Scott Simmons

Scott Simmons was born in rural West Tennessee and didn't really realize that movies and tv had to be made by actual people until he went to college. After getting degrees in both Television Production and Graphic Design he was in one of the early graduating classes at the Watkins Film School in Nashville, Tennessee. During that time at Watkins he discovered editing. While most of his classmates in film school wanted to be directors, Scott saw real career opportunities in post production and took a job as an assistant editor after completing film school. In 1999, Scott took the leap into freelancing and in 2007 accepted a position as an editor at Filmworkers - Nashville. In 2005 Scott created The Editblog a website dedicated to all things editing and post-production which is now housed here at PVC. Someday he hopes to edit on a beach with a touch screen device, a wireless hard drive and a Red Stripe.

Final Cut Pro X Multicam Editing webinar now available on-demand
10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6
A collection of Avid Media Composer related links for my NAB Migrating to Avid class
An elegant iPhone timecode calculator
Random notes from my first “real world” Adobe Premiere Pro CS6 edit
NAB 2012: SpectraCal
NAB 2012: Apple and Final Cut Pro X
NAB 2012: Lightworks
NAB 2012: Baselight for Avid Media Composer
NAB 2012: Quantel new Pablo and Neo Nano
NAB 2012: Promise Technology’s portable Thunderbolt J4 and J2
NAB 2012: NewBlueFX Titler Pro
NAB 2012: PluralEyes 3.0 from Singular Software
NAB 2012: Technicolor CineLights from the GoPro booth
Autodesk Smoke 2013: it really changed for the better
My top 5 (or so) Adobe Premiere Pro CS6 features
How to preview Avid Media Composer’s MXF files for free without Media Composer
My NAB 2012 Post|Production World classes
Baselight for Final Cut Pro is one of the most powerful legacy FCP grading plugins ever
ARRI’s DNxHD Alexa update, Sorenson Squeeze Pro and OP this, OP that
What’s happening at NAB 2012?
The C300 short Hustle and some before and after images
Tip Tuesday: Disable a clip in the Avid Media Composer timeline
Testing the 7toX Final Cut Pro 7 to Final Cut Pro X conversion
Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch
May 2012
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Complete Archives

Sunday, February 05, 2012

Kicking the tires on the Final Cut Pro X 10.0.3 Multicam update

The ease of setup and managing multicam clips makes this the best FCPX update yet

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As we all know by now Apple released their promised update to Final Cut Pro X that added multicam. It’s only been a week and there’s already a lot of articles and tutorials about how this new feature works. I sat down with it some over the weekend to kick the tires and see how it performed. What follows are some thoughts, notes and observations as I was working with it. I was especially curious as to how it might work for music videos.

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Apple
Final Cut Pro
Editing
GentryMedia Sister Sites
HDSLR
Mac Coalition
ProVideo Coalition
Post Production
Software
Tips • (2) Comments • Most recent comments by: Scott Simmons, brucesharpe, • Permalink


Saturday, December 10, 2011

Clean those Adobe Media Cache Files

And reclaim some drive space in the process

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I learned something today about Adobe Premiere Pro that I was unaware of. The application creates a media cache when it imports media and that media cache seems to default to the system drive in the user Library folder. This cache can balloon in size over a period of time as I found out when cleaning up a drive. But it can be easily cleaned and relocated.

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Apple
CS5
Editing
GentryMedia Sister Sites
Mac Coalition
ProVideo Coalition
Software
Tips
Vendor Channels
Adobe • (3) Comments • Most recent comments by: Rob, Scott Simmons, Rob, • Permalink


Monday, August 22, 2011

Some Avid Tools You Might Not Already Be Using

Here’s a few things in Media Composer that makes editing faster and easier

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Most all of the tools we use in post-production are quite full featured. They’ve been updated over many years with features added along the way. Avid Media Composer is one of the most full featured of the non-linear editors out there. I’ve had several occasion where I’ve been working with other MC users and they ask “how’d you do that?” Or “what was that button?” On the flip side I’ve been working around other editors and I learn something entirely new myself. Here’s a few tools that Media Composer has which you might not know about.

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Sunday, July 17, 2011

100 Final Cut Pro X Questions Answered

These are questions asked before, during and after recent FCPX webinar

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Recently I hosted a Final Cut Pro X Hands On Tour webinar for FilmmakingWebinars.com. It was a great event with 90 minutes of FCPX for over 800 people attending. (An archive of that can be purchased btw). People often ask questions before, during and after the webinar. Here’s 101 of them that were asked, answered to the best of my knowledge.

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Apple
Final Cut Pro
Motion
Editing
GentryMedia Sister Sites
HDSLR
Mac Coalition
ProVideo Coalition
Post Production
Software
Tips • (6) Comments • Most recent comments by: John Paul, THX1965, Scott Simmons, THX1965, Scott Simmons, THX1965, • Permalink



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Sunday, June 26, 2011

Free Upcoming Final Cut Pro X Webinar, free FCPX podcast

We all keep talking about Final Cut Pro X

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As if there’s isn’t enough Final Cut Pro X stuff out there on the web a week after its release, I want to pimp a couple of things that I’ve been involved in regarding Final Cut Pro X. First is the return of That Post Show (iTunes link) with a full edition devoted to FCPX and second is the FilmmakingWebinars.com Final Cut Pro X Hands On Tour.

more »

Apple
Final Cut Pro
Editing
GentryMedia Sister Sites
HDSLR
Mac Coalition
ProVideo Coalition
Post Production
Software
Tips
Training • (1) Comments • Most recent comments by: Scott Simmons, • Permalink


Tuesday, March 22, 2011

ProxyMill - the encoder that can encode just about every camera format out there

Including XDCAM directly to ProRes. I’m sure there’s some camera that ProxyMill can’t encode but it seems to do more than most any I’ve used.

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I don’t do a lot of XDCAM work. Before the Canon revolution it seemed there was a lot more Panasonic HXV200 shooting than XDCAM in my market. But that recently changed as two Sony EX-1 projects came on board. As I was figuring out workflow for the first time I was researching the best way to get the media to ProRes for a Final Cut Pro edit. It seemed it was a two step process: re-wrap the original media to XDCAM .mov files and then convert those to ProRes. Finally I found an answer to the single step: ProxyMill from Imagine Products. Though it wasn’t without a bit of frustration.

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compression
GentryMedia Sister Sites
HDSLR
ProVideo Coalition
Post Production
Software
Tips • (1) Comments • Most recent comments by: Ra-ey Saleh, • Permalink


Friday, March 04, 2011

All of the 2011 28 Days of Quicktips quicktips all in one place

We really ended up with 31 thanks to the great Reader Submitted Quicktips

February 2011 has come and gone and with the onset of March, the 2011 edition of the Editblog’s 28 Days of Quicktips has come to a close. We first did this in 2009 and with all the positive feedback I received back then I thought we’d try it again for 2011, with a twist. This time we were asking for Reader Quicktips as well and we received quite a few good ones. As a bonus, I thought I’d pick the best Reader Submitted Quicktip and give the creator of that Quicktip their choice of a book. Read on to see the winner winners.

more »

Apple
Final Cut Pro
Motion
Editing
GentryMedia Sister Sites
HDSLR
Mac Coalition
ProVideo Coalition
Post Production
Software
Tips
Training
Vendor Channels
Avid • (2) Comments • Most recent comments by: Scott Simmons, oxband, • Permalink


Thursday, March 03, 2011

Quicktips 2011 Day 31: Using the FCP Change Speed Segment

March 3, 2011 - This little known FCP speed tool can help with clip speed manipulation

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I came across a little tool in Final Cut Pro the other day that I had never before explored so I thought it was worth sharing as one of the last Quicktips in this 2011 edition of 28 Days of Quicktips (now on day 31). It’s called Change Speed Segment… and I found it when I was mapping the regular Change Speed button to my keyboard. No matter what your opinion is of “speed ramps” changing the speed of a clip very often comes in handy. Change Speed Segment is another way to control speed changes.

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LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse
Art Adams

Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…

Compositing in FCP X
Mark Spencer

On this week’s MacBreak Studio

David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projection
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Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.

After Effects Apprentice Free Video: Rendering a 4:3 Center Cut Movie from a 16:9 Composition
Chris and Trish Meyer

...plus an update on what’s next for the Apprentice series.

Final Cut Pro X Multicam Editing webinar now available on-demand
Scott Simmons

Plus a little screencast in this blog post on a topic we didn’t get to cover.

CAMERAS: Food Fights with the FS700
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How to get good production dialogue
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Taking advantage of parenting, multiple 3D views, and AE’s built-in calculator to coordinate a multi-layer animation.

Rigging the Bird
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Motion Magic on MacBreak Studio

10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6
Scott Simmons

These are a few of the things that I found myself searching for as I’ve been moving over to Premiere Pro CS6 as a FCP 7 replacement

Blackmagic: We’re ready to remove the Band-Aid!
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If you agree, please sign the online petition requesting the required updates.

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LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse

Art Adams | 05/24- 11:24 AM

Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…

I love stacking cucolorii (plural of “cucoloris”) and I thought it was time to write an article about how this technique works and why I like it so much. I was a bit stretched for ideas that would illustrate this concept… and then an eclipse happened. Why that made a difference is a very interesting story…

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Compositing in FCP X

Mark Spencer | 05/23- 05:03 AM

On this week’s MacBreak Studio

On this week’s MacBreak Studio, I show Steve Martin from Ripple Training a few things I’ve discovered in my exploration of the compositing features in Final Cut Pro X.

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