Scott Simmons

Scott Simmons was born in rural West Tennessee and didn't really realize that movies and tv had to be made by actual people until he went to college. After getting degrees in both Television Production and Graphic Design he was in one of the early graduating classes at the Watkins Film School in Nashville, Tennessee. During that time at Watkins he discovered editing. While most of his classmates in film school wanted to be directors, Scott saw real career opportunities in post production and took a job as an assistant editor after completing film school. In 1999, Scott took the leap into freelancing and in 2007 accepted a position as an editor at Filmworkers - Nashville. In 2005 Scott created The Editblog a website dedicated to all things editing and post-production which is now housed here at PVC. Someday he hopes to edit on a beach with a touch screen device, a wireless hard drive and a Red Stripe.

Final Cut Pro X Multicam Editing webinar now available on-demand
10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6
A collection of Avid Media Composer related links for my NAB Migrating to Avid class
An elegant iPhone timecode calculator
Random notes from my first “real world” Adobe Premiere Pro CS6 edit
NAB 2012: SpectraCal
NAB 2012: Apple and Final Cut Pro X
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Autodesk Smoke 2013: it really changed for the better
My top 5 (or so) Adobe Premiere Pro CS6 features
How to preview Avid Media Composer’s MXF files for free without Media Composer
My NAB 2012 Post|Production World classes
Baselight for Final Cut Pro is one of the most powerful legacy FCP grading plugins ever
ARRI’s DNxHD Alexa update, Sorenson Squeeze Pro and OP this, OP that
What’s happening at NAB 2012?
The C300 short Hustle and some before and after images
Tip Tuesday: Disable a clip in the Avid Media Composer timeline
Testing the 7toX Final Cut Pro 7 to Final Cut Pro X conversion
Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch
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Tuesday, September 06, 2011

Detailed demo of the Baselight for FCP7 plug-in

The best overview yet of what looks to be a very powerful color grading plug-in.

image

Right around the time of NAB 2011 rumors began floating around that Filmlight was going to release a Macintosh-based software only version of their Baselight color grading product. It made sense as a rumor as many other companies had been introducing reduced cost Mac versions of their products plus Baselight would already run on a Mac laptop as Baselight customers can get a Mac laptop-only license as a great learning tool. What Baselight did was surprise everyone with a work-in-progress Final Cut Pro Baselight plug-in. Now we’ve got a demo of the Baselight for FCP7 in action.

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Detailed demo of the Baselight for FCP7 plug-in
Scott Simmons

The best overview yet of what looks to be a very powerful color grading plug-in.





image

Detailed demo of the Baselight for FCP7 plug-in

Scott Simmons | 09/06- 07:02 PM

The best overview yet of what looks to be a very powerful color grading plug-in.

Right around the time of NAB 2011 rumors began floating around that Filmlight was going to release a Macintosh-based software only version of their Baselight color grading product. It made sense as a rumor as many other companies had been introducing reduced cost Mac versions of their products plus Baselight would already run on a Mac laptop as Baselight customers can get a Mac laptop-only license as a great learning tool. What Baselight did was surprise everyone with a work-in-progress Final Cut Pro Baselight plug-in. Now we’ve got a demo of the Baselight for FCP7 in action.

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