Scott Simmons

Scott Simmons was born in rural West Tennessee and didn't really realize that movies and tv had to be made by actual people until he went to college. After getting degrees in both Television Production and Graphic Design he was in one of the early graduating classes at the Watkins Film School in Nashville, Tennessee. During that time at Watkins he discovered editing. While most of his classmates in film school wanted to be directors, Scott saw real career opportunities in post production and took a job as an assistant editor after completing film school. In 1999, Scott took the leap into freelancing and in 2007 accepted a position as an editor at Filmworkers - Nashville. In 2005 Scott created The Editblog a website dedicated to all things editing and post-production which is now housed here at PVC. Someday he hopes to edit on a beach with a touch screen device, a wireless hard drive and a Red Stripe.

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The C300 short Hustle and some before and after images
Tip Tuesday: Disable a clip in the Avid Media Composer timeline
Testing the 7toX Final Cut Pro 7 to Final Cut Pro X conversion
Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch
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Wednesday, January 28, 2009

The GT35Pro up in the great cold north

Further testing the GT35pro 35mm lens adapter on the Canon HV20

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For Christmas 2008 my wife and I packed up the car and drove north to see her family. We ended up with Uncle John in Warkworth, Ontario, spending time on a gorgeous farm in the country. It was the perfect place to keep kicking the tires (see the first post about the GT35pro here and the first footage here) on my Canon HV20 with Greg Tay’s GT35pro adapter. Perfect in the sense that this type of shooting is one of the main reasons I like an affordable 35mm lens adapter for this little consumer camera. When I’m kicking around with the family, on a holiday at the beach or just shooting some random images in the neighborhood the option of getting fantastically shallow depth of field and the unique look of the image projected onto an adapter’s ground glass is very appealing. I don’t want lug thousands of dollars worth of high-end adapter, swing-away matte box, carbon-fiber rail system in their own dedicated pelican case around the country just for my own pleasure. It’s nice to have something that can fit in a travel bag or camera case and still yield results that are look good and are especially impressive to the family. You can easily get that out of most all of the lower cost 35mm lens adapters on the market.


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