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Scott Simmons
Scott Simmons was born in rural West Tennessee and didn't really realize that movies and tv had to be made by actual people until he went to college. After getting degrees in both Television Production and Graphic Design he was in one of the early graduating classes at the Watkins Film School in Nashville, Tennessee. During that time at Watkins he discovered editing. While most of his classmates in film school wanted to be directors, Scott saw real career opportunities in post production and took a job as an assistant editor after completing film school. In 1999, Scott took the leap into freelancing and in 2007 accepted a position as an editor at Filmworkers - Nashville. In 2005 Scott created The Editblog a website dedicated to all things editing and post-production which is now housed here at PVC. Someday he hopes to edit on a beach with a touch screen device, a wireless hard drive and a Red Stripe.
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Friday, March 20, 2009
I saw three different Blu-ray related links from ianshepherd on Twitter this morning. I love my Blu-ray discs and my Playstation 3 which sees a lot more duty as a Blu-ray player than a gaming machine. Yes there’s the argument that disc-based entertainment is yesterday’s technology and Internet delivery is the future. That may be true at some point in the future but at this point in time Blu-ray still looks better than HD movies from iTunes and Comcast HD. Plus, I like to throw that DVD on the shelf. And many of the Blu-ray supplements are top notch. The Dark Knight is gorgeous and the behind the scenes stuff is well worth the investment.
And the links: Where we stand on Blu-ray Disc - DVD guru Bruce Nazarian rounds up exactly where Blu-ray stands thus far.
Petition to stimulate adoption of Blu-ray Disc publishing - One of the biggest obstacles to Blu-ray adoption are the steep licensing fees to get a disc professionally replicated. I think that a lowering of those fees would a much better adoption of Blu-ray in the corporate world and secondary markets where Internet delivery isn’t as desirable.
And even more people are joining the IDMA’s campaign on reducing the licensing fees. The more the better.
Thursday, February 19, 2009
It’s only a few days before the ceremony but the shorts are there
For all of us out there that love (and make) short films it’s especially pleasing when the presenter announces the winners of the short film categories on Oscar night. I always wonder what the winner is thinking and feeling as they make that long walk from the back of the room up to the stage to accept their Oscar. In the early 90s they tried to do away with the shorts categories (at least on the telecast from what I remember) and there was such an uproar by a number of prominent filmmakers that they kept the categories intact. A couple of years ago they tried to give all of the shorts awards away at one time and that was an awkward train wreck. It has been suggested more than once that the shorts need to go. Sure the Oscar telecast is bloated and long but for a filmmaker the act of even having the shorts categories represents something to strive for. The knowledge that you have just as much of a chance as anyone at a real Oscar nomination is a great incentive to do you best work on your short film. The odds are still great but dedicated filmmakers work against the odds all the time. Since shorts are such a staple of the Internet the Academy should embrace the short film format more than ever. Even CNN has a story about the shorts filmmakers!
iTunes has recently posted all 5 Oscar nominated short films for sale via Shorts International. The direct iTunes links can be found at this link on Ticklebooth. The animated ones are all linked here. I haven’t been able to find and view the Documentary Short Subject nominees so if you have a link to them please post it in the comments. The Oscars are this Sunday so get your viewing done before then!
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Art Adams
Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…
Mark Spencer
On this week’s MacBreak Studio
Todd_Kopriva
Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.
Chris and Trish Meyer
...plus an update on what’s next for the Apprentice series.
Scott Simmons
Plus a little screencast in this blog post on a topic we didn’t get to cover.
Art Adams
You want 240fps 1920x1080? I’ve got your high-speed HD right here… for less than $10K.
Matt Jeppsen
Use a boom mic and some common sense!
Chris and Trish Meyer
Taking advantage of parenting, multiple 3D views, and AE’s built-in calculator to coordinate a multi-layer animation.
Mark Spencer
Motion Magic on MacBreak Studio
Scott Simmons
These are a few of the things that I found myself searching for as I’ve been moving over to Premiere Pro CS6 as a FCP 7 replacement
Allan Tépper
If you agree, please sign the online petition requesting the required updates.
Michelle Gallina
CS6 Production Premium Road Show
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Art Adams | 05/24- 11:24 AM
Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…
I love stacking cucolorii (plural of “cucoloris”) and I thought it was time to write an article about how this technique works and why I like it so much. I was a bit stretched for ideas that would illustrate this concept… and then an eclipse happened. Why that made a difference is a very interesting story…
Mark Spencer | 05/23- 05:03 AM
On this week’s MacBreak Studio
On this week’s MacBreak Studio, I show Steve Martin from Ripple Training a few things I’ve discovered in my exploration of the compositing features in Final Cut Pro X.
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