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Monday, January 23, 2012

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Avid Media Composer 6 review online

Scott Simmons | 01/23

Plus a few other Media Composer 6 bits and pieces

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Last week a review that I wrote of Avid Media Composer 6 went online over at Studio Daily. Here’s the link so if you’re interested in what I think is a rather thorough review that tries to go beyond just bullet points and a feature list then please give it a read. Now that I’ve had a couple of months beyond the first kicking the tires reaction here’s a few more MC6 observations.

Title Tool Application

If you go to launch the title tool in Media Composer 6 you’ll see that it’s now its own, separate application.

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The title tool opens into it’s own separate application in MC6.

This was a bit of a surprise as I didn’t think the Title Tool would ever get any work, though it really needs some. Making the Title Tool its own application was probably done in the interest of stability. From looking at the Activity Monitor it appears to still be 32bit so there’s another reason right there. It is launched the same way the old title tool was launched (including a keyboard shortcut if you’ve so mapped it) and works pretty much the same way.

As far as changes to the Title Tool, the biggest one I noticed is the addition of an option to soften a drop shadow!

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The Soften Shadow commands is a welcome, albeit long time coming, addition to the Title Tool.

Marquee is still there and all the old options persist to … well, persist if you want to launch Marquee as a default instead of the Title Tool.

Colors

If you make good use of Media Composer’s fantastic clip labeling abilities you’ll instantly notice a change to clip labeling colors the first time you head under Edit > Set Clip Color. There’s a lot less color to choose from for coloring your clips now.

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At first glance I thought that this was maybe a good thing as the old coloring scheme gave a lot of color choices, many of them very similar. I would often find myself wanting to label a clip in a particular color but I would choose a shade that was just off of the actual shade I had used for the similar clips. Sometimes it would take a couple of tries to get that exact color.

Now the colors are very easily distinguishable … there just aren’t nearly as many of them. I’ve found myself running out of label colors.

Also, in past versions, when you labeled a clip with a new color the clip icon changed to reflect that color. That no longer happens as I think the recommended practice is to use the Color bin column for color identification. The color column has always been important for sorting by color but I liked the old way of the clip icon changing to reflect the label color. I have a couple dozen bin column templates and only a couple of those include color so with the new way of labeling clips I often don’t know if a clip has had its label changed.

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It is nice and easy to change a clip color by right clicking on the color directly in the bin.

One thing that now seems to be missing is the ability to pick custom colors for clips that had been previously available. It actually does still exist. You have to OPTION + right click on the color in the bin column then the custom color picker will open.

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Option + right click on the color in the bin and you’ll get the Mac OS custom color picker if you need more color options.

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Those two greens don’t look that different in the bin color swatch (the brighter green is from the custom color picker) but they are easily distinguishable in the timeline.

A way to organize presets?

I want to expand on one thing I mentioned in the What’s Missing heading of the Studio Daily review. I said one thing that was missing is “A way to organize saved presets in the Settings.” Whenever you save user settings like bin column templates, export presets and timeline views (there are others but these tend to get a lot of custom options) every saved option shows up in the Settings window. Media Composer has never been short on settings and the more presets/templates you save the longer that Settings window can become when you’re viewing all the options.

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These are just my saved bin column templates. It would be nice if they could be organized into a folder since I have about twice as many Export templates.

As you continue to move and refine your Media Composer User Settings over many years of editing you may have a lot of them for any given option. It seems to be that the Settings should have a way to move all of these saved user settings into a folder for better organization. Yes you can view different groups of settings so that means you don’t always have to see them all but I usually just view them all at once.

Can’t wait for what’s next

As I said in the Studio Daily review and in an earlier article here I’m really excited to see what comes next for this new, 64bit version of Media Composer. It’s still the application we know and love so this version 6 is a bit like a rebirth. Things should really get good from here.

 

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The Editing of “Courageous” Part One

Steve Hullfish | 10/14

The off-line edit of a RED feature film

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Last October, I had the rare opportunity to edit a feature film called “Courageous,” which is in theaters now. “Courageous” was the number one new movie the weekend it opened (September…

Tip Tuesday: Disable a clip in the Avid Media Composer timeline

Scott Simmons | 02/21

It’s not as nice as a built-in clip enable / clip disable contextual menu but it works.

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In honor of TipTuesday over on Twitter I thought I’d share this simple Avid Media Composer tip that I…

NewTek Ships LightWave™ 11 Software

PVC News Staff | 02/20

From massive duplication, to realistic forms in flight—studios and artists push boundaries, speed up production, and improve productivity in their 3D pipelines

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NewTek is now shipping LightWave™ 11, the latest version of its Emmy® award-winning, professional 3D modeling, animation, and rendering software that lets artists broaden…


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Hey Scott, nice overviews.  Just a couple of things:
-  You’ve been able to add a TitleTool Soft DropShadow for as long as I can remember (Object > Soften Shadow).  Only now the Object menu is part of the TitleTool itself and not the main UI.

-  I have to disagree with you about the reduced Color choices being a bad thing.  You point out the ability to pick the Basic Colors and the Custom Colors directly from the bin (on a PC, Right-clicking the Color Swatch Icon brings up the 17 basic colour choices and ALT+Right-clicking brings up the Custom Color Window - 48 preset Colors and the ability to create and preset any other color).  I think this is a perfect way to be able to set Clip Colors personally.  The old Color Window was pointlessly over-color populated for most users IMHO.  The swatches were WAY too small.

Ra-ey

Posted by .(JavaScript must be enabled to view this email address)  on  01/25  at  11:08 PM


I’ll have to go back to an old install of MC and look for that soft shadow thanks! I agree the old color way was hard to select. It’s like just a better design of the box would have helped. But I run out of colors on MC6 quite often.

Posted by Scott Simmons  on  01/26  at  03:43 PM


Fair point.  Different needs and workflows I guess.
I also used to agree with you about the change in Color affecting Icons (which now doesn’t).  I remember when we were testing it and it caused a bit of concern.  Now I actually think they got it right.  If you have the Color Column as your first Column in your bin you actually get a more distinctive and clean way to display Color.  Previously, although the Clips looked good colored, FX and Titles just became a big color swatch that I actually found over-bearing against the more demure Clip coloring. This way, it’s more universal.  Though again, I think it’s 6 of 1, half a dozen of the other…
Ra-ey

Posted by .(JavaScript must be enabled to view this email address)  on  01/26  at  07:21 PM


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The Editing of “Courageous” Part One

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The off-line edit of a RED feature film

image

Last October, I had the rare opportunity to edit a feature film called “Courageous,” which is in theaters now. “Courageous” was the number one new movie the weekend it opened (September…

Tip Tuesday: Disable a clip in the Avid Media Composer timeline

Scott Simmons | 02/21

It’s not as nice as a built-in clip enable / clip disable contextual menu but it works.

image

In honor of TipTuesday over on Twitter I thought I’d share this simple Avid Media Composer tip that I…

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NewTek is now shipping LightWave™ 11, the latest version of its Emmy® award-winning, professional 3D modeling, animation, and rendering software that lets artists broaden…

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