Scott Simmons

Scott Simmons was born in rural West Tennessee and didn't really realize that movies and tv had to be made by actual people until he went to college. After getting degrees in both Television Production and Graphic Design he was in one of the early graduating classes at the Watkins Film School in Nashville, Tennessee. During that time at Watkins he discovered editing. While most of his classmates in film school wanted to be directors, Scott saw real career opportunities in post production and took a job as an assistant editor after completing film school. In 1999, Scott took the leap into freelancing and in 2007 accepted a position as an editor at Filmworkers - Nashville. In 2005 Scott created The Editblog a website dedicated to all things editing and post-production which is now housed here at PVC. Someday he hopes to edit on a beach with a touch screen device, a wireless hard drive and a Red Stripe.

Final Cut Pro X Multicam Editing webinar now available on-demand
10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6
A collection of Avid Media Composer related links for my NAB Migrating to Avid class
An elegant iPhone timecode calculator
Random notes from my first “real world” Adobe Premiere Pro CS6 edit
NAB 2012: SpectraCal
NAB 2012: Apple and Final Cut Pro X
NAB 2012: Lightworks
NAB 2012: Baselight for Avid Media Composer
NAB 2012: Quantel new Pablo and Neo Nano
NAB 2012: Promise Technology’s portable Thunderbolt J4 and J2
NAB 2012: NewBlueFX Titler Pro
NAB 2012: PluralEyes 3.0 from Singular Software
NAB 2012: Technicolor CineLights from the GoPro booth
Autodesk Smoke 2013: it really changed for the better
My top 5 (or so) Adobe Premiere Pro CS6 features
How to preview Avid Media Composer’s MXF files for free without Media Composer
My NAB 2012 Post|Production World classes
Baselight for Final Cut Pro is one of the most powerful legacy FCP grading plugins ever
ARRI’s DNxHD Alexa update, Sorenson Squeeze Pro and OP this, OP that
What’s happening at NAB 2012?
The C300 short Hustle and some before and after images
Tip Tuesday: Disable a clip in the Avid Media Composer timeline
Testing the 7toX Final Cut Pro 7 to Final Cut Pro X conversion
Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch
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Monday, August 22, 2011

Some Avid Tools You Might Not Already Be Using

Here’s a few things in Media Composer that makes editing faster and easier

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Most all of the tools we use in post-production are quite full featured. They’ve been updated over many years with features added along the way. Avid Media Composer is one of the most full featured of the non-linear editors out there. I’ve had several occasion where I’ve been working with other MC users and they ask “how’d you do that?” Or “what was that button?” On the flip side I’ve been working around other editors and I learn something entirely new myself. Here’s a few tools that Media Composer has which you might not know about.

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Some Avid Tools You Might Not Already Be Using
Scott Simmons

Here’s a few things in Media Composer that makes editing faster and easier





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Some Avid Tools You Might Not Already Be Using

Scott Simmons | 08/22- 01:26 PM

Here’s a few things in Media Composer that makes editing faster and easier

Most all of the tools we use in post-production are quite full featured. They’ve been updated over many years with features added along the way. Avid Media Composer is one of the most full featured of the non-linear editors out there. I’ve had several occasion where I’ve been working with other MC users and they ask “how’d you do that?” Or “what was that button?” On the flip side I’ve been working around other editors and I learn something entirely new myself. Here’s a few tools that Media Composer has which you might not know about.

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