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Scott Simmons
Scott Simmons was born in rural West Tennessee and didn't really realize that movies and tv had to be made by actual people until he went to college. After getting degrees in both Television Production and Graphic Design he was in one of the early graduating classes at the Watkins Film School in Nashville, Tennessee. During that time at Watkins he discovered editing. While most of his classmates in film school wanted to be directors, Scott saw real career opportunities in post production and took a job as an assistant editor after completing film school. In 1999, Scott took the leap into freelancing and in 2007 accepted a position as an editor at Filmworkers - Nashville. In 2005 Scott created The Editblog a website dedicated to all things editing and post-production which is now housed here at PVC. Someday he hopes to edit on a beach with a touch screen device, a wireless hard drive and a Red Stripe. 
Final Cut Pro X Multicam Editing webinar now available on-demand10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6A collection of Avid Media Composer related links for my NAB Migrating to Avid classAn elegant iPhone timecode calculatorRandom notes from my first “real world” Adobe Premiere Pro CS6 editNAB 2012: SpectraCalNAB 2012: Apple and Final Cut Pro XNAB 2012: LightworksNAB 2012: Baselight for Avid Media ComposerNAB 2012: Quantel new Pablo and Neo NanoNAB 2012: Promise Technology’s portable Thunderbolt J4 and J2NAB 2012: NewBlueFX Titler ProNAB 2012: PluralEyes 3.0 from Singular SoftwareNAB 2012: Technicolor CineLights from the GoPro boothAutodesk Smoke 2013: it really changed for the betterMy top 5 (or so) Adobe Premiere Pro CS6 featuresHow to preview Avid Media Composer’s MXF files for free without Media ComposerMy NAB 2012 Post|Production World classesBaselight for Final Cut Pro is one of the most powerful legacy FCP grading plugins everARRI’s DNxHD Alexa update, Sorenson Squeeze Pro and OP this, OP thatWhat’s happening at NAB 2012?The C300 short Hustle and some before and after imagesTip Tuesday: Disable a clip in the Avid Media Composer timelineTesting the 7toX Final Cut Pro 7 to Final Cut Pro X conversionQ and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch
May 2012April 2012March 2012February 2012January 2012December 2011November 2011October 2011September 2011August 2011July 2011June 2011May 2011April 2011March 2011February 2011January 2011December 2010November 2010October 2010September 2010August 2010July 2010June 2010May 2010April 2010March 2010February 2010January 2010December 2009November 2009October 2009September 2009August 2009July 2009June 2009May 2009April 2009March 2009February 2009January 2009Complete Archives |
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Edit suite etiquette and sharing your spaceSome tips to make life easier and more comfortable for both the freelancer and the facility
If you’re a working editor out in the world, chances are you freelance or you are on staff at a post-production facility. No matter which of those two categories you might fall into you probably don’t work in a vacuum; that vacuum being one single edit suite that you and you yourself occupy without any interaction with others. Okay maybe if you are one of these hyphenates that do it all, then you might not ever work in another edit suite but if you are freelance you probably (hopefully) are called to bring your talents to into other post-houses to work your magic. If you are a full-time staff editor you might occasionally have to leave your edit suite behind to take a vacation or an extended leave of absence while you travel the world on the film festival circuit (hey, a guy can dream can’t he?). This article is meant to stir a little discussion on what both sides of this equation can do to make life a bit easier when dealing with someone else’s edit suite or someone else coming into your room. more »
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