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Friday, January 27, 2012

Filed under: AppleFinal Cut ProEditingGentryMedia Sister SitesMac CoalitionProVideo CoalitionHardwarePost ProductionSoftware

Tangent Element panels are now shipping

Scott Simmons | 01/27

DaVinci Resolve isn’t listed as being supported as of yet. Hopefully soon.

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Word came out today from Tangent Devices that the first Element panels are now shipping. If you don’t remember the Element is Tangent’s newest color grading control panel that uses a modular design that is four separate pieces that can be purchased separately. They are designed to work together to make a more full featured panel than the Wave with trackballs and rings, knobs and buttons and transport controls if the buyer so desires. As for supported applications, Assimilate SCRATCH and Apple Color are two more common applications on the list but the one many people are asking about, DaVinci Resolve, is (so far) missing.

What applications are listed? As for released support, that includes: Assimilate SCRATCH, Colorfront On-Set Dailies, YoYotta YoYo. Upcoming support: Apple Color, Cintel FLOW & COLORFLOW, DFT FLEXXITY, Marquise OCEAN, RAIN & MIST, Pixel Farm PF Clean and SGO Mistika. Some of those are very specialized tools.

The conspiracy theorist might say that Blackmagic Design might not ever support the Element as the panel looks so cool the colorist might not need to purchase the full (and much more expensive) DaVinci panel but the truth is that BMD has to build the support in themselves so it will take an update to Resolve to get any new hardware support. As cool as the Element looks the big Resolve panel is tailor made for the speed and efficiency when using the software and the Element has been designed to support multiple applications. That means the Resolve panel will have advantages over the Element.

That said the Element looks like it will be fun to use. A check of the main Element page will show the four different pieces that make up the whole unit. This little YouTube video is a 7-second piece that gives a little bit of an idea of what the Element is like. This is a pre-production unit I’m sure so the final version might vary.

I like the idea that you’ll be able to buy just the trackball unit as I bet that will be a popular purchase if / when they do support Resolve. Those trackballs and a keyboard will mean a nice little workstation. What are the Element prices? Word to me from Tangent was as follows:

Element Tk panel (that’s the trackballs unit with rings, reset buttons, shift button and display): $1,195

Element Mf panel (that’s 12 programmable buttons, trackball with ring that can be jog/shuttle, transport control, shift buttons, display): $1,095

Element Kb panel (12 programmable knobs, 2 shift buttons, display): $895

Element Bt panel (12 programmable buttons, 2 shift buttons, display): $695

Total for all the pieces together: $3,495

Those prices may vary as it begins to ship but as an early indicator of price that looks pretty good if the construction and quality of the panels are as good as reports have been. For a bit of detail on the development of the Element check out this post from colorist and author Alexis Van Hurkman about the Element and his even better followup about the evolution of the design. Hopefully we’ll get one in the Editblog garage for testing and review as we did with the Tangent Wave (and what was then the Euphonix (now Avid) MC Color).

If we do get one I hope DaVinci Resolve will be supported as that’ll be the weapon of choice. That is unless we see Adobe shipping CS6 with SpeedGrade included. That’s the other wildcard in this whole affordable color grading tools equation. With Apple Color gone the way of the dodo bird we’re left only with Resolve until Adobe ships SpeedGrade. It’s always nice to have competition.

Check below for more details of what each piece of the Element includes. You can sign up for products updates from Tangent as well. As for purchasing an Element, Tangent has a reseller page on their website that could point you in the right direction. As of this post the Element isn’t listed on B and H Photo’s website but I would guess that’ll change as soon as the Element is shipping in larger quantities. If someone gets an early Element I hope they’ll post their thoughts in the comments below. And if someone from Blackmagic Design wants to let us know that Resolve support is coming then we’ll be happy to have that comment too.

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The Editing of “Courageous” Part One

Steve Hullfish | 10/14

The off-line edit of a RED feature film

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Last October, I had the rare opportunity to edit a feature film called “Courageous,” which is in theaters now. “Courageous” was the number one new movie the weekend it opened (September…

Testing the 7toX Final Cut Pro 7 to Final Cut Pro X conversion

Scott Simmons | 02/12

We finally get a tool to do what we thought would be possible from FCPX v1.0.0

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When Apple released the latest Final Cut Pro X update there was a very important 3rd party utility released right alongside the 10.0.3 update that finally allowed the importing…

Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch

Scott Simmons | 02/07

If you haven’t heard they have moved from FCP7 to Media Composer

Back in January news broke that reality television producers Bunim/Murray were switching their post-production facilities from Final Cut Pro to Avid Media Composer. This probably didn’t come as a great shock to anyone who follows post-production as the release of Final Cut Pro X had left many people (especially those…


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Tip Tuesday: Disable a clip in the Avid Media Composer timeline
Testing the 7toX Final Cut Pro 7 to Final Cut Pro X conversion
Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch
Kicking the tires on the Final Cut Pro X 10.0.3 Multicam update
Update Alert: Final Cut Pro X goes to 10.0.3
Adobe teases Prelude at the San Francisco Supermeet, FCPUG changes its name
Tangent Element panels are now shipping
Avid Media Composer 6 review online
Update Alert: Magic Bullet Suite 11.2
Update Alert: FxFactory 3.0
The new Fotoshop by Adobé can change the way you look!
Did you know MPEG Streamclip could convert YouTube videos?
New That Post Show: Edit Pro Supergood
Clean those Adobe Media Cache Files
Christmas Gift Ideas for the Editor in Your Life
Kicking the Tires on Avid Media Composer 6
The Adobe Premiere Pro timeline for Final Cut Pro users
Avid Media Composer 6 is announced and it’s moving into the future
All of the Automatic Duck plug-ins are now free
A report on Walter Murch’s talk at the Boston SuperMeet
A lesson learned from my FCPX to Resolve roundtrips
Update Alert: DaVinci Resolve 8.1: FCPX support, lots of little things
A Few Recent Avid Media Composer Finds
A short Q and A with Automatic Duck about their Adobe move
Steve Jobs 1955 - 2011
$995 Final Cut Pro to Media Composer crossgrade ending very soon
Kicking the tires on the Final Cut Pro X 10.0.1 update
You may move your Get license to Boris Soundbite
Detailed demo of the Baselight for FCP7 plug-in
Phonetic dialog search returns as Soundbite from Boris







The Editing of “Courageous” Part One

Steve Hullfish | 10/14

The off-line edit of a RED feature film

image

Last October, I had the rare opportunity to edit a feature film called “Courageous,” which is in theaters now. “Courageous” was the number one new movie the weekend it opened (September…

Testing the 7toX Final Cut Pro 7 to Final Cut Pro X conversion

Scott Simmons | 02/12

We finally get a tool to do what we thought would be possible from FCPX v1.0.0

image

When Apple released the latest Final Cut Pro X update there was a very important 3rd party utility released right alongside the 10.0.3 update that finally allowed the importing…

Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch

Scott Simmons | 02/07

If you haven’t heard they have moved from FCP7 to Media Composer

Back in January news broke that reality television producers Bunim/Murray were switching their post-production facilities from Final Cut Pro to Avid Media Composer. This probably didn’t come as a great shock to anyone who follows post-production as the release of Final Cut Pro X had left many people (especially those…

Kicking the tires on the Final Cut Pro X 10.0.3 Multicam update

Scott Simmons | 02/05

The ease of setup and managing multicam clips makes this the best FCPX update yet

image

As we all know by now Apple released their promised update to Final Cut Pro X that added multicam. It’s only been a week and there’s already a lot of articles and tutorials about how…

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