(Page 1 of 1 pages for this article )

Thursday, February 10, 2011

Filed under: AppleFinal Cut ProEditingGentryMedia Sister SitesMac CoalitionProVideo CoalitionPost ProductionSoftwareTipsVendor ChannelsAvid

Quicktips 2011 Day 10: Map Media Composer keyboard arrows to FF and REW

Scott Simmons | 02/10

February 10, 2011 - This Reader Quicktip can speed along Avid Media Composer navigation

This Reader Quicktip is from Jack Jones,  a colorist (or colourist I guess I should say) working out of London who passes along a simple but handy Quicktip for Avid Media Composer. It involves remapping the up and down arrow keys on a keyboard. This matches a Final Cut Pro behavior but it is more useful as a default Media Composer keyboard configuration for the up and down arrows keys IMHO. I’ve done the same thing for as long as I can remember.

Here’s what Jack says:

Use the command pallet and keyboard settings to map your up arrow to “reverse” and your down arrow to “fast forward.”

image

image

The default Media Composer keyboard has multicam tools mapped to the Up and Down arrows

image

The Media Composer arrows mapped to REW and FF

Now in Composer Settings select stop at frame head.

image

Now you can use the up and down arrows in the same way as they feature in Final Cut Pro. Mapping the insert edit function to the ‘H’ key is also handy!

This is a great Media Composer tip, expecially for those that don’t edit multicam-style and don’t need the up and down arrows mapped to changing angles in a group. It’s not so much about making Media Composer more like Final Cut Pro but making those keys more functional. As I said I did the same thing a long time ago and mapped the Previous in Group, Next in Group keys to the page up and page down on my keyboard.

Thanks to Jack Jones for sending that tip over. He’s on Twitter: @jackjonescolour

(Page 1 of 1 pages for this article )

                    Clip to Evernote

 

The Editing of “Courageous” Part One

Steve Hullfish | 10/14

The off-line edit of a RED feature film

image

Last October, I had the rare opportunity to edit a feature film called “Courageous,” which is in theaters now. “Courageous” was the number one new movie the weekend it opened (September…

The Best of Stunning Good Looks

Art Adams | 08/30

A directory of my best articles, sorted by topic.

This entry is a guide to my best articles, sorted by topic. Enjoy!

Check out a Number of Hardware and Software Options from B&H

Jeremiah Karpowicz | 05/16

Everything you need in one place

image

We grabbed Jerry Zorek, Manager of Business Development at B&H, to learn about what B&H was showing off at their studio booth.  He shows us a Resolve system with the…


You must be registered to comment. This is an effort to reduce spam. Please REGISTER HERE.

Interesting. I usually have FF/REW mapped to the A and S keys, I prefer it to the default “trim next edit” functionality.

I usually map Up and Down with ‘Menu-to-Button’ so that they do the Mode Detail (zoom in on timeline) and Less Detail (zoom out) from the Fast Menu.

Posted by Dylan Reeve  on  02/10  at  01:03 PM


Different keystrokes ... for different .... you know.

I have had the exact same mapping that Jack mentioned in this tip forever. It’s especially handy for me moving between FCP and Avid as it get my hybrid Avid / FCP keyboard layouts similar.

Posted by Scott Simmons  on  02/10  at  01:12 PM


Name:

Email:

Location:

URL:

Smileys

Remember my personal information

Notify me of follow-up comments?

Submit the word you see below:




Final Cut Pro X Multicam Editing webinar now available on-demand
10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6
A collection of Avid Media Composer related links for my NAB Migrating to Avid class
An elegant iPhone timecode calculator
Random notes from my first “real world” Adobe Premiere Pro CS6 edit
NAB 2012: SpectraCal
NAB 2012: Apple and Final Cut Pro X
NAB 2012: Lightworks
NAB 2012: Baselight for Avid Media Composer
NAB 2012: Quantel new Pablo and Neo Nano
NAB 2012: Promise Technology’s portable Thunderbolt J4 and J2
NAB 2012: NewBlueFX Titler Pro
NAB 2012: PluralEyes 3.0 from Singular Software
NAB 2012: Technicolor CineLights from the GoPro booth
Autodesk Smoke 2013: it really changed for the better
My top 5 (or so) Adobe Premiere Pro CS6 features
How to preview Avid Media Composer’s MXF files for free without Media Composer
My NAB 2012 Post|Production World classes
Baselight for Final Cut Pro is one of the most powerful legacy FCP grading plugins ever
ARRI’s DNxHD Alexa update, Sorenson Squeeze Pro and OP this, OP that
What’s happening at NAB 2012?
The C300 short Hustle and some before and after images
Tip Tuesday: Disable a clip in the Avid Media Composer timeline
Testing the 7toX Final Cut Pro 7 to Final Cut Pro X conversion
Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch
Kicking the tires on the Final Cut Pro X 10.0.3 Multicam update
Update Alert: Final Cut Pro X goes to 10.0.3
Adobe teases Prelude at the San Francisco Supermeet, FCPUG changes its name
Tangent Element panels are now shipping
Avid Media Composer 6 review online







The Editing of “Courageous” Part One

Steve Hullfish | 10/14

The off-line edit of a RED feature film

image

Last October, I had the rare opportunity to edit a feature film called “Courageous,” which is in theaters now. “Courageous” was the number one new movie the weekend it opened (September…

The Best of Stunning Good Looks

Art Adams | 08/30

A directory of my best articles, sorted by topic.

This entry is a guide to my best articles, sorted by topic. Enjoy!

Check out a Number of Hardware and Software Options from B&H

Jeremiah Karpowicz | 05/16

Everything you need in one place

image

We grabbed Jerry Zorek, Manager of Business Development at B&H, to learn about what B&H was showing off at their studio booth.  He shows us a Resolve system with the…

Final Cut Pro X Multicam Editing webinar now available on-demand

Scott Simmons | 05/15

Plus a little screencast in this blog post on a topic we didn’t get to cover.

image

I had great fun last week presenting the Final Cut Pro X multicam editing webinar…

To be considered for listing, contact pr (at) provideocoalition (dot) com


Copyright © 2012, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere

All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.

Terms of Use  |  Privacy Policy

Check PageRank