Scott Simmons

Scott Simmons was born in rural West Tennessee and didn't really realize that movies and tv had to be made by actual people until he went to college. After getting degrees in both Television Production and Graphic Design he was in one of the early graduating classes at the Watkins Film School in Nashville, Tennessee. During that time at Watkins he discovered editing. While most of his classmates in film school wanted to be directors, Scott saw real career opportunities in post production and took a job as an assistant editor after completing film school. In 1999, Scott took the leap into freelancing and in 2007 accepted a position as an editor at Filmworkers - Nashville. In 2005 Scott created The Editblog a website dedicated to all things editing and post-production which is now housed here at PVC. Someday he hopes to edit on a beach with a touch screen device, a wireless hard drive and a Red Stripe.

Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch
Kicking the tires on the Final Cut Pro X 10.0.3 Multicam update
Update Alert: Final Cut Pro X goes to 10.0.3
Adobe teases Prelude at the San Francisco Supermeet, FCPUG changes its name
Tangent Element panels are now shipping
Avid Media Composer 6 review online
Update Alert: Magic Bullet Suite 11.2
Update Alert: FxFactory 3.0
The new Fotoshop by Adobé can change the way you look!
Did you know MPEG Streamclip could convert YouTube videos?
New That Post Show: Edit Pro Supergood
Clean those Adobe Media Cache Files
Christmas Gift Ideas for the Editor in Your Life
Kicking the Tires on Avid Media Composer 6
The Adobe Premiere Pro timeline for Final Cut Pro users
Avid Media Composer 6 is announced and it’s moving into the future
All of the Automatic Duck plug-ins are now free
A report on Walter Murch’s talk at the Boston SuperMeet
A lesson learned from my FCPX to Resolve roundtrips
Update Alert: DaVinci Resolve 8.1: FCPX support, lots of little things
A Few Recent Avid Media Composer Finds
A short Q and A with Automatic Duck about their Adobe move
Steve Jobs 1955 - 2011
$995 Final Cut Pro to Media Composer crossgrade ending very soon
Kicking the tires on the Final Cut Pro X 10.0.1 update
February 2012
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December 2011
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December 2009
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January 2009

Complete Archives

Wednesday, September 22, 2010

A video for Post-Production / Motion Graphics nerds to enjoy

Everyone else just move along as you may not get this NSFW video.

This very well produced and very topical video is making the rounds today. I saw it via Twitterer beerad who is one of the co-creators. It certainly took someone some time and effort and as a post-production nerd who gets most of the references in the video I thank them for it! Motion graphics people will probably enjoy it most of all. NSFW.


Motion Graphics
Post Production
Web Video • (1) Comments • Most recent comments by: Chris Meyer, • Permalink


Sunday, December 20, 2009

How the BBC made one of those amazing plant growing shots

It’s time-lapse and a whole lot more

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For those that aren’t on Twitter I wanted to post this amazing video that shows how the BBC series Life was able to achieve an amazing plant growing shots for the episode “Plants.” It involves multiple time-lapse tracking shots in the wild as well as the same shots recreated on blue-screen in the studio. All shot with a DSLR and brought together in the all-powerful After Effects. You can see the power of the re-tweet at work via Twitter with this link. I finally saw it this morning on its 3rd re-tweet.


Editing
Motion Graphics
Post Production
Web Video • (3) Comments • Most recent comments by: Scott Simmons, Stephan, cowpunk52, • Permalink


Friday, November 13, 2009

Automagic part 2: mocha for Final Cut

If you need to gather tracking data to pass to FCP then this is the app for you

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I am not a VFX artist. I think that if I could plug a data pipe straight into my brain and download an entire profession right into the gray matter ala The Matrix it might be some level of visual effects expertise. It’s amazing what you can do with affordable desktop software but even something as accessible as Adobe After Effects can take a whole career to master. It’s also amazing at the level of quality that one can achieve with all of the other desktop applications that are out in the world today. I received a copy of Imagineer Systems’ mocha for Final Cut a while back but I hadn’t had the time or the need to really use it. But at a recent automotive shoot for The Garage Blog we were looking at footage and someone commented that we should have put our own logo license plate on the cars before we drove them (never mind the fact that such a license plate doesn’t exist). Idea! I can do that in post and mocha for Final Cut will be the perfect tool.

more »

Editing
Motion Graphics
Post Production
Software
Tips
Visual Effects • (1) Comments • Most recent comments by: • Permalink


Friday, June 05, 2009

Feature Reminder: Content Aware Scaling in Photoshop CS4

Every now and then it’s nice to have a reminder of a cool feature

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Every now and then it’s nice to have a reminder of a cool new feature in a recent software update. That’s what I want to do with this reminder of content aware scaling that was added in Photoshop CS4. The other day I had been struggling for a little while trying to scale down an image to fit in the corner of the video screen while still maintaining a good focus on the subject, a car. I tried all of the usual ways of removing the car, adding it to another layer, blending the background and all sort of things. None of them produced an acceptable transformation. Just about the time the client walked in I had ventured under Photoshop’s Edit menu and there it was, a feature I had used in the past but completely forgotten about content aware scaling:

more »



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Tuesday, May 26, 2009

Science of the Movies premieres tonight on Science Channel

The Science Channel brings on a show for the tech movie geek in all of us

If you’re a movie fan then tune in to the Science Channel tonight or (more likely) set your DVRs accordingly as tonight premieres the show Science of the Movies.

What is the show about? From the Science Channel website:

Science Channel invites you on a geektastic journey to the cinematic intersection of art and science in the all-new “Science of the Movies”, Tuesdays at 9 PM (ET/PT).

Appealing to the movie junkie in us all, the new series explores the remarkable - yet rarely celebrated - scientific world that exists behind the screen, spotlighting the visionary artists, entrepreneurial spirit, innovative technology and remarkable techniques responsible for creating unforgettable, edge-of-your-seat moments in blockbuster films.

In tonight’s episode titled Spider Man Motion Control we get “Host Nar Williams explores the motion-control technology behind cloning and the famous “Spidey-sense” shot from “Spider-Man”; Nar rides a CG elephant created by the creature special-effects team behind “300”; Nar embarks on a chase scene using wireless camera mounts.” There’s a complete episode guide over on the Science Channel website. Man I hope it’s not too cheesy.


Motion Graphics
Production • (5) Comments • Most recent comments by: Fire science, VideoChick, Jim Hines, Scott Simmons, Jim Hines, • Permalink


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2D Footage with a Stereo 3D Rig in After Effects CS5.5
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Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5

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Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch
Scott Simmons

If you haven’t heard they have moved from FCP7 to Media Composer

Kicking the tires on the Final Cut Pro X 10.0.3 Multicam update
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The ease of setup and managing multicam clips makes this the best FCPX update yet

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Multicamera Editing in Final Cut Pro X

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2D Footage with a Stereo 3D Rig in After Effects CS5.5

Jeff Foster | 02/10- 06:09 PM

Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5

Adobe included a 1-step option to create a 3D Stereo Camera Rig in After Effects CS5.5, to everyone’s enthusiasm for a simpler workflow in 3D space. Great if you are working in 3D space in After Effects, but what about an easy option for 3D Stereo pairs captured by a 3D camera or twin cameras on a rig? In this tutorial I’ll show you how to quickly modify the Stereo 3D Rig in After Effects to quickly mux your L&R video files and adjust the convergence for anaglyph, interlaced or stereo pairs output.

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How to get the “24p” look for your live-switched multicam shoot

Allan Tépper | 02/10- 04:23 PM

A contracted article, sponsored by Datavideo Corporation.

Our friends at Datavideo recently asked me to write an article called How to get the “24p” look for your live-switched multicam shoot. The article covers many factors involved in accomplishing that goal, including framerate, aperture, shutter speed, depth of field, and menu settings in Datavideo’s digital HD video mixers (“switchers”) and recorders, and also the menu settings in several pro cameras from Canon, Panasonic, and Sony. The included chart explains which of the cameras have a direct HD-SDI output, and which require an optional converter to go from HDMI to HD-SDI to connect to the Datavideo digital HD video mixer. As you’ll see in the article, the approach is quite different from the workflows I normally cover, which are more appropriate when programs are to be edited, as opposed to when they are shot —and potentially broadcast— live. The graphics for this article were done by Victory Elliot of Datavideo Corporation.

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