Scott Simmons

Scott Simmons was born in rural West Tennessee and didn't really realize that movies and tv had to be made by actual people until he went to college. After getting degrees in both Television Production and Graphic Design he was in one of the early graduating classes at the Watkins Film School in Nashville, Tennessee. During that time at Watkins he discovered editing. While most of his classmates in film school wanted to be directors, Scott saw real career opportunities in post production and took a job as an assistant editor after completing film school. In 1999, Scott took the leap into freelancing and in 2007 accepted a position as an editor at Filmworkers - Nashville. In 2005 Scott created The Editblog a website dedicated to all things editing and post-production which is now housed here at PVC. Someday he hopes to edit on a beach with a touch screen device, a wireless hard drive and a Red Stripe.

Final Cut Pro X Multicam Editing webinar now available on-demand
10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6
A collection of Avid Media Composer related links for my NAB Migrating to Avid class
An elegant iPhone timecode calculator
Random notes from my first “real world” Adobe Premiere Pro CS6 edit
NAB 2012: SpectraCal
NAB 2012: Apple and Final Cut Pro X
NAB 2012: Lightworks
NAB 2012: Baselight for Avid Media Composer
NAB 2012: Quantel new Pablo and Neo Nano
NAB 2012: Promise Technology’s portable Thunderbolt J4 and J2
NAB 2012: NewBlueFX Titler Pro
NAB 2012: PluralEyes 3.0 from Singular Software
NAB 2012: Technicolor CineLights from the GoPro booth
Autodesk Smoke 2013: it really changed for the better
My top 5 (or so) Adobe Premiere Pro CS6 features
How to preview Avid Media Composer’s MXF files for free without Media Composer
My NAB 2012 Post|Production World classes
Baselight for Final Cut Pro is one of the most powerful legacy FCP grading plugins ever
ARRI’s DNxHD Alexa update, Sorenson Squeeze Pro and OP this, OP that
What’s happening at NAB 2012?
The C300 short Hustle and some before and after images
Tip Tuesday: Disable a clip in the Avid Media Composer timeline
Testing the 7toX Final Cut Pro 7 to Final Cut Pro X conversion
Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch
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Complete Archives

Wednesday, March 02, 2011

Quicktips 2011 Day 30 follow-up for the Day 27 Speed up FCP’s XDCAM export

Further tests from this Reader Quicktip shows there might be more to this than originally posted.

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This original Reader Quicktip about speeding up the FCP XDCAM export that came to us from James Stuckey Weber really showed he was having some very dramatic speed increases just by closing the FCP Canvas and Timeline. It seems after a bit more of James testing and discussing this with some fellow editors there’s a bit more to tell. It’s more about collapsing multiclips that closing the windows. Read on for James’ new testing numbers.

more »


Tuesday, March 01, 2011

Quicktips 2011 Day 29: Unlocking bins in Avid Unity

February 29, 2011 - Here’s a tip for dealing with locked bins when working in Avid Unity

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This reader submitted Quicktip comes from Brendan McCullough. This is a tip for when you encounter a locked bin while working on an Avid Unity system. I don’t work on a Unity so I haven’t ever encountered this myself but it looks like a nice, sneaky little tip. I would say fair warning though to be sure you know what’s happening in the suite around you whenever modifying something like this in a shared environment.

more »


Monday, February 28, 2011

Quicktips 2011 Day 28: Playback Media Composer clips via thumbnails

February 28, 2011 - When in Frame view in an Avid bin you can playback the thumbnails

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In one of the earlier Quicktips I showed scrubbing through clips in a Final Cut Pro bin via the Thumbnail bin column. In Avid Media Composer there’s a tab at the top of the bin marked Frame. That’s a quick way to view Avid clip thumbnails in a bin. Plus you can playback and JKL scrub the clips as well.

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Sunday, February 27, 2011

Quicktips 2011 Day 27: Speed up FCP’s XDCAMexport

February 27, 2011 - Conforming XDCAM can take a while but this tips speeds it up

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This Reader Quicktip comes to us from James Stuckey Weber and it’s a tip to speed up the exporting process of the XDCAM format in Final Cut Pro. I don’t do a lot of XDCAM export from FCP so I can’t confirm the rather dramatic speed-up this tip claims but I can’t deny it either. When the XDCAM export does present itself next time I’ll be trying it out.

more »

Apple
Final Cut Pro
Editing
GentryMedia Sister Sites
Mac Coalition
ProVideo Coalition
Post Production
Software
Tips • (4) Comments • Most recent comments by: Andy, Scott Simmons, Andy, Andy, • Permalink



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Saturday, February 26, 2011

Quicktips 2011 Day 26: Use a zero in front of a number for better sorting

February 26, 2011 - Putting a zero in front of single digit numbers sorts them properly

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Today’s Quicktip almost seems like a no-brainer but I’m surprised that I still see projects come in the door where items have been numbered in a bin 1, 2, 3—- 10, 11, 12 instead of 01, 02, 03—- 10, 11, 12. Why add the zero? So when you sort the items by name in the bin they are sorted properly.

more »


Friday, February 25, 2011

Quicktips 2011 Day 25: Two Avid tips for Friday

February 25, 2011 - These Reader Quicktips are great for the advanced Media Composer user

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Today we have two Avid Media Composer Quicktips that come to us from Ra-ey Saleh, a Symphony Online Editor working in Sydney. There’s two tips here, one for the ever popular Avid Paint effect and one great tip for playing back the edit while in Color Correction mode.

more »

Apple
Editing
GentryMedia Sister Sites
Mac Coalition
ProVideo Coalition
Post Production
Software
Tips
Vendor Channels
Avid • (3) Comments • Most recent comments by: Scott Simmons, Ra-ey Saleh, MichaelP, • Permalink


Thursday, February 24, 2011

Quicktips 2011 Day 24: Access FCP’s timeline keyframe editor

February 24, 2011 - You can animate and keyframe filters and motion parameters right in the FCP timeline

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Everyone who edits with Final Cut Pro knows that you have full access to animating and keyframing parameters via the Viewer. Double-click a clip in the timeline and it loads in the Viewer. There you can keyframe parameters in the Motion tab or parameters of any filter that might be applied. But you can also do this in the timeline as well.

more »


Wednesday, February 23, 2011

Quicktips 2011 Day 23: moving all keyframes on a shot in FCP

February 23, 2011 - If you’ve keyframed a shot in FCP you can move all the keyframes at once in the FCP timeline

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This reader Quicktip comes over from Steve Sabban and it’s a follow-up to Quicktip number 7: changing FCP filters lengths partially applied to a clip. I thought that was a particularly handy tip but it didn’t go into any real timeline manipulation of keyframes. This tip does.

more »

Apple
Final Cut Pro
Editing
GentryMedia Sister Sites
Mac Coalition
ProVideo Coalition
Post Production
Software
Tips • (1) Comments • Most recent comments by: hariswister, • Permalink


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On this week’s MacBreak Studio

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...plus an update on what’s next for the Apprentice series.

Final Cut Pro X Multicam Editing webinar now available on-demand
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Plus a little screencast in this blog post on a topic we didn’t get to cover.

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10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6
Scott Simmons

These are a few of the things that I found myself searching for as I’ve been moving over to Premiere Pro CS6 as a FCP 7 replacement

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LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse

Art Adams | 05/24- 11:24 AM

Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…

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