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Friday, October 08, 2010

Filed under: EditingPost ProductionProductionTipsTrainingVendor ChannelsAvidFinal Cut Pro

Master Multicamera Techniques is a must have book for editors

Scott Simmons | 10/08

Even if you don’t edit multicam concerts you’re bound to learn something new.

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Quite a few months ago I had a long conversation with editor Mitch Jacobson about multicam editing. The point of this conversation was to, hopefully, provide some good information on multicam editing for what was then his upcoming book about the topic. That book has finally gone into print and I picked up a copy not long ago and began reading it. Besides the much appreciated contributing writer credit that Mitch gave me (and a lot of other people who helped pull the book together) the book is a treasure chest of all things multicam.

You may have seen a presentation from Mitch at NAB or the Editor’s Retreat. As the owner of Category 5 Studios and the editor behind many multicam shows from Paul McCartney to the Rolling Stones to the Montel Williams Show (!) he’s very knowledgeable about the subject and quite fun to talk to. At 449 pages there’s tons of good information in the book from cover to cover. The subtitle says “from pre-production to editing and deliver-ables.” Thumbing through you’ll see a few more screen captures from Final Cut Pro than Avid Media Composer but the book isn’t FCP centric as there’s lots of Media Composer discussion as well. Besides those two software packages there’s information on a lot of other programs too from database managers to color correction.

There’s also technical discussions ranging from cameras to computers to sync hardware. Throughout the whole book you’ll also comes across tips, technical discussions, interviews and case studies. And while live concerts and events are the usual types of programs that come to mind when you think muliticam there’s great information in the book about multicam techniques and cutting sitcoms, EPKs, weddings and (one of my main topics of discussion with Mitch) music videos.

The best part of the book is the DVD.

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One of the best bangs for the buck is the included ProRes footage from Paul McCartney and Elton John concerts.

But the best thing about the book and what editors new to multicam editing will find most useful once the reading is done is the companion DVD that includes footage from two separate concerts by two legends: Paul McCartney and Elton John. It might be the best legally available, big time practice editing footage that I’ve seen since the old Highlander: Uncut package was sold.

The Paul McCartney footage is 13 angles of 720 23.98 ProRes (Proxy) media including dolly, jib, handheld and various crane cameras as well as master audio and bonus angles from a different show. The Elton John footage is five angles and one linecut of standard def ProRes LT.

The book is currently up on Amazon for around $35. While I didn’t get a big, fat royalty check for the small contribution I made to this book fell free to buy a copy via this Amazon affiliate link! There’s also the ability to look inside the book as well as some customer reviews on the Amazon site. Mastering Multicamera Techniques also has a Facebook page and there might be some coupon codes available over there.

Here’s a snapshot of what all is available on the companion DVD:

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If you want to learn about multicam editing then this is the book for you. As an editor who’s cut a lot of multicam over his career I’m still learning as I make my way through the book. Happy reading, happy learning and happy editing!

 

 

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The Editing of “Courageous” Part One

Steve Hullfish | 10/14

The off-line edit of a RED feature film

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Last October, I had the rare opportunity to edit a feature film called “Courageous,” which is in theaters now. “Courageous” was the number one new movie the weekend it opened (September…

Final Cut Pro X Multicam Editing webinar now available on-demand

Scott Simmons | 05/15

Plus a little screencast in this blog post on a topic we didn’t get to cover.

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I had great fun last week presenting the Final Cut Pro X multicam editing webinar…

10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6

Scott Simmons | 05/11

These are a few of the things that I found myself searching for as I’ve been moving over to Premiere Pro CS6 as a FCP 7 replacement

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Adobe is making a big play for Final Cut Pro users with their CS6 release of Premiere Pro. It’s vastly improved over the Premiere Pro of old and is a lot like Final…


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Final Cut Pro X Multicam Editing webinar now available on-demand
10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6
A collection of Avid Media Composer related links for my NAB Migrating to Avid class
An elegant iPhone timecode calculator
Random notes from my first “real world” Adobe Premiere Pro CS6 edit
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NAB 2012: Apple and Final Cut Pro X
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NAB 2012: Baselight for Avid Media Composer
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NAB 2012: Technicolor CineLights from the GoPro booth
Autodesk Smoke 2013: it really changed for the better
My top 5 (or so) Adobe Premiere Pro CS6 features
How to preview Avid Media Composer’s MXF files for free without Media Composer
My NAB 2012 Post|Production World classes
Baselight for Final Cut Pro is one of the most powerful legacy FCP grading plugins ever
ARRI’s DNxHD Alexa update, Sorenson Squeeze Pro and OP this, OP that
What’s happening at NAB 2012?
The C300 short Hustle and some before and after images
Tip Tuesday: Disable a clip in the Avid Media Composer timeline
Testing the 7toX Final Cut Pro 7 to Final Cut Pro X conversion
Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch
Kicking the tires on the Final Cut Pro X 10.0.3 Multicam update
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Tangent Element panels are now shipping
Avid Media Composer 6 review online







The Editing of “Courageous” Part One

Steve Hullfish | 10/14

The off-line edit of a RED feature film

image

Last October, I had the rare opportunity to edit a feature film called “Courageous,” which is in theaters now. “Courageous” was the number one new movie the weekend it opened (September…

Final Cut Pro X Multicam Editing webinar now available on-demand

Scott Simmons | 05/15

Plus a little screencast in this blog post on a topic we didn’t get to cover.

image

I had great fun last week presenting the Final Cut Pro X multicam editing webinar…

10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6

Scott Simmons | 05/11

These are a few of the things that I found myself searching for as I’ve been moving over to Premiere Pro CS6 as a FCP 7 replacement

image

Adobe is making a big play for Final Cut Pro users with their CS6 release of Premiere Pro. It’s vastly improved over the Premiere Pro of old and is a lot like Final…

A collection of Avid Media Composer related links for my NAB Migrating to Avid class

Scott Simmons | 05/03

I promised to post a bunch of helpful links for migrating editors so here they are.

image

With the 2012 NAB show a thing of the past that means the Post|Production world conference is a thing of the past too. One of the classes I taught this year was Essentials…

To be considered for listing, contact pr (at) provideocoalition (dot) com


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