Channel tonight or (more likely) set your DVRs accordingly as tonight premieres the show Science of the Movies.

What is the show about? From the Science Channel website:

Science Channel invites you on a geektastic journey to the cinematic intersection of art and science in the all-new “Science of the Movies”, Tuesdays at 9 PM (ET/PT).

Appealing to the movie junkie in us all, the new series explores the remarkable - yet rarely celebrated - scientific world that exists behind the screen, spotlighting the visionary artists, entrepreneurial spirit, innovative technology and remarkable techniques responsible for creating unforgettable, edge-of-your-seat moments in blockbuster films.

In tonight’s episode titled Spider Man Motion Control we get “Host Nar Williams explores the motion-control technology behind cloning and the famous “Spidey-sense” shot from “Spider-Man”; Nar rides a CG elephant created by the creature special-effects team behind “300”; Nar embarks on a chase scene using wireless camera mounts.” There’s a complete episode guide over on the Science Channel website. Man I hope it’s not too cheesy.


Motion Graphics
Production • (5) Comments • Most recent comments by: Fire science, VideoChick, Jim Hines, Scott Simmons, Jim Hines, • Permalink


Wednesday, May 06, 2009

Want an ikan monitor? Enter their contest.

If you are in need of a small external monitor for your video shoots or maybe a small supplemental monitor for your edit suite then head over to ikan corporation and enter their Wish I had an ikan contest. From the ikan website:

If you can create a short narrative film either featuring an iKan product or the Ikan name, then you are eligible to win cash and prizes from Ikan.

Start Date: April 27th
End date: August 1st

1st place: $2,000 cash

2nd place: $1,000 and a V8000HDMI LCD Monitor

3rd Place: a V8000HDMI LCD Monitor

It seems strange that the 1st place winner would get cash and no ikan monitor but with $2,000 cash you can spend it how you want! Rules are available here. Good luck!


Production
Web Video • (2) Comments • Most recent comments by: Scott Simmons, Rob, • Permalink


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LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse
Art Adams

Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…

Compositing in FCP X
Mark Spencer

On this week’s MacBreak Studio

David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projection
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Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.

After Effects Apprentice Free Video: Rendering a 4:3 Center Cut Movie from a 16:9 Composition
Chris and Trish Meyer

...plus an update on what’s next for the Apprentice series.

Final Cut Pro X Multicam Editing webinar now available on-demand
Scott Simmons

Plus a little screencast in this blog post on a topic we didn’t get to cover.

CAMERAS: Food Fights with the FS700
Art Adams

You want 240fps 1920x1080? I’ve got your high-speed HD right here… for less than $10K.

How to get good production dialogue
Matt Jeppsen

Use a boom mic and some common sense!

After Effects Apprentice Free Video: Using Parenting to Animate Layers as a Unit
Chris and Trish Meyer

Taking advantage of parenting, multiple 3D views, and AE’s built-in calculator to coordinate a multi-layer animation.

Rigging the Bird
Mark Spencer

Motion Magic on MacBreak Studio

10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6
Scott Simmons

These are a few of the things that I found myself searching for as I’ve been moving over to Premiere Pro CS6 as a FCP 7 replacement

Blackmagic: We’re ready to remove the Band-Aid!
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If you agree, please sign the online petition requesting the required updates.

Adobe is coming to a city near you!
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CS6 Production Premium Road Show







LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse

Art Adams | 05/24- 11:24 AM

Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…

I love stacking cucolorii (plural of “cucoloris”) and I thought it was time to write an article about how this technique works and why I like it so much. I was a bit stretched for ideas that would illustrate this concept… and then an eclipse happened. Why that made a difference is a very interesting story…

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Compositing in FCP X

Mark Spencer | 05/23- 05:03 AM

On this week’s MacBreak Studio

On this week’s MacBreak Studio, I show Steve Martin from Ripple Training a few things I’ve discovered in my exploration of the compositing features in Final Cut Pro X.

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