(Page 1 of 1 pages for this article )

Friday, February 25, 2011

Filed under: AppleEditingGentryMedia Sister SitesMac CoalitionProVideo CoalitionPost ProductionSoftwareTipsVendor ChannelsAvid

Quicktips 2011 Day 25: Two Avid tips for Friday

Scott Simmons | 02/25

February 25, 2011 - These Reader Quicktips are great for the advanced Media Composer user

Today we have two Avid Media Composer Quicktips that come to us from Ra-ey Saleh, a Symphony Online Editor working in Sydney. There’s two tips here, one for the ever popular Avid Paint effect and one great tip for playing back the edit while in Color Correction mode.

Here’s Ra-ey’s tips:

1) PAINT EFFECT: Erase Mode

image

The Paint Effect (found in the IMAGE category) is a great all-round tool and one of it’s most common usages is to Blur, which you can even motion-track within the effect.  However, what do you do when you have to Blur an object in the background and something moves across it in the foreground? Sometimes, with a fast moving foreground object, you can just leave the Blur untouched and get away with it, but this doesn’t always work when you have a slow moving foreground object, or something of importance that needs to be visible. You may have previously worked around this issue by creating two separate Blurs side-by-side and shrinking one side, whilst growing the other around the foreground object, but this is extremely time-consuming and never really looks that great.

This is where Erase Mode really comes in handy. 

image

After you apply your Blur – and still within the same Paint Effect – draw a new shape around the foreground object you wish to remain visible.  Making sure it is selected, switch its Mode type to ‘Erase’.  This will now erase your Blur wherever they both cross.  Like all the shapes in Paint Effect, you can also motion-track the shape or add feathering.

‘Erase’ is useful will lots of the Paint Effect modes.  Another common one is when you darken a whole image, and want to highlight one particular area for emphasis.  Simply use the Paint Effect ‘Darken’ mode, then ‘Erase’ the area you wish to highlight.

2) Playing Continually whilst in Color Correction Mode

One of the most common misconceptions about the Avid Color Corrector I hear is that you can’t play the sequence through whilst in Color Correction mode - especially useful when you’re doing a ‘watch through’.  Everyone knows you can play the clip you are working on, and some know that you can map the Edit Review button (which will play the end of the previous shot through to the beginning of the next shot), but there is also a command that will actually allow you to play the sequence just as if you were still in Source/Record mode.

From the Command Palette > in the Play tab, simply map the Play Loop button to your keyboard. 

image

That’s it.  No matter what tracks you have selected, this will Play through your sequence.

Those are two great tips. Thanks to Ra-ey for sending them over. I’d link to his website but it’s not online as of yet.

(Page 1 of 1 pages for this article )

                    Clip to Evernote

 

The Editing of “Courageous” Part One

Steve Hullfish | 10/14

The off-line edit of a RED feature film

image

Last October, I had the rare opportunity to edit a feature film called “Courageous,” which is in theaters now. “Courageous” was the number one new movie the weekend it opened (September…

The Best of Stunning Good Looks

Art Adams | 08/30

A directory of my best articles, sorted by topic.

This entry is a guide to my best articles, sorted by topic. Enjoy!

Final Cut Pro X Multicam Editing webinar now available on-demand

Scott Simmons | 05/15

Plus a little screencast in this blog post on a topic we didn’t get to cover.

image

I had great fun last week presenting the Final Cut Pro X multicam editing webinar…


You must be registered to comment. This is an effort to reduce spam. Please REGISTER HERE.

A trick I do is also open the active sequence in a pop-up monitor and gang both sequences together. I can then drive the entire sequence from the pop-up and keep my CC UI with whatever set up I desire.

MichaelP

Posted by .(JavaScript must be enabled to view this email address)  on  02/26  at  06:10 PM


Thanks Scott for publishing, and MichaelP for that cool tip.
Ra-ey

Posted by .(JavaScript must be enabled to view this email address)  on  02/27  at  06:27 PM


Good one Michael.

Posted by Scott Simmons  on  02/28  at  09:13 AM


Name:

Email:

Location:

URL:

Smileys

Remember my personal information

Notify me of follow-up comments?

Submit the word you see below:




Final Cut Pro X Multicam Editing webinar now available on-demand
10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6
A collection of Avid Media Composer related links for my NAB Migrating to Avid class
An elegant iPhone timecode calculator
Random notes from my first “real world” Adobe Premiere Pro CS6 edit
NAB 2012: SpectraCal
NAB 2012: Apple and Final Cut Pro X
NAB 2012: Lightworks
NAB 2012: Baselight for Avid Media Composer
NAB 2012: Quantel new Pablo and Neo Nano
NAB 2012: Promise Technology’s portable Thunderbolt J4 and J2
NAB 2012: NewBlueFX Titler Pro
NAB 2012: PluralEyes 3.0 from Singular Software
NAB 2012: Technicolor CineLights from the GoPro booth
Autodesk Smoke 2013: it really changed for the better
My top 5 (or so) Adobe Premiere Pro CS6 features
How to preview Avid Media Composer’s MXF files for free without Media Composer
My NAB 2012 Post|Production World classes
Baselight for Final Cut Pro is one of the most powerful legacy FCP grading plugins ever
ARRI’s DNxHD Alexa update, Sorenson Squeeze Pro and OP this, OP that
What’s happening at NAB 2012?
The C300 short Hustle and some before and after images
Tip Tuesday: Disable a clip in the Avid Media Composer timeline
Testing the 7toX Final Cut Pro 7 to Final Cut Pro X conversion
Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch
Kicking the tires on the Final Cut Pro X 10.0.3 Multicam update
Update Alert: Final Cut Pro X goes to 10.0.3
Adobe teases Prelude at the San Francisco Supermeet, FCPUG changes its name
Tangent Element panels are now shipping
Avid Media Composer 6 review online







The Editing of “Courageous” Part One

Steve Hullfish | 10/14

The off-line edit of a RED feature film

image

Last October, I had the rare opportunity to edit a feature film called “Courageous,” which is in theaters now. “Courageous” was the number one new movie the weekend it opened (September…

The Best of Stunning Good Looks

Art Adams | 08/30

A directory of my best articles, sorted by topic.

This entry is a guide to my best articles, sorted by topic. Enjoy!

Final Cut Pro X Multicam Editing webinar now available on-demand

Scott Simmons | 05/15

Plus a little screencast in this blog post on a topic we didn’t get to cover.

image

I had great fun last week presenting the Final Cut Pro X multicam editing webinar…

Editing and Effects Together in One Editor Part 2

Brian Mulligan | 05/15

The NLE revolution isn’t over… Enter Autodesk Smoke for Mac

image

Editing & Effects All-In-One
Autodesk has always been known for the strength of their effects and image processing tools. The tools in Smoke have been used in everything…

To be considered for listing, contact pr (at) provideocoalition (dot) com


Copyright © 2012, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere

All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.

Terms of Use  |  Privacy Policy

Check PageRank