Thursday, May 27, 2010
While Grinder may seem redundant it’s fast, cheap and easy to use
Red Giant Software has just dropped a new tool into the family of Magic Bullet products and it might be of great interest to the DSLR shooter. Magic Bullet Grinder is a simple application tasked with transcoding your Canon 5D/7D/1D files out of their H.264 native state and into something a bit more usable. It also can create lower resolution offline versions of the same clips for editorial should you be in an offline to online position. While simple, Magic Bullet Grinder works quite well and has a few tricks up its sleeve.
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Sunday, May 23, 2010
App updated to encode better video.
There’s another entry into the iPhone video editing app category that has just hit the iTunes app store in the last day or so. VeriCorder Technology’s 1st Video (which I previewed here thanks to HandHeld Hollywood just after NAB) aims to one up the previous king of iPhone video editors, ReelDirector, by providing a bit more functionality and moving it beyond a novelty or a toy.
UPDATE: 1st Video has received an update to output better video:

This is good news if you’re planning on buying the app as the video quality was one of its weakest points.
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Sunday, May 16, 2010
A great list of FCP freebies got me thinking about what are the must have paid tools as well
The DV Show dropped a great post over the weekend that answered a question from one of their readers: “I’m looking for some plugins or tools to enhance my productions. I mainly use Final Cut Pro and was wondering if there are any free or low cost alternatives to make my videos look better.” With that they listed 14 Must Have FREE Plugins & Tools for Final Cut Pro. It’s a fantastic list of a number of great tools that will be right at home in any editor’s toolbox. But this post got me thinking about some of the paid plug-ins and tools that are great in the FCP editor’s toolbox as well.
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Monday, April 19, 2010
1st Video attempts to make an almost professional editing app
VeriCorder Technology was showing an entry into the iPhone video editing app with 1st Video. Hand Held Hollywood grabbed a little demo video of the app in action. It has apparently been submitted to the app store for approval so it may come to life any day now.
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Sunday, March 28, 2010
If you’re at all curious about Avid Media Composer then this class can help
I’m very excited for my trip to the National Association of Broadcasters convention this year as I’ll be leading a couple of the In Depth sessions of the Post|Production world conference. The first, on Tuesday morning from 10:00 am to 1:00 pm and part of the Avid Editing Workshop is, Avid Media Composer for Final Cut Pro Editors. The second, Wednesday at 10:00 am, is Music Video Workflow. You must register to attend the educational part of the NAB show (unfortunately it’s not free) at the Post|Production World conference.
This particular post will discuss the first class: Avid Media Composer for Final Cut Pro Editors.
Avid Media Composer for Final Cut Pro Editors isn’t meant to be an epic battle royalé between the two applications where we compare and contrast item by item, or feature by feature. Instead it’s meant to take a look at Avid Media Composer through the eyes of an editor who either spent their whole editing career on Final Cut Pro or an editor who has an idea of what Avid is all about but still spends most of their time cutting on FCP.
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Saturday, March 20, 2010
I played around with the new Canon EOS Movie Plugin-E1 for Final Cut Pro this morning and I noticed a few other odds and ends after some discussion about the tool with folks on Twitter. Canon has a very detailed information page of their own which is helpful as well. If you haven’t downloaded yet then you can grab the plug-in here.
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Friday, March 19, 2010
Use the FCP Log and Transfer tool to directly transcode and import into FCP
We all know this fact: The Canon DSLRs (5D, 7D, 1D) use the H.264 codec for the video they shoot and wrap that into a .mov QuickTime. While Final Cut Pro does work with .movs, these H.264 versions are clunky to edit requiring much rendering when in a FCP timeline. H.264 wasn’t designed to be a robust edit format anyway so the files need to be transcoded into something more edit friendly.
Enter the new EOS MOVIE Plugin-E1 for Final Cut Pro. You can download it from Canon’s website my selecting Mac OS X from the Drivers / Software Selection on the website.
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Thursday, March 11, 2010
Jon Chappell talks about a tool that might save your butt
If you’re a serious Final Cut Pro user then you are probably aware of Digital Rebellion and the tools that they make. Be it their popular Video Footage Calculator, Preference Manager for Final Cut Studio or the recently released FCP Versioner (which I reviewed on PVC) these tools tend not to be flashy but rather very, very useful. They have also recently release FCS Maintenance Pack. Jon sent me a copy and after using it I had a number of questions about the product. A question and answer session follows.
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