Scott Simmons

Scott Simmons was born in rural West Tennessee and didn't really realize that movies and tv had to be made by actual people until he went to college. After getting degrees in both Television Production and Graphic Design he was in one of the early graduating classes at the Watkins Film School in Nashville, Tennessee. During that time at Watkins he discovered editing. While most of his classmates in film school wanted to be directors, Scott saw real career opportunities in post production and took a job as an assistant editor after completing film school. In 1999, Scott took the leap into freelancing and in 2007 accepted a position as an editor at Filmworkers - Nashville. In 2005 Scott created The Editblog a website dedicated to all things editing and post-production which is now housed here at PVC. Someday he hopes to edit on a beach with a touch screen device, a wireless hard drive and a Red Stripe.

Final Cut Pro X Multicam Editing webinar now available on-demand
10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6
A collection of Avid Media Composer related links for my NAB Migrating to Avid class
An elegant iPhone timecode calculator
Random notes from my first “real world” Adobe Premiere Pro CS6 edit
NAB 2012: SpectraCal
NAB 2012: Apple and Final Cut Pro X
NAB 2012: Lightworks
NAB 2012: Baselight for Avid Media Composer
NAB 2012: Quantel new Pablo and Neo Nano
NAB 2012: Promise Technology’s portable Thunderbolt J4 and J2
NAB 2012: NewBlueFX Titler Pro
NAB 2012: PluralEyes 3.0 from Singular Software
NAB 2012: Technicolor CineLights from the GoPro booth
Autodesk Smoke 2013: it really changed for the better
My top 5 (or so) Adobe Premiere Pro CS6 features
How to preview Avid Media Composer’s MXF files for free without Media Composer
My NAB 2012 Post|Production World classes
Baselight for Final Cut Pro is one of the most powerful legacy FCP grading plugins ever
ARRI’s DNxHD Alexa update, Sorenson Squeeze Pro and OP this, OP that
What’s happening at NAB 2012?
The C300 short Hustle and some before and after images
Tip Tuesday: Disable a clip in the Avid Media Composer timeline
Testing the 7toX Final Cut Pro 7 to Final Cut Pro X conversion
Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch
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Complete Archives

Friday, March 20, 2009

3 Blu-ray links

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I saw three different Blu-ray related links from ianshepherd on Twitter this morning. I love my Blu-ray discs and my Playstation 3 which sees a lot more duty as a Blu-ray player than a gaming machine. Yes there’s the argument that disc-based entertainment is yesterday’s technology and Internet delivery is the future. That may be true at some point in the future but at this point in time Blu-ray still looks better than HD movies from iTunes and Comcast HD. Plus, I like to throw that DVD on the shelf. And many of the Blu-ray supplements are top notch. The Dark Knight is gorgeous and the behind the scenes stuff is well worth the investment.

And the links: Where we stand on Blu-ray Disc -  DVD guru Bruce Nazarian rounds up exactly where Blu-ray stands thus far.

Petition to stimulate adoption of Blu-ray Disc publishing -  One of the biggest obstacles to Blu-ray adoption are the steep licensing fees to get a disc professionally replicated. I think that a lowering of those fees would a much better adoption of Blu-ray in the corporate world and secondary markets where Internet delivery isn’t as desirable.

And even more people are joining the IDMA’s campaign on reducing the licensing fees.  The more the better.


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Thursday, February 19, 2009

Live Action Oscar Nominated Short Films on iTunes

It’s only a few days before the ceremony but the shorts are there

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For all of us out there that love (and make) short films it’s especially pleasing when the presenter announces the winners of the short film categories on Oscar night. I always wonder what the winner is thinking and feeling as they make that long walk from the back of the room up to the stage to accept their Oscar. In the early 90s they tried to do away with the shorts categories (at least on the telecast from what I remember) and there was such an uproar by a number of prominent filmmakers that they kept the categories intact. A couple of years ago they tried to give all of the shorts awards away at one time and that was an awkward train wreck. It has been suggested more than once that the shorts need to go. Sure the Oscar telecast is bloated and long but for a filmmaker the act of even having the shorts categories represents something to strive for. The knowledge that you have just as much of a chance as anyone at a real Oscar nomination is a great incentive to do you best work on your short film. The odds are still great but dedicated filmmakers work against the odds all the time. Since shorts are such a staple of the Internet the Academy should embrace the short film format more than ever. Even CNN has a story about the shorts filmmakers!

iTunes has recently posted all 5 Oscar nominated short films for sale via Shorts International. The direct iTunes links can be found at this link on Ticklebooth. The animated ones are all linked here.  I haven’t been able to find and view the Documentary Short Subject nominees so if you have a link to them please post it in the comments. The Oscars are this Sunday so get your viewing done before then!



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These are a few of the things that I found myself searching for as I’ve been moving over to Premiere Pro CS6 as a FCP 7 replacement

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LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse

Art Adams | 05/24- 11:24 AM

Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…

I love stacking cucolorii (plural of “cucoloris”) and I thought it was time to write an article about how this technique works and why I like it so much. I was a bit stretched for ideas that would illustrate this concept… and then an eclipse happened. Why that made a difference is a very interesting story…

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Compositing in FCP X

Mark Spencer | 05/23- 05:03 AM

On this week’s MacBreak Studio

On this week’s MacBreak Studio, I show Steve Martin from Ripple Training a few things I’ve discovered in my exploration of the compositing features in Final Cut Pro X.

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