Scott Simmons

Scott Simmons was born in rural West Tennessee and didn't really realize that movies and tv had to be made by actual people until he went to college. After getting degrees in both Television Production and Graphic Design he was in one of the early graduating classes at the Watkins Film School in Nashville, Tennessee. During that time at Watkins he discovered editing. While most of his classmates in film school wanted to be directors, Scott saw real career opportunities in post production and took a job as an assistant editor after completing film school. In 1999, Scott took the leap into freelancing and in 2007 accepted a position as an editor at Filmworkers - Nashville. In 2005 Scott created The Editblog a website dedicated to all things editing and post-production which is now housed here at PVC. Someday he hopes to edit on a beach with a touch screen device, a wireless hard drive and a Red Stripe.

Final Cut Pro X Multicam Editing webinar now available on-demand
10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6
A collection of Avid Media Composer related links for my NAB Migrating to Avid class
An elegant iPhone timecode calculator
Random notes from my first “real world” Adobe Premiere Pro CS6 edit
NAB 2012: SpectraCal
NAB 2012: Apple and Final Cut Pro X
NAB 2012: Lightworks
NAB 2012: Baselight for Avid Media Composer
NAB 2012: Quantel new Pablo and Neo Nano
NAB 2012: Promise Technology’s portable Thunderbolt J4 and J2
NAB 2012: NewBlueFX Titler Pro
NAB 2012: PluralEyes 3.0 from Singular Software
NAB 2012: Technicolor CineLights from the GoPro booth
Autodesk Smoke 2013: it really changed for the better
My top 5 (or so) Adobe Premiere Pro CS6 features
How to preview Avid Media Composer’s MXF files for free without Media Composer
My NAB 2012 Post|Production World classes
Baselight for Final Cut Pro is one of the most powerful legacy FCP grading plugins ever
ARRI’s DNxHD Alexa update, Sorenson Squeeze Pro and OP this, OP that
What’s happening at NAB 2012?
The C300 short Hustle and some before and after images
Tip Tuesday: Disable a clip in the Avid Media Composer timeline
Testing the 7toX Final Cut Pro 7 to Final Cut Pro X conversion
Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch
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Tuesday, November 10, 2009

Digital Rebellion’s Footage Calculator adds more codecs

I think that’s pretty much all of them now

image

A while I back I posted a round-up of various footage calculators around the Internet. The one from Digital Rebellion had the most supported codecs but was lacking some new ones like ProRes Proxy and ProRes 4444. Well Digital Rebellion has updated the Footage Calculator with ... well, pretty much all of them.

more »

compression •
Distribution •
Editing •
Post Production •
Software • (6) Comments • Most recent comments by: lightprism, Jon Chappell, WestwoodCreek, phillc, Scott Simmons, Jon Chappell, • Permalink


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LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse
Art Adams

Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…

Compositing in FCP X
Mark Spencer

On this week’s MacBreak Studio

David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projection
Todd_Kopriva

Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.

After Effects Apprentice Free Video: Rendering a 4:3 Center Cut Movie from a 16:9 Composition
Chris and Trish Meyer

...plus an update on what’s next for the Apprentice series.

Final Cut Pro X Multicam Editing webinar now available on-demand
Scott Simmons

Plus a little screencast in this blog post on a topic we didn’t get to cover.

CAMERAS: Food Fights with the FS700
Art Adams

You want 240fps 1920x1080? I’ve got your high-speed HD right here… for less than $10K.

How to get good production dialogue
Matt Jeppsen

Use a boom mic and some common sense!

After Effects Apprentice Free Video: Using Parenting to Animate Layers as a Unit
Chris and Trish Meyer

Taking advantage of parenting, multiple 3D views, and AE’s built-in calculator to coordinate a multi-layer animation.

Rigging the Bird
Mark Spencer

Motion Magic on MacBreak Studio

10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6
Scott Simmons

These are a few of the things that I found myself searching for as I’ve been moving over to Premiere Pro CS6 as a FCP 7 replacement

Blackmagic: We’re ready to remove the Band-Aid!
Allan Tépper

If you agree, please sign the online petition requesting the required updates.

Adobe is coming to a city near you!
Michelle Gallina

CS6 Production Premium Road Show





LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse

Art Adams | 05/24- 11:24 AM

Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…

I love stacking cucolorii (plural of “cucoloris”) and I thought it was time to write an article about how this technique works and why I like it so much. I was a bit stretched for ideas that would illustrate this concept… and then an eclipse happened. Why that made a difference is a very interesting story…

image

Compositing in FCP X

Mark Spencer | 05/23- 05:03 AM

On this week’s MacBreak Studio

On this week’s MacBreak Studio, I show Steve Martin from Ripple Training a few things I’ve discovered in my exploration of the compositing features in Final Cut Pro X.

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