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Scott Simmons
Scott Simmons was born in rural West Tennessee and didn't really realize that movies and tv had to be made by actual people until he went to college. After getting degrees in both Television Production and Graphic Design he was in one of the early graduating classes at the Watkins Film School in Nashville, Tennessee. During that time at Watkins he discovered editing. While most of his classmates in film school wanted to be directors, Scott saw real career opportunities in post production and took a job as an assistant editor after completing film school. In 1999, Scott took the leap into freelancing and in 2007 accepted a position as an editor at Filmworkers - Nashville. In 2005 Scott created The Editblog a website dedicated to all things editing and post-production which is now housed here at PVC. Someday he hopes to edit on a beach with a touch screen device, a wireless hard drive and a Red Stripe. 
Final Cut Pro X Multicam Editing webinar now available on-demand10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6A collection of Avid Media Composer related links for my NAB Migrating to Avid classAn elegant iPhone timecode calculatorRandom notes from my first “real world” Adobe Premiere Pro CS6 editNAB 2012: SpectraCalNAB 2012: Apple and Final Cut Pro XNAB 2012: LightworksNAB 2012: Baselight for Avid Media ComposerNAB 2012: Quantel new Pablo and Neo NanoNAB 2012: Promise Technology’s portable Thunderbolt J4 and J2NAB 2012: NewBlueFX Titler ProNAB 2012: PluralEyes 3.0 from Singular SoftwareNAB 2012: Technicolor CineLights from the GoPro boothAutodesk Smoke 2013: it really changed for the betterMy top 5 (or so) Adobe Premiere Pro CS6 featuresHow to preview Avid Media Composer’s MXF files for free without Media ComposerMy NAB 2012 Post|Production World classesBaselight for Final Cut Pro is one of the most powerful legacy FCP grading plugins everARRI’s DNxHD Alexa update, Sorenson Squeeze Pro and OP this, OP thatWhat’s happening at NAB 2012?The C300 short Hustle and some before and after imagesTip Tuesday: Disable a clip in the Avid Media Composer timelineTesting the 7toX Final Cut Pro 7 to Final Cut Pro X conversionQ and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch
May 2012April 2012March 2012February 2012January 2012December 2011November 2011October 2011September 2011August 2011July 2011June 2011May 2011April 2011March 2011February 2011January 2011December 2010November 2010October 2010September 2010August 2010July 2010June 2010May 2010April 2010March 2010February 2010January 2010December 2009November 2009October 2009September 2009August 2009July 2009June 2009May 2009April 2009March 2009February 2009January 2009Complete Archives |
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Quicktips 2011 Day 18: Two FCP tips for today’s QuicktipFebruary 18, 2011 - There’s 2 Reader Quicktips here, timeline preferences and preferred effects
Today’s a Reader Quicktip that is actually two tips from Final Cut Pro and After Effects trainer Clay Asbury. One tips is how he likes to setup his default FCP timeline settings and one is about using FCP’s Effect Availability option. more »
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Quicktips 2011 Day 17: Using extended markers to create subsclipsFebruary 17, 2011 - This Reader Quicktip explores FCP’s extended markers and making subclips from them
This Reader Quicktip comes from Final Cut Coach. It involves using the markers and the extend marker option in Final Cut Pro. Plus there’s discussion of using markers to makes subclips. Final Cut Coach also has its own site that looks to be a growing Final Cut Pro tutorial site. more »
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Quicktips 2011 Day 15: Create audio synced subclips from overcranked footageFebruary 15, 2011 - This Reader Quicktip might be especially helpful for the music video people
This Reader Quicktip comes from Matthew Gilna in Los Angeles. He’s been working on a cool series called The LXD or League of Extraordinary Dancers. This Quicktip is a technique that he’s been using quite a lot on this series to create new synced clips when he has to sync video with separate audio. more »
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Quicktips 2011 Day 14: Better performance for .motn files in FCP TimelineFebruary 14, 2011 - This Reader Quicktip is for all those that use Motion projects in FCP
This Reader Quicktip is all the way from Lu Nelson in Berlin. If you use Apple Motion a lot and integrate those Motion project files in your Final Cut Pro timeline then read on for what could be a nice realtime trick. more »
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Advertisement Quicktips 2011 Day 13: Overwrite bin column layout upon changesFebruary 13, 2011 - I change my column headings all the time and overwrite the old ones
My editing user settings are constantly evolving. One things that changes a lot are the bin column layouts that I recall for various editing tasks. I use many different columns for both Avid Media Composer and Final Cut Pro. I very often resize columns and add or remove headings to saved layouts. Rather than always save a new heading or repeatedly change the same saved layout over and over I will save and overwrite an existing column layout. more »
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Most recent comments by:
Scott Simmons,
Kåre Nejmann,
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Quicktips 2011 Day 11: Playhead of your timeline to match FCP edit to tape In pointFebruary 11, 2011 - This tip isn’t for everyone but if editing to tape it is a very good one
There’s probably not near as many Final Cut Pro editors that have to perform tape output today versus just a few years ago (using the FCP Edit to Tape window) but for those of us that still do use tape we tend to use it on a pretty regular basis. This Reader Quicktip is from Ben Scott, a London-based editor who apparently has to do a lot of Edit to Tape work. It’s quite a deep and involved tip entitled Getting the playhead of your timeline to match the edit to tape window’s In point. In fact there’s a couple of tips within this one. more »
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Quicktips 2011 Day 09: A bunch of FCP tips from Digital RebellionFebruary 9, 2011 - These are some oldies but goodies
Here’s a big batch of Reader Quicktips that comes to us from Jon Chappell over at Digital Rebellion. They’ve always maintained a very good blog as well as providing the Final Cut Pro community with some very useful tools, including the FCS Maintenance Pack. Here’s four quicktips from way back in 2008. Click over to the full Digital Rebellion article for all the images and comments. more »
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Most recent comments by:
GJtenHove,
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Quicktips 2011 Day 08: Add and Edit markers in FCP 7 for speedFebruary 8, 2011 - This Reader Quicktip was an addition to the FCP 7 update and one of the best
This Reader Quicktip comes to us courtesy of Alex Ricciardi from Endless Picnic. It highlights the Add and Edit marker functionality that was added in the Final Cut Pro 7 update. more »
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LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse
Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…
I love stacking cucolorii (plural of “cucoloris”) and I thought it was time to write an article about how this technique works and why I like it so much. I was a bit stretched for ideas that would illustrate this concept… and then an eclipse happened. Why that made a difference is a very interesting story…
Compositing in FCP X
On this week’s MacBreak Studio
On this week’s MacBreak Studio, I show Steve Martin from Ripple Training a few things I’ve discovered in my exploration of the compositing features in Final Cut Pro X.
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