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Scott Simmons
Scott Simmons was born in rural West Tennessee and didn't really realize that movies and tv had to be made by actual people until he went to college. After getting degrees in both Television Production and Graphic Design he was in one of the early graduating classes at the Watkins Film School in Nashville, Tennessee. During that time at Watkins he discovered editing. While most of his classmates in film school wanted to be directors, Scott saw real career opportunities in post production and took a job as an assistant editor after completing film school. In 1999, Scott took the leap into freelancing and in 2007 accepted a position as an editor at Filmworkers - Nashville. In 2005 Scott created The Editblog a website dedicated to all things editing and post-production which is now housed here at PVC. Someday he hopes to edit on a beach with a touch screen device, a wireless hard drive and a Red Stripe.
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Thursday, July 22, 2010
This new version of the old favorite Colorista packs quite a punch, makes Apple Color tremble in its boots
Colorista. It’s one of those indispensable tools for those doing serious Final Cut Pro work. If you’re color correcting and finishing in your FCP box then the built-in 3-Way Color Corrector becomes merely adequate in comparison to the image quality you can crank out of Colorista. And Colorista has always worked in your other host applications as well (Adobe Premiere Pro, After Effects, Avid Media Composer) so that rounds out its usefulness. But one thing that has always been missing from Colorista is secondaries, something you’d often find yourself wishing for. With Magic Bullet Colorista II, from Red Giant Software, that wish has been answered ... in a big way.
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