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Terence Curren
Terence Curren is an editor, colorist and owner of Alpha Dogs, Inc. a post production house in Burbank, CA. Prior to starting Alpha Dogs in 2002, Terence helped build Matchframe Video over a 16 year stint there. He has taught at Pasadena Community College, and in the same vein of spreading the word started an Editor's user group called Editor's Lounge that meets in Burbank.
Coming from a unique position of being both an operator and an owner, Terence hopes to bring more balanced information than what the manufacturers present into our post world.
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Thursday, February 24, 2011
With the advent of high quality acquisition tools for relatively little money, is there really a role for the highest quality production outside of niches?
I contend that the “it’s good enough” mentality is killing quality, and especially in our industry. Philip sees it differently. What do you think? Episode 20 of the Terence & Philip Show.
Click to PLAY VIDEO »
Sunday, April 20, 2008
It is unfortunate that my very first blog entry has to be an obituary. In case you haven’t heard the news, Frank Capria is no longer with us. No, don’t panic, he isn’t pushing up daisies, it’s a little worse than that, he is working for a manufacturer! Of course I’m running with a bit of humor here, but there is also a serious undertone. Frank was one of the guys leading the resistance to push the manufacturers to improve the products and pricing in our market space… and now he’s been absorbed.
more »
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Sara Frances
Super Heroic efforts rule the digital universe,
Scott Simmons
Studio Daily posted the review last week after pounding the thing on a number of edits
Art Adams
Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…
Mark Spencer
On this week’s MacBreak Studio
Todd_Kopriva
Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.
Chris and Trish Meyer
...plus an update on what’s next for the Apprentice series.
Scott Simmons
Plus a little screencast in this blog post on a topic we didn’t get to cover.
Art Adams
You want 240fps 1920x1080? I’ve got your high-speed HD right here… for less than $10K.
Matt Jeppsen
Use a boom mic and some common sense!
Chris and Trish Meyer
Taking advantage of parenting, multiple 3D views, and AE’s built-in calculator to coordinate a multi-layer animation.
Mark Spencer
Motion Magic on MacBreak Studio
Scott Simmons
These are a few of the things that I found myself searching for as I’ve been moving over to Premiere Pro CS6 as a FCP 7 replacement
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Sara Frances | 05/26- 10:09 AM
Super Heroic efforts rule the digital universe,
where we’re all acquiring and creating media at an alarming rate—media that requires vast amounts of storage space. If your clients are like mine, they are remarkably unsophisticated, sometimes even careless, about how and why to protect the valuable images we make for them. Drobo® changes all that. When they come crying to you, wouldn’t it be great to be the hero and say, “yes, I’ve got you covered!”
Scott Simmons | 05/26- 07:08 AM
Studio Daily posted the review last week after pounding the thing on a number of edits
Last week Studio Daily published my Adobe Premiere Pro CS6 review. It’s a longie but a goodie as I tried to go into detail about what I really like and what I kinda don’t like about this brand new Premiere Pro. I had been pounding it hard on several projects before writing the review. I have had a few questions about exactly what kind of jobs I’ve been working on with it.
To be considered for listing, contact pr (at) provideocoalition (dot) com
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