(Page 1 of 2 pages for this article  1 2 >)

Tuesday, September 06, 2011

Filed under: AppleFinal Cut ProEditingGentryMedia Sister SitesMac CoalitionProVideo CoalitionPost ProductionSoftwareWeb Video

Detailed demo of the Baselight for FCP7 plug-in

Scott Simmons | 09/06

The best overview yet of what looks to be a very powerful color grading plug-in.

image

Right around the time of NAB 2011 rumors began floating around that Filmlight was going to release a Macintosh-based software only version of their Baselight color grading product. It made sense as a rumor as many other companies had been introducing reduced cost Mac versions of their products plus Baselight would already run on a Mac laptop as Baselight customers can get a Mac laptop-only license as a great learning tool. What Baselight did was surprise everyone with a work-in-progress Final Cut Pro Baselight plug-in. Now we’ve got a demo of the Baselight for FCP7 in action.

Here we are just a few days before IBC and Baselight will have the latest version of the Baselight for Final Cut Pro 7 plug-in ready to show. If you click over to page 2 you can get an 18 minute sneak preview of this plug-in demoed by Martin from FilmFlight. It’s a great overview that shows not just what Baselight can do in FCP but also the interaction and workflow between the plug-in and a full Baselight system including primaries, keying, shapes, keyframes and import / export to Baselight.

image

The Baselight plugin showing a wipe to compare graded vs. ungraded.

I’m no Baselight colorist but I have pounded on the system quite a bit since my company installed one earlier in the year and the Baselight plug-in in FCP 7 looks just like the real Baselight interface. It’s going to be a great learning tool that’s for sure in addition to a very powerful new color grading plug-in for its supported hosts.

image

A key pulled in the Baselight for FCP plugin

The question of hosts brings up the elephant in the room. This demo is running on Final Cut Pro 7 and as we all know FCP7 has reached the end of its life. They began development on this plugin before FCP 7 was EOL (and before FCP X was announced) so they have decided to bring it on to market as was promised. The plugin has also been discussed for Nuke though I haven’t seen any real specific details on that. I have mentioned before I think this plug-in is more of an overall strategy for Baselight in the broader post-production market as opposed to just being a single plug-in tool for a few NLEs. My guess would be Filmlight might be porting this plug-in to quite a few of the post-production tools they see with a good share of the market. I hope that this thing can come to Media Composer. Martin mentions specific support or the Avid Artist Color control surface. Maybe we’ll see the Tangent Wave and the upcoming Tangent Element will be supported as well.

image

Variable feathering shapes in the Baselight for FCP plugin. Notice the pop out interface that opens from within the FCP filter tab to give you a lot more screen real estate.

FilmLight hasn’t announced a shipping date as of yet (beta program beginning end of September) but price is expected to be under $1,000.

The demo movie is 18 minutes and 42 megs so it might take just a minute or so to load.

Next Up: an 18 minute Quicktime demo of the Baselight for Final Cut Pro plug-in.

(Page 1 of 2 pages for this article  1 2 >)

                    Clip to Evernote

 

The Editing of “Courageous” Part One

Steve Hullfish | 10/14

The off-line edit of a RED feature film

image

Last October, I had the rare opportunity to edit a feature film called “Courageous,” which is in theaters now. “Courageous” was the number one new movie the weekend it opened (September…

Check out a Number of Hardware and Software Options from B&H

Jeremiah Karpowicz | 05/16

Everything you need in one place

image

We grabbed Jerry Zorek, Manager of Business Development at B&H, to learn about what B&H was showing off at their studio booth.  He shows us a Resolve system with the…

Final Cut Pro X Multicam Editing webinar now available on-demand

Scott Simmons | 05/15

Plus a little screencast in this blog post on a topic we didn’t get to cover.

image

I had great fun last week presenting the Final Cut Pro X multicam editing webinar…


You must be registered to comment. This is an effort to reduce spam. Please REGISTER HERE.

Ah, so buying a plugin for FCP7 is like buying parts for a used car. Great analogy!

Posted by .(JavaScript must be enabled to view this email address)  on  09/09  at  06:50 AM


Name:

Email:

Location:

URL:

Smileys

Remember my personal information

Notify me of follow-up comments?

Submit the word you see below:




Final Cut Pro X Multicam Editing webinar now available on-demand
10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6
A collection of Avid Media Composer related links for my NAB Migrating to Avid class
An elegant iPhone timecode calculator
Random notes from my first “real world” Adobe Premiere Pro CS6 edit
NAB 2012: SpectraCal
NAB 2012: Apple and Final Cut Pro X
NAB 2012: Lightworks
NAB 2012: Baselight for Avid Media Composer
NAB 2012: Quantel new Pablo and Neo Nano
NAB 2012: Promise Technology’s portable Thunderbolt J4 and J2
NAB 2012: NewBlueFX Titler Pro
NAB 2012: PluralEyes 3.0 from Singular Software
NAB 2012: Technicolor CineLights from the GoPro booth
Autodesk Smoke 2013: it really changed for the better
My top 5 (or so) Adobe Premiere Pro CS6 features
How to preview Avid Media Composer’s MXF files for free without Media Composer
My NAB 2012 Post|Production World classes
Baselight for Final Cut Pro is one of the most powerful legacy FCP grading plugins ever
ARRI’s DNxHD Alexa update, Sorenson Squeeze Pro and OP this, OP that
What’s happening at NAB 2012?
The C300 short Hustle and some before and after images
Tip Tuesday: Disable a clip in the Avid Media Composer timeline
Testing the 7toX Final Cut Pro 7 to Final Cut Pro X conversion
Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch
Kicking the tires on the Final Cut Pro X 10.0.3 Multicam update
Update Alert: Final Cut Pro X goes to 10.0.3
Adobe teases Prelude at the San Francisco Supermeet, FCPUG changes its name
Tangent Element panels are now shipping
Avid Media Composer 6 review online







The Editing of “Courageous” Part One

Steve Hullfish | 10/14

The off-line edit of a RED feature film

image

Last October, I had the rare opportunity to edit a feature film called “Courageous,” which is in theaters now. “Courageous” was the number one new movie the weekend it opened (September…

Check out a Number of Hardware and Software Options from B&H

Jeremiah Karpowicz | 05/16

Everything you need in one place

image

We grabbed Jerry Zorek, Manager of Business Development at B&H, to learn about what B&H was showing off at their studio booth.  He shows us a Resolve system with the…

Final Cut Pro X Multicam Editing webinar now available on-demand

Scott Simmons | 05/15

Plus a little screencast in this blog post on a topic we didn’t get to cover.

image

I had great fun last week presenting the Final Cut Pro X multicam editing webinar…

Editing and Effects Together in One Editor Part 2

Brian Mulligan | 05/15

The NLE revolution isn’t over… Enter Autodesk Smoke for Mac

image

Editing & Effects All-In-One
Autodesk has always been known for the strength of their effects and image processing tools. The tools in Smoke have been used in everything…

To be considered for listing, contact pr (at) provideocoalition (dot) com


Copyright © 2012, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere

All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.

Terms of Use  |  Privacy Policy

Check PageRank