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Art Adams A native of Northern California, Art Adams spent ten years in LA--first at film school (Loyola Marymount) and then working in the film industry. He started out as a camera assistant on low budget features and worked his way into spots, music videos, features, sitcoms and episodic television shows. He transitioned from assistant to operator to DP by the time he returned to the San Francisco Bay Area in 1993. Currently Art focuses his energies on shooting spots and high end corporate productions, as well as special venue and blue/green screen projects. He likes jobs that make his brain hurt with ingenuity and cleverness. He has been published in HD Video Pro, American Cinematographer, Camera Operator Magazine and Film/Tape World. May 2012 April 2012 March 2012 February 2012 January 2012 December 2011 November 2011 October 2011 September 2011 August 2011 July 2011 June 2011 May 2011 April 2011 March 2011 February 2011 January 2011 December 2010 November 2010 October 2010 September 2010 August 2010 July 2010 June 2010 May 2010 April 2010 March 2010 February 2010 January 2010 December 2009 November 2009 October 2009 September 2009 August 2009 July 2009 June 2009 May 2009 April 2009 March 2009 February 2009 January 2009 Complete Archives Category Archives My lengthy Adobe Premiere Pro CS6 review now online Final Cut Pro X Multicam Editing webinar now available on-demand 10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6 A collection of Avid Media Composer related links for my NAB Migrating to Avid class An elegant iPhone timecode calculator Random notes from my first “real world” Adobe Premiere Pro CS6 edit NAB 2012: SpectraCal NAB 2012: Apple and Final Cut Pro X NAB 2012: Lightworks NAB 2012: Baselight for Avid Media Composer NAB 2012: Quantel new Pablo and Neo Nano NAB 2012: Promise Technology’s portable Thunderbolt J4 and J2 NAB 2012: NewBlueFX Titler Pro NAB 2012: PluralEyes 3.0 from Singular Software NAB 2012: Technicolor CineLights from the GoPro booth Autodesk Smoke 2013: it really changed for the better My top 5 (or so) Adobe Premiere Pro CS6 features How to preview Avid Media Composer’s MXF files for free without Media Composer My NAB 2012 Post\|Production World classes Baselight for Final Cut Pro is one of the most powerful legacy FCP grading plugins ever ARRI’s DNxHD Alexa update, Sorenson Squeeze Pro and OP this, OP that What’s happening at NAB 2012? The C300 short Hustle and some before and after images Tip Tuesday: Disable a clip in the Avid Media Composer timeline Testing the 7toX Final Cut Pro 7 to Final Cut Pro X conversion		2012 May My lengthy Adobe Premiere Pro CS6 review now online Final Cut Pro X Multicam Editing webinar now available on-demand 10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6 A collection of Avid Media Composer related links for my NAB Migrating to Avid class An elegant iPhone timecode calculator April Random notes from my first “real world” Adobe Premiere Pro CS6 edit NAB 2012: SpectraCal NAB 2012: Apple and Final Cut Pro X NAB 2012: Lightworks NAB 2012: Baselight for Avid Media Composer NAB 2012: Quantel new Pablo and Neo Nano NAB 2012: Promise Technology’s portable Thunderbolt J4 and J2 NAB 2012: NewBlueFX Titler Pro NAB 2012: PluralEyes 3.0 from Singular Software NAB 2012: Technicolor CineLights from the GoPro booth Autodesk Smoke 2013: it really changed for the better My top 5 (or so) Adobe Premiere Pro CS6 features How to preview Avid Media Composer’s MXF files for free without Media Composer My NAB 2012 Post\|Production World classes March Baselight for Final Cut Pro is one of the most powerful legacy FCP grading plugins ever ARRI’s DNxHD Alexa update, Sorenson Squeeze Pro and OP this, OP that What’s happening at NAB 2012? February The C300 short Hustle and some before and after images Tip Tuesday: Disable a clip in the Avid Media Composer timeline Testing the 7toX Final Cut Pro 7 to Final Cut Pro X conversion Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch Kicking the tires on the Final Cut Pro X 10.0.3 Multicam update January Update Alert: Final Cut Pro X goes to 10.0.3 Adobe teases Prelude at the San Francisco Supermeet, FCPUG changes its name Tangent Element panels are now shipping Avid Media Composer 6 review online Update Alert: Magic Bullet Suite 11.2 Update Alert: FxFactory 3.0 The new Fotoshop by Adobé can change the way you look! Did you know MPEG Streamclip could convert YouTube videos? 2011 December New That Post Show: Edit Pro Supergood Clean those Adobe Media Cache Files Christmas Gift Ideas for the Editor in Your Life November Kicking the Tires on Avid Media Composer 6 The Adobe Premiere Pro timeline for Final Cut Pro users Avid Media Composer 6 is announced and it’s moving into the future October All of the Automatic Duck plug-ins are now free A report on Walter Murch’s talk at the Boston SuperMeet A lesson learned from my FCPX to Resolve roundtrips Update Alert: DaVinci Resolve 8.1: FCPX support, lots of little things A Few Recent Avid Media Composer Finds A short Q and A with Automatic Duck about their Adobe move Steve Jobs 1955 - 2011 September $995 Final Cut Pro to Media Composer crossgrade ending very soon Kicking the tires on the Final Cut Pro X 10.0.1 update You may move your Get license to Boris Soundbite Detailed demo of the Baselight for FCP7 plug-in August Phonetic dialog search returns as Soundbite from Boris Some Avid Tools You Might Not Already Be Using Update Alert: Avid Media Composer 5.5.3 for Lion Nexidia comments on the demise of Get for Final Cut Pro Attend the FCPX Now What? Event July Have you got phonetic search tool Get for FCP? Good, cause it’s gone Notes from using Premiere Pro in a real-world, client-in-the-room edit 100 Final Cut Pro X Questions Answered Tweets from Avid’s Committed to the Professional event First ever Atlanta Cutters user group meeting in late July Update Alert! Pro Maintenance Tools Cutting It Close Live! FCPX show archive online My Final Cut Pro X review now online Reminder: Basics of Avid for the FCP editor articles Update alert! Magic Bullet Suite 11 and DaVinci Resolve 8 June A Final Cut Pro X timeline OMF’d into Adobe Audition The Final Cut Pro X video to end all FCPX videos Free Upcoming Final Cut Pro X Webinar, free FCPX podcast Those Burning Final Cut Pro X Questions Answered My burning questions about Final Cut Pro X Study says prolonged sitting may be as dangerous as smoking EditFest NY only a few days away Adobe’s Speech Analysis is still chugging along in Premiere Pro CS5.5 Want to beta test some maintenance tools for Avid and Premiere Pro? May Update Alert! Apple ProKit 7.0 NVIDIA’s Quadro 4000 for Mac, more affordable speed for the right application Update Alert! Magic Bullet Grinder April New version of the Canon FCP Log & Transfer plug-in Here we are nearly a week after the Final Cut Pro X sneak preview Pomfort Silverstack SET, workflow solution for on-set use A bit more about Baselight for FCP via iPhone video FCP X is shown to the world. Flashy things are seen, questions are asked Baselight for FCP is coming, part of an overall Baselight strategy ScopeBox 3 delivers software scopes for Mac for only $99 DaVinci Resolve goes to 8, goes multilayer, goes free Avid announces FCP cross-grade, other stuff at NAB Adobe Premiere Pro hits 5.5 Baselight introduces Baselight on Final Cut Pro One of those NAB Where I’ll Be posts Kicking the tires on Avid Media Composer 5.5 March Video post-production: a 2011 top career that is dying Lightworks Touch: an NLE from the past ProxyMill - the encoder that can encode just about every camera format out there Book Review: Alexis Van Hurkman’s Color Correction Handbook More random, mindless speculation about the new Final Cut Pro My two Post\|Production World sessions I’m leading at NAB 2011 All of the 2011 28 Days of Quicktips quicktips all in one place Quicktips 2011 Day 31: Using the FCP Change Speed Segment		3D Audio Budgeting Business Cameras Distribution Editing Hardware Lists Lighting Motion Graphics NAB '09 Pre-Production Production Post Production Training Visual Effects LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse Art Adams \| 05/24- 11:24 AM *Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…* I love stacking cucolorii… David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projection Todd_Kopriva \| 05/22- 12:31 PM *Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.* In December… After Effects Apprentice Free Video: Rendering a 4:3 Center Cut Movie from a 16:9 Composition Chris and Trish Meyer \| 05/21- 08:53 AM *...plus an update on what’s next for the Apprentice series.* As… Advertisements

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