Scott Simmons

Scott Simmons was born in rural West Tennessee and didn't really realize that movies and tv had to be made by actual people until he went to college. After getting degrees in both Television Production and Graphic Design he was in one of the early graduating classes at the Watkins Film School in Nashville, Tennessee. During that time at Watkins he discovered editing. While most of his classmates in film school wanted to be directors, Scott saw real career opportunities in post production and took a job as an assistant editor after completing film school. In 1999, Scott took the leap into freelancing and in 2007 accepted a position as an editor at Filmworkers - Nashville. In 2005 Scott created The Editblog a website dedicated to all things editing and post-production which is now housed here at PVC. Someday he hopes to edit on a beach with a touch screen device, a wireless hard drive and a Red Stripe.

Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch
Kicking the tires on the Final Cut Pro X 10.0.3 Multicam update
Update Alert: Final Cut Pro X goes to 10.0.3
Adobe teases Prelude at the San Francisco Supermeet, FCPUG changes its name
Tangent Element panels are now shipping
Avid Media Composer 6 review online
Update Alert: Magic Bullet Suite 11.2
Update Alert: FxFactory 3.0
The new Fotoshop by Adobé can change the way you look!
Did you know MPEG Streamclip could convert YouTube videos?
New That Post Show: Edit Pro Supergood
Clean those Adobe Media Cache Files
Christmas Gift Ideas for the Editor in Your Life
Kicking the Tires on Avid Media Composer 6
The Adobe Premiere Pro timeline for Final Cut Pro users
Avid Media Composer 6 is announced and it’s moving into the future
All of the Automatic Duck plug-ins are now free
A report on Walter Murch’s talk at the Boston SuperMeet
A lesson learned from my FCPX to Resolve roundtrips
Update Alert: DaVinci Resolve 8.1: FCPX support, lots of little things
A Few Recent Avid Media Composer Finds
A short Q and A with Automatic Duck about their Adobe move
Steve Jobs 1955 - 2011
$995 Final Cut Pro to Media Composer crossgrade ending very soon
Kicking the tires on the Final Cut Pro X 10.0.1 update
February 2012
January 2012
December 2011
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December 2009
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March 2009
February 2009
January 2009

Complete Archives

Saturday, June 20, 2009

The iPhone 3G S can’t really EDIT video!

But it can TRIM it and shoot some fun stuff to boot

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Okay, let’s get one thing straight about the new Apple iPhone 3G S ... it can’t edit the video it shoots. What it can do is trim the beginning and end of each and every clip. That may just be semantics talking but I’ve seen lots of stuff on the Interweb saying that you can edit the video that you shoot on the iPhone ... to me editing means that you can actually join two separate clips into one. You can’t do this on the iPhone 3G S. But you indeed can trim your clips to shave off unwanted frames at the head and the tail. It’s a really cool thing to be able to do, especially if you are running low on storage space on the phone. And considering you have to tap the start/stop button on the touch screen (as opposed to say a hard button on the side) you are likely to have some slop at the head and tail as you begin a shot.

more »

*VIDEO*
Cameras
Web Video • (18) Comments • Most recent comments by: GerryG, Scott Simmons, DanConklin, Josh Mellicker from DVcreators.net, Scott Simmons, Eric Granata, Josh Mellicker from DVcreators.net, Scott Simmons, Josh Mellicker from DVcreators.net, Scott Gentry, • Permalink


Thursday, April 16, 2009

When your 16:9 tv isn’t enough there’s 21:9

Philips ramps it up a notch but is it marketing more than good tech?

Yesterday my PVC colleague Mark Christiansen posted this quick-link to to an utterly amazing promotional piece / short film from Philips touting their upcoming 21:9 television. It’s a fantastic piece of work with the camera drifting slowly through a crime scene in a bullet-time sort of way. Throughout the piece a number of the filmmakers step into the scene to explain various parts of their art and craft.

Go and watch the piece and check out this new television and then come back for discussion. I call marketing bullshit on this TV.

more »

*VIDEO*
Hardware • (3) Comments • Most recent comments by: Scott Simmons, Graham Futerfas, Charles Angus, • Permalink


Wednesday, January 28, 2009

The GT35Pro up in the great cold north

Further testing the GT35pro 35mm lens adapter on the Canon HV20

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For Christmas 2008 my wife and I packed up the car and drove north to see her family. We ended up with Uncle John in Warkworth, Ontario, spending time on a gorgeous farm in the country. It was the perfect place to keep kicking the tires (see the first post about the GT35pro here and the first footage here) on my Canon HV20 with Greg Tay’s GT35pro adapter. Perfect in the sense that this type of shooting is one of the main reasons I like an affordable 35mm lens adapter for this little consumer camera. When I’m kicking around with the family, on a holiday at the beach or just shooting some random images in the neighborhood the option of getting fantastically shallow depth of field and the unique look of the image projected onto an adapter’s ground glass is very appealing. I don’t want lug thousands of dollars worth of high-end adapter, swing-away matte box, carbon-fiber rail system in their own dedicated pelican case around the country just for my own pleasure. It’s nice to have something that can fit in a travel bag or camera case and still yield results that are look good and are especially impressive to the family. You can easily get that out of most all of the lower cost 35mm lens adapters on the market.


*VIDEO*
Cameras
Production • (0) Comments • • Permalink


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2D Footage with a Stereo 3D Rig in After Effects CS5.5

Jeff Foster | 02/10- 06:09 PM

Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5

Adobe included a 1-step option to create a 3D Stereo Camera Rig in After Effects CS5.5, to everyone’s enthusiasm for a simpler workflow in 3D space. Great if you are working in 3D space in After Effects, but what about an easy option for 3D Stereo pairs captured by a 3D camera or twin cameras on a rig? In this tutorial I’ll show you how to quickly modify the Stereo 3D Rig in After Effects to quickly mux your L&R video files and adjust the convergence for anaglyph, interlaced or stereo pairs output.

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How to get the “24p” look for your live-switched multicam shoot

Allan Tépper | 02/10- 04:23 PM

A contracted article, sponsored by Datavideo Corporation.

Our friends at Datavideo recently asked me to write an article called How to get the “24p” look for your live-switched multicam shoot. The article covers many factors involved in accomplishing that goal, including framerate, aperture, shutter speed, depth of field, and menu settings in Datavideo’s digital HD video mixers (“switchers”) and recorders, and also the menu settings in several pro cameras from Canon, Panasonic, and Sony. The included chart explains which of the cameras have a direct HD-SDI output, and which require an optional converter to go from HDMI to HD-SDI to connect to the Datavideo digital HD video mixer. As you’ll see in the article, the approach is quite different from the workflows I normally cover, which are more appropriate when programs are to be edited, as opposed to when they are shot —and potentially broadcast— live. The graphics for this article were done by Victory Elliot of Datavideo Corporation.

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