(Page 2 of 2 pages for this article  <  1 2)

Friday, May 22, 2009

Filed under: CamerasPost ProductionWeb Video

Shooting Indy Cars with the GT35pro

Scott Simmons | 05/22

Back in April I took my HV20 and 35mm lens adapter to shoot Indy cars

What can you do about this noticeable texture of the ground glass when using a zoom lens? Well the first thing you can do is don’t forget to turn on the motor for the vibration of the glass like I did several times! That’s part of the whole point of having a spinning or vibration type adapter. The movement on the ground glass helps to hide the texture as well as any dirt particles that may have collected on it. Newer versions of the GT35pro have a tally light that shows if the unit is on or off. A huge plus. Another things is to add noise reduction.

While noise reduction can often be a God-send in certain situations it does reduce the overall sharpness of an image. In the case of my little Indy car shoot it was acceptable to me and helped reduce the texture left behind when working at the long end of the zoom lens. I used a pretty aggressive setting in the Noise Reduction plug-in of Magic Bullet Steady. I didn’t do a lot of experimenting with the different setting nor did I try any other noise reduction plug-ins. It’ll be interesting to see how much sharper I can make the image while still reducing the texture with more tweaking.

image

Still frame with NO noise reduction applied

image

Same frame with a high setting to reduce the ground glass texture

And speaking of sharpness ... the most difficult thing of all when shooting with the 20GT rig is keeping focus. In fact that’s probably the most difficult thing when shooting with 35mm lens adapters in general. I did a shoot recently with a Letus Extreme mounted on a Panasonic HPX170 and it has an amazingly handy focus assist feature with a little histogram-type display and a focusing bar that both work when using an adapter. They make it much easier to nail good focus in HD. With the HV20 there is only a focus assist function that magnifies the center of the image and while that helps it is still hard to get it just right, especially when using a long zoom lens. To make matters worse I was shooting out in bright, direct sunlight. Thank goodness for the Hoodman!

It was great fun hanging out at Barber Motorsports Park and shooting the Indy car practice. Let’s hope next year I can go back for the actual race that they might have on the 2010 schedule. In the meantime tune in to the Indy 500 this Sunday!

 

(Page 2 of 2 pages for this article  <  1 2)

                    Clip to Evernote

 

You must be registered to comment. This is an effort to reduce spam. Please REGISTER HERE.

amanda, not sure if it would work or not but you can check here: http://gt35pro.blogspot.com/

Posted by Scott Simmons  on  08/18  at  07:23 PM


Name:

Email:

Location:

URL:

Smileys

Remember my personal information

Notify me of follow-up comments?

Submit the word you see below:




Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch
Kicking the tires on the Final Cut Pro X 10.0.3 Multicam update
Update Alert: Final Cut Pro X goes to 10.0.3
Adobe teases Prelude at the San Francisco Supermeet, FCPUG changes its name
Tangent Element panels are now shipping
Avid Media Composer 6 review online
Update Alert: Magic Bullet Suite 11.2
Update Alert: FxFactory 3.0
The new Fotoshop by Adobé can change the way you look!
Did you know MPEG Streamclip could convert YouTube videos?
New That Post Show: Edit Pro Supergood
Clean those Adobe Media Cache Files
Christmas Gift Ideas for the Editor in Your Life
Kicking the Tires on Avid Media Composer 6
The Adobe Premiere Pro timeline for Final Cut Pro users
Avid Media Composer 6 is announced and it’s moving into the future
All of the Automatic Duck plug-ins are now free
A report on Walter Murch’s talk at the Boston SuperMeet
A lesson learned from my FCPX to Resolve roundtrips
Update Alert: DaVinci Resolve 8.1: FCPX support, lots of little things
A Few Recent Avid Media Composer Finds
A short Q and A with Automatic Duck about their Adobe move
Steve Jobs 1955 - 2011
$995 Final Cut Pro to Media Composer crossgrade ending very soon
Kicking the tires on the Final Cut Pro X 10.0.1 update
You may move your Get license to Boris Soundbite
Detailed demo of the Baselight for FCP7 plug-in
Phonetic dialog search returns as Soundbite from Boris
Some Avid Tools You Might Not Already Be Using
Update Alert: Avid Media Composer 5.5.3 for Lion







To be considered for listing, contact pr (at) provideocoalition (dot) com


Copyright © 2011, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere

All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.

Terms of Use  |  Privacy Policy

Check PageRank