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Sunday, June 20, 2010

Filed under: CamerasEditingPost ProductionTips

Join me for a free DSLR Post-production webinar this Tuesday

Scott Simmons | 06/20

You can’t make use of that DSLR’s video capability without the post production.

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This coming Tuesday, June 22, I’ll be hosting a free webinar discussing DSLR post-production. The program will kick off at 10:00 AM Pacific, Noon Central time and run for approximately 90 minutes. It’s free to attend the event, all you have to do is register.

UPDATE: This webinar is now available On Demand for $25. Click here to purchase the webinar and other supporting materials.

The event is part of a website called New Media Webniars. I was approached by the company’s founder and CEO earlier in the year after I had finished my NAB Post Pit presentation about editing a 5D Multi-camera concert. We were discussing doing a similar presentation at New Media Webinars but since those who buy the On-Demand version of the webinar after its over get footage and project files included we decided we probably wouldn’t be able to include the music and artist images from the concert so we decided on a more general DSLR Post Workflows presentation. That’s what we’ll be presenting this Tuesday.

Here’s a sample, an beginning overview of the Canon EOS Log and Transfer plug-in for Final Cut Pro:

We’ll be discussing a number of topics in the hour long presentation including what comes out of the camera, transcoding the files for edit, software for transcoding the files, editing software including Final Cut Pro, Avid Media Composer 5.0 and Adobe Premiere Pro CS5, native H.264 editing vs. transcoded file editing and some advanced topics like offline vs. online, color grading and frame rates. And there will be some prize giveaways as well including copies of Magic Bullet Grinder and Singular Software’s PluralEyes. Once the hour long session is over and the prizes are given away there will be a question and answer session as well to round out the 90 minutes.

While it’s free to attend the event the real value comes with the $25 purchase of the of the entire Webinar package. It includes (from the New Media Webinar’s website):

Includes attendance to the live webinar, a downloadable HD version of the webinar archive, an audio podcast with the presenter answering questions not answered during the webinar and the project files used during the webinar for you to practice along with the presenter.

That’s some good info for $25. If you’re new to DSLR filmmaking in general (or if you’re thinking about getting into DSLRs) then you can purchase both the DSLR Post Workflows webinar I’m doing as well as DSLR Filmmaking Production Reality Check. It was recently completed and hosted by Peter Cote, host of the DSLR Show. That’s a pretty good bargain, for $50 you can get over 3 hours of content, 2 audio podcasts and support files and materials. It’s a great way to get your feet wet in DSLR filmmaking or to learn something new.

As for the DSLR Filmmaking Post Workflows event this Tuesday, it will be a great event and full of a lot of information as there’s a lot to cover about post in an hour. You’ll definitely get your money’s worth, especially if you are just getting started in the DSLR revolution. I hope to see you there.

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The Editing of “Courageous” Part One

Steve Hullfish | 10/14

The off-line edit of a RED feature film

image

Last October, I had the rare opportunity to edit a feature film called “Courageous,” which is in theaters now. “Courageous” was the number one new movie the weekend it opened (September…

Final Cut Pro X Multicam Editing webinar now available on-demand

Scott Simmons | 05/15

Plus a little screencast in this blog post on a topic we didn’t get to cover.

image

I had great fun last week presenting the Final Cut Pro X multicam editing webinar…

10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6

Scott Simmons | 05/11

These are a few of the things that I found myself searching for as I’ve been moving over to Premiere Pro CS6 as a FCP 7 replacement

image

Adobe is making a big play for Final Cut Pro users with their CS6 release of Premiere Pro. It’s vastly improved over the Premiere Pro of old and is a lot like Final…


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Forgive my ignorance - what is a “webinar”?

Posted by Charles Angus  on  06/20  at  07:35 PM


Seminar + on the web = “webinar”

It’s really kind of a silly sounding term and I’ve never been a fan but that seems to be the name that stuck. What is nice is that instead of a talking head you’ll be seeing my computer screen as we talk about lots of applications and such ......

Posted by Scott Simmons  on  06/22  at  06:13 AM


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My lengthy Adobe Premiere Pro CS6 review now online
Final Cut Pro X Multicam Editing webinar now available on-demand
10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6
A collection of Avid Media Composer related links for my NAB Migrating to Avid class
An elegant iPhone timecode calculator
Random notes from my first “real world” Adobe Premiere Pro CS6 edit
NAB 2012: SpectraCal
NAB 2012: Apple and Final Cut Pro X
NAB 2012: Lightworks
NAB 2012: Baselight for Avid Media Composer
NAB 2012: Quantel new Pablo and Neo Nano
NAB 2012: Promise Technology’s portable Thunderbolt J4 and J2
NAB 2012: NewBlueFX Titler Pro
NAB 2012: PluralEyes 3.0 from Singular Software
NAB 2012: Technicolor CineLights from the GoPro booth
Autodesk Smoke 2013: it really changed for the better
My top 5 (or so) Adobe Premiere Pro CS6 features
How to preview Avid Media Composer’s MXF files for free without Media Composer
My NAB 2012 Post|Production World classes
Baselight for Final Cut Pro is one of the most powerful legacy FCP grading plugins ever
ARRI’s DNxHD Alexa update, Sorenson Squeeze Pro and OP this, OP that
What’s happening at NAB 2012?
The C300 short Hustle and some before and after images
Tip Tuesday: Disable a clip in the Avid Media Composer timeline
Testing the 7toX Final Cut Pro 7 to Final Cut Pro X conversion
Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch
Kicking the tires on the Final Cut Pro X 10.0.3 Multicam update
Update Alert: Final Cut Pro X goes to 10.0.3
Adobe teases Prelude at the San Francisco Supermeet, FCPUG changes its name
Tangent Element panels are now shipping







The Editing of “Courageous” Part One

Steve Hullfish | 10/14

The off-line edit of a RED feature film

image

Last October, I had the rare opportunity to edit a feature film called “Courageous,” which is in theaters now. “Courageous” was the number one new movie the weekend it opened (September…

Final Cut Pro X Multicam Editing webinar now available on-demand

Scott Simmons | 05/15

Plus a little screencast in this blog post on a topic we didn’t get to cover.

image

I had great fun last week presenting the Final Cut Pro X multicam editing webinar…

10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6

Scott Simmons | 05/11

These are a few of the things that I found myself searching for as I’ve been moving over to Premiere Pro CS6 as a FCP 7 replacement

image

Adobe is making a big play for Final Cut Pro users with their CS6 release of Premiere Pro. It’s vastly improved over the Premiere Pro of old and is a lot like Final…

A collection of Avid Media Composer related links for my NAB Migrating to Avid class

Scott Simmons | 05/03

I promised to post a bunch of helpful links for migrating editors so here they are.

image

With the 2012 NAB show a thing of the past that means the Post|Production world conference is a thing of the past too. One of the classes I taught this year was Essentials…

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