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Tuesday, October 20, 2009

Filed under: EditingGentryMedia Sister SitesApps4PhonesHardware

ReelDirector lets the iPhone 3GS really edit video

Scott Simmons | 10/20

It’s a simple editor but it works

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Months ago when the new Apple iPhone 3GS hit the market I questioned the claim that it could edit video, prefering the more proper term of “trimming.” But with the new app ReelDirector that desire to edit on the phone has become a reality. Word popped up on Twitter tonight that this app exists. I downloaded it and performed my first ever edit on an iPhone!

ReelDirector is a bit iMovie like in that it can string together clips, add an opening title and end title and place a transition in between. That is editing! The Quick Start guide pretty much says it all:

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There is a bit more to it than that. You can actually trim the IN and OUT points of a clip via traditional iPhone trimming methods before you place the clip in a timeline. You can also rearrange the clips once in a timeline via dragging. There’s even a tiny little playhead that you can drag through the timeline. Stopping the drag between clips will even show you a frame of your selected transition. Don’t expect realtime playback though as you have to Create the movie when you are done with the edit. It took several minutes for my 30 second edit. Once created you can play it, save it to your camera roll or share it via email:

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With sharing it sends the email through the Mail app. When finished your projects is saved for more editing later:

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It’s not perfect as you can’t (as of yet ... it is version 1.0) re-trim a clip once it’s in the timeline thought you can delete a clip and start over. And there’s no option to record a new audio track or add music from your iTunes library. But hey ... it’s editing video on the iPhone! The app is $7.99 and available on iTunes. (iTunes link)

Happy mobile editing ... and here’s the result of downloading the app, shooting 3 shots and taking 5 minutes to make a quick edit:

In addition to ReelDirector Nexvio also has an app to do slow motion from video clips on the 3GS. We’ve seen the music video shot on an iPhone. How long before we see one edited on the iPhone as well? Shooting a video on the iPhone was a gimmick. Editing a video on the thing would be madness!

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The Best of Stunning Good Looks

Art Adams | 08/30

A directory of my best articles, sorted by topic.

This entry is a guide to my best articles, sorted by topic. Enjoy!

10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6

Scott Simmons | 05/11

These are a few of the things that I found myself searching for as I’ve been moving over to Premiere Pro CS6 as a FCP 7 replacement

image

Adobe is making a big play for Final Cut Pro users with their CS6 release of Premiere Pro. It’s vastly improved over the Premiere Pro of old and is a lot like Final…

NAB 2012: Assorted Snapshots

Adam Wilt | 05/08

A few cool things I saw at the show that didn’t fit into any other articles.

NAB is too big a show in too short a time to see more than a fraction of it. I’ve covered a few things in some depth (as have other PVC folks), but there’s plenty more that slips by without proper coverage. Here, I have a few photos…


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My interview with these guys, giving a bit more info on that product.

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My lengthy Adobe Premiere Pro CS6 review now online
Final Cut Pro X Multicam Editing webinar now available on-demand
10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6
A collection of Avid Media Composer related links for my NAB Migrating to Avid class
An elegant iPhone timecode calculator
Random notes from my first “real world” Adobe Premiere Pro CS6 edit
NAB 2012: SpectraCal
NAB 2012: Apple and Final Cut Pro X
NAB 2012: Lightworks
NAB 2012: Baselight for Avid Media Composer
NAB 2012: Quantel new Pablo and Neo Nano
NAB 2012: Promise Technology’s portable Thunderbolt J4 and J2
NAB 2012: NewBlueFX Titler Pro
NAB 2012: PluralEyes 3.0 from Singular Software
NAB 2012: Technicolor CineLights from the GoPro booth
Autodesk Smoke 2013: it really changed for the better
My top 5 (or so) Adobe Premiere Pro CS6 features
How to preview Avid Media Composer’s MXF files for free without Media Composer
My NAB 2012 Post|Production World classes
Baselight for Final Cut Pro is one of the most powerful legacy FCP grading plugins ever
ARRI’s DNxHD Alexa update, Sorenson Squeeze Pro and OP this, OP that
What’s happening at NAB 2012?
The C300 short Hustle and some before and after images
Tip Tuesday: Disable a clip in the Avid Media Composer timeline
Testing the 7toX Final Cut Pro 7 to Final Cut Pro X conversion
Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch
Kicking the tires on the Final Cut Pro X 10.0.3 Multicam update
Update Alert: Final Cut Pro X goes to 10.0.3
Adobe teases Prelude at the San Francisco Supermeet, FCPUG changes its name
Tangent Element panels are now shipping







The Best of Stunning Good Looks

Art Adams | 08/30

A directory of my best articles, sorted by topic.

This entry is a guide to my best articles, sorted by topic. Enjoy!

10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6

Scott Simmons | 05/11

These are a few of the things that I found myself searching for as I’ve been moving over to Premiere Pro CS6 as a FCP 7 replacement

image

Adobe is making a big play for Final Cut Pro users with their CS6 release of Premiere Pro. It’s vastly improved over the Premiere Pro of old and is a lot like Final…

NAB 2012: Assorted Snapshots

Adam Wilt | 05/08

A few cool things I saw at the show that didn’t fit into any other articles.

NAB is too big a show in too short a time to see more than a fraction of it. I’ve covered a few things in some depth (as have other PVC folks), but there’s plenty more that slips by without proper coverage. Here, I have a few photos…

NAB 2012: RED

Adam Wilt | 05/07

RED’s Ted Schilowitz discusses 2012’s products, and a photo gallery.

RED’s “Leader of the Rebellion” Ted Schilowitz held a press conference at NAB on Monday, describing the projects and products RED is working on. Rather than paraphrase him, I’ve got him on card (well, it’s not “on…

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